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Home ยป ๐Ÿ™๐ŸŽธ ANIMALS AS LEADERS โ€“ PROGโ€™S INSTRUMENTAL ALIENS FROM THE TECH-NETHERWORLD

๐Ÿ™๐ŸŽธ ANIMALS AS LEADERS โ€“ PROGโ€™S INSTRUMENTAL ALIENS FROM THE TECH-NETHERWORLD

Michael by Michael
6 July 2024
in Band Bios
Reading Time: 6 mins read
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Cโ€™mon now, whatโ€™s occurring in this band? Aliens? Octopus-fingered robots? Interdimensional time architects?
Nope. Just three blokes making music so otherworldly and mathematically ridiculous that even NASA said, โ€œWe canโ€™t keep up, mun.โ€ ๐Ÿง ๐Ÿš€๐Ÿ”ฅ

Animals As Leaders isnโ€™t just a band โ€“ theyโ€™re an experience.
Thereโ€™s no singer because vocals would only get in the way of the eight-string insanity, jazz wizardry, and polyrhythmic sorcery they bring to every track.
This is music for prog nerds, shredheads, and aliens in disguise. ๐Ÿ›ธ๐Ÿค˜


๐Ÿง  WHO (OR WHAT) IS ANIMALS AS LEADERS?

Genre: Instrumental Prog Metal / Djent / Fusion / Jazz Metal / Tech Wizardry
From: Washington, D.C., USA ๐Ÿ‡บ๐Ÿ‡ธ
Formed: 2007
Created by: Tosin Abasi โ€“ the guitar god your guitar god prays to.

Name Meaning: Inspired by Daniel Quinnโ€™s novel Ishmael โ€“ a deep philosophical jab at human arrogance.
Translation: Weโ€™re not the only leaders on this planet, butt.


๐Ÿ™ THE MEGA-BRAINED TRIO

  • Tosin Abasi โ€“ Guitar Overlord / Eight strings, zero limitations. Invented new ways to play.
  • Javier Reyes โ€“ Guitar Extraordinaire / Textural genius, fusion master, riff whisperer.
  • Matt Garstka โ€“ Drum Wizard / Time-bender, groove-sorcerer, half-human metronome.

Together, they make music that sounds like AI evolved a soul, went to Berklee, and started a jazz metal band. ๐Ÿ’€๐Ÿ”ฅ


๐Ÿ’ฟ DISCOGRAPHY โ€“ PLANET-MELTING TECH METAL


๐ŸŒ€ Animals as Leaders (2009)

๐ŸŽง CAFO, Tempting Time
Vibe: The beginning of the end for normal guitar playing.
๐Ÿง  Tosin plays EVERYTHING. A genre-defining debut.
๐Ÿ’ฅ โ€œCAFOโ€ = certified tech metal anthem.


๐Ÿ’ป Weightless (2011)

๐ŸŽง An Infinite Regression, Do Not Go Gently
Vibe: More glitchy, more ambient, more brain melting.
๐Ÿคฏ This album feels like being inside a computer made of riffs.


๐ŸŒŒ The Joy of Motion (2014)

๐ŸŽง Tooth and Claw, The Woven Web
Vibe: Groovier, jazzier, catchier (yes, catchy!).
๐Ÿ† Possibly their most accessible album. Still utterly wild.


๐Ÿ•น๏ธ The Madness of Many (2016)

๐ŸŽง Arithmophobia, Ectogenesis
Vibe: Less metal, more prog-fusion. Raw, organic, unrelenting.
๐Ÿงฌ Feels like Tosin and Javier hacked into your DNA.


๐Ÿ”ฅ Parrhesia (2022)

๐ŸŽง Monomyth, Gordian Naught
Vibe: Short, focused, brutally tight.
๐ŸŽฏ Every track is a precision-guided groove missile.
๐Ÿ’ก โ€œParrhesiaโ€ means fearless speech โ€“ fitting for fearless music.


๐Ÿงช THE RIFF REPORT’S TECH-WIZARD ESSENTIALS

๐ŸŽธ CAFO โ€“ A rite of passage for any prog nerd.
๐ŸŽธ Tempting Time โ€“ The blueprint. The beast.
๐ŸŽธ Tooth and Claw โ€“ Heavy, groovy, and fun(ky).
๐ŸŽธ The Woven Web โ€“ Textural heaven. Headphone essential.
๐ŸŽธ Monomyth โ€“ The music video alone is a fever dream of choreography and madness.


๐Ÿ”ฅ WHY AAL STILL MELT BRAINS IN 2025:

Because they:

  • Redefined what the guitar could even DO
  • Made instrumental metal accessible without dumbing it down
  • Inspire thousands of YouTubers to break their fingers daily
  • Blend jazz, metal, djent, and ambient into one seamless cosmic noodle soup
  • Can groove HARD even in 17/8 time signature with a sideways key change

Also, Tosinโ€™s tone could make angels cry.


๐ŸŽง LIVE SHOWS โ€“ NO VOCALS. JUST SHREDDING TRANSCENDENCE.

If you think itโ€™s all nerd stuff, go see โ€˜em live.

Expect:

  • Guitar solos that make the audience levitate
  • Drum fills so fast they enter another dimension
  • Moments of silence as everyone tries to count the time signature
  • A sea of stunned faces mouthing โ€œHOW!?โ€

It’s less a gig, more a masterclass from the future.


๐ŸŽค FINAL VERDICT FROM THE RIFF REPORT:

**Animals As Leaders are metalโ€™s mind-bending, soul-healing, genre-redefining astronauts.
They donโ€™t need lyrics โ€” the music says everything.

Want music that rewires your brain?
Want guitar playing that borders on sorcery?
Want a sonic journey that feels like travelling through a wormhole made of jazz and djent?

Then plug in, zone out, and let AAL guide you.

๐Ÿ™๐ŸŽธ Animals As Leaders โ€“ because sometimes, words just get in the way.
Only in this dimension, mun. ๐Ÿ’€๐Ÿง โœจ

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๐ŸŒŒ๐ŸŒ€ TESSERACT โ€“ POLYRHYTHMS, COSMIC VIBES & PROG-POWERED TRANSCENDENCE

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๐Ÿ”ฅ๐Ÿง  WHILE SHE SLEEPS โ€“ METALCORE REBELS WITH RIFFS, RIOTS & REAL TALK

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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