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Home ยป ๐Ÿค˜๐Ÿ”ฅ METALLICAโ€™S S&M โ€“ THE NIGHT METAL AND ORCHESTRA BECAME A POWER COUPLE ๐Ÿ”ฅ๐Ÿค˜

๐Ÿค˜๐Ÿ”ฅ METALLICAโ€™S S&M โ€“ THE NIGHT METAL AND ORCHESTRA BECAME A POWER COUPLE ๐Ÿ”ฅ๐Ÿค˜

Michael by Michael
23 November 2025
in On This Day In Metal
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Celebrating a legendary release from 23 November 1999

Oi oi, butt! Grab your leather jacket, your finest air-conductor baton, and maybe a cheeky pint โ€” because today weโ€™re rewinding to one of the most jaw-dropping, genre-smashing, and utterly bonkers milestones in heavy metal history.

On 23 November 1999, Metallica unleashed S&M, their colossal collaboration with the San Francisco Symphony Orchestra, conducted by the legendary Michael Kamen โ€” a man who basically looked at thrash metal and said:

โ€œAye, thatโ€™ll go nicely with 90 violins, mun.โ€

And he was right. Proper job.


๐ŸŽถ A DREAM YEARS IN THE MAKING

The seeds of S&M were planted long before the first violinist rosined their bow. Michael Kamen โ€” composer, conductor, absolute wizard โ€” was fascinated by the cinematic textures in Metallica tracks like โ€œThe Call of Ktulu.โ€ He knew this band could pull off something massive.

Fast-forward to 21โ€“22 April 1999 at the Berkeley Community Theatre, where Metallica stepped onto a stage surrounded by an entire orchestra โ€” an actual symphony, butt โ€” ready to create a live album nobody thought could workโ€ฆ until it did.

And oh boy, did it WORK.


โšก THE SOUND: BIGGER THAN A T-REX IN A TUX

Letโ€™s get one thing straight โ€” S&M doesnโ€™t sound like โ€œMetallica plus violins.โ€
It sounds like Metallica went Super Saiyan.

Your favourite riffs? Louder.
Your favourite choruses? Glorious.
Your favourite intros? Cinematic as the final battle of Lord of the Rings.

From the moment those strings swell under โ€œThe Ecstasy of Goldโ€, you know youโ€™re in for an epic unlike anything the metal world had heard before.

Standout transformed tracks include:

๐ŸŽป โ€œNothing Else Mattersโ€

Now scientifically engineered to make grown metalheads cry into their warm Carling.

๐Ÿฅ โ€œMaster of Puppetsโ€

A full orchestral assault. You could probably see your own skeleton vibrating.

๐Ÿ”” โ€œFor Whom the Bell Tollsโ€

Brass that hits harder than a wall of bodies at the front barrier.

๐ŸงŠ โ€œFade to Blackโ€

If sadness had a soundtrack and also punched you in the face.

๐Ÿ™ โ€œThe Call of Ktuluโ€

If Lovecraft wrote symphonies. The orchestra absolutely FEASTED on this one.


๐ŸŽค TWO NEW TRACKS? GO ON THEN

Metallica didnโ€™t just remix old tunes โ€” they came packing fresh ones too:

๐Ÿ”ฅ โ€œNo Leaf Cloverโ€ โ€“ instantly iconic, instantly emotional, instantly Metallica
๐Ÿ”ฅ โ€œโˆ’Humanโ€ โ€“ a chunky stomper tailor-made for orchestral muscle

Both debuted only on this project, proving they werenโ€™t just there to coast on nostalgia.


๐ŸŽฅ ATMOSPHERE: CHAOS, CLASS & COMPLETE MAGIC

The footage from those shows is wild:

  • Kamen conducting like a man possessed
  • The orchestra trying not to headbang while playing actual sheet music
  • Hetfield grinning like a kid who just found the cheat codes
  • Lars giving the timpani daggers
  • Kirk shredding while surrounded by cellos that cost more than your house

Itโ€™s as if someone poured whisky, fireworks, and a black-tie gala into a blender and shouted โ€œCโ€™MON BUTT โ€” HIT RECORD!โ€


๐Ÿ“€ RELEASE DAY: 23 NOVEMBER 1999

When S&M landed, it wasnโ€™t just another Metallica album โ€” it was a cultural MEGA-EVENT. Even people who claimed to โ€œnot like metalโ€ had to sit down and shut up for a minute.

The album went multi-platinum.
The DVD became essential viewing.
Music teachers everywhere had an existential crisis.

It proved metal could be grand, beautiful, theatrical, and frankly lush.


๐Ÿด WHY S&M STILL SLAPS TODAY

Even now, S&M remains:

๐ŸŽต One of the boldest cross-genre gambles in rock history
๐ŸŽป A masterclass in musical storytelling
๐Ÿค˜ A reminder that Metallica do NOT play it safe
๐Ÿ”ฅ A moment where metal didnโ€™t just cross over โ€” it took over

Every symphonic metal band that came after?
Theyโ€™re eating at the table Metallica built back in โ€™99.

And when S&M2 dropped in 2019, it only proved how timeless the original experiment truly was.


๐Ÿค˜ FINAL VERDICT: A MASTERPIECE, MUN

S&M isnโ€™t just a live album.
Itโ€™s a statement.
A celebration.
A flex.
A full cinematic smackdown of โ€œmetal canโ€™t be serious music.โ€

Itโ€™s Metallica saying:
โ€œWeโ€™re the biggest band in the world โ€” now watch us get bigger.โ€

If youโ€™ve never blasted S&M on full volume while dramatically conducting the orchestra in your pyjamasโ€ฆ tidy up your life, butt.

Because this album?
This is what happens when ambition meets genius.

Diolch for reading โ€” now whack on โ€œNo Leaf Cloverโ€ and treat your ears to something lush. ๐Ÿค˜๐ŸŽป๐Ÿ”ฅ

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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