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Home » 🎤 Rod Stewart at Glastonbury Festival – Past His Prime or Sabotaged by the Sound Desk? 🎤

🎤 Rod Stewart at Glastonbury Festival – Past His Prime or Sabotaged by the Sound Desk? 🎤

Michael by Michael
29 June 2025
in UK Music Festivals
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By The Riff Report Blog – loud, proud, and possibly holding back tears during “Sailing” 🥲⚓


Well, Glasto 2025 threw us another curveball, butt! When it was announced that Sir Rod Stewart would be gracing the Pyramid Stage, some of us were buzzing for a “Maggie May” singalong… and others were wondering if the old rocker still had the juice. But what we got was… a mixed bag wrapped in Union Jack trousers and doused in nostalgia 🎩🇬🇧

So here’s the burning question:
Was Rod Stewart actually past his prime, or did the sound crew drop the mic – literally? 🎚️💥


🎶 THE SETLIST: GOLDEN OLDIES OR DAD DISCO?

Sir Rod didn’t mess about – he came armed with the big guns.
We’re talking:

  • “Do Ya Think I’m Sexy?” (mixed reaction from the front row 😅)
  • “Forever Young” (somewhat ironic)
  • “The First Cut is the Deepest” (and so was the cringe during the key change)
  • And of course, the emotionally explosive “Sailing” – which got even the rowdiest bucket-hat lads crying into their lukewarm ciders 😭🍺

Song choice? Solid. Delivery? Erm… let’s unpack that 👇


🎙️ VOCALS: GRAVEL OR GRAVEYARD?

Right, let’s address the haggis in the room 🥴 –
Rod’s voice wasn’t at its stadium-shaking best. That iconic raspy snarl? It teetered between charmingly weathered and worryingly wheezy.

There were missed notes, some awkward pacing, and a couple of moments that genuinely had the crowd glancing around like, “Is it me, or is this a bit off?”

But here’s the kicker: it wasn’t just Rod.
Everyone in the field started whispering the same thing by the third song:
“The sound is shite.” 💀


🎚️ SOUND ENGINEERING: WHO UNPLUGGED ROD?

We’ve seen some dodgy mixes over the years, but this? This was a clown show on the dials 🤡

  • Vocals too low during the openers.
  • Guitar lost in the mud mid-set.
  • Back-up singers out of sync, probably because the monitors were feeding them a different gig entirely.
  • And the bass? More like no bass until someone clearly panicked and cranked it – and then it sounded like Rod was singing from inside a subwoofer. 🌀

Some fans near the Pyramid claimed it sounded lush… but back by the bar? It was Glast-on-burry. 👂🧻


🧓 THE AGE THING: IS IT TIME TO HANG UP THE SEQUINS?

Let’s be honest – Rod Stewart is 80. EIGHTY. And he’s still out here belting classics in front of 100,000 people like he owns the bloody place. That’s rock ‘n’ roll royalty right there 👑🎸

But fair play – age does catch up. This wasn’t Rod at his finest. But to call him “past it”? Nah, butt. That’s lazy.

What we saw was a living legend battling through a brutal mix and still getting thousands of people swaying in the drizzle. That ain’t nothing to sneer at.


📢 CROWD VERDICT: A MIXED BAG OF BOOS AND BALLADS

🗣️ “Bit rough around the edges, but I still got goosebumps during ‘Sailing’.” – Linda, 42, Newport
🗣️ “Sound was appalling – Rod deserved better.” – Jamal, 29, Leeds
🗣️ “I love him but he should’ve headlined the Radio 2 tent, not Pyramid.” – Chloe, 25, Bristol
🗣️ “Didn’t care, had glitter on and danced my arse off.” – Gaz, 38, Bridgend


🧠 FINAL THOUGHTS – SO, WAS ROD COOKED?

Let’s break it down, riff-heads:

🎸 The Bad:

  • Vocals didn’t land like they used to
  • Mix was borderline sabotage
  • Stage energy was more Sunday brunch than Saturday night fever

🎸 The Good:

  • Iconic songs that still hit emotionally
  • Charisma by the truckload (he is Rod Stewart, after all)
  • A crowd that, despite everything, still sang their hearts out

Verdict?
👉 Rod’s still got the soul, but his set was kneecapped by dodgy tech and an unforgiving main stage mix. Give him a proper sound check and a twilight slot, and he’d still blow your glitter socks off 🧦✨


What did you think, Glasto warriors?
Was it a nostalgic dream or a croaky nightmare? Hit us up in the comments or shout us out on socials using:

🎯 #RodAtGlasto
🎯 #DoYaThinkImMixedBadly
🎯 #ForeverYoungForeverFeedback
🎯 #SoundGuysGetAFan

Until next time – keep it loud, proud, and never trust a quiet sound desk! 🤘😆


Written by The Riff Report Blog – the only place where a microphone slip becomes a mosh pit tale. 🥁💥

Previous Post

🎈 “Whose Balloon Is It Anyway?” – Glastonbury’s Nitrous Nightmare and the Clean-Up Chaos Nobody Talks About 💥

Next Post

🌟 OASIS HAVE ARRIVED IN CARDIFF – SOUND CHECK BLARING, LET THE CHAOS BEGIN! 🏟️🎤

Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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