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Home ยป ๐ŸŒ OASIS LIVE โ€™25 Declared a Major Event โ€” and Why This Anti-Scalping Law Needs to Go GLOBAL! ๐Ÿค˜

๐ŸŒ OASIS LIVE โ€™25 Declared a Major Event โ€” and Why This Anti-Scalping Law Needs to Go GLOBAL! ๐Ÿค˜

Michael by Michael
31 October 2025
in Gig & Tours
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Oi, this is how you do it, world! ๐Ÿ™Œ The Victorian Government has officially declared Oasis Live โ€™25 at Marvel Stadium a major event under The Major Events Act 2009, making it illegal to sell or advertise resale tickets for more than 10% above face value.

Let that sink in โ€” if you try to flog your ticket for silly money, you could be staring down fines up to $545,220 AUD. Yep, half a million. Thatโ€™s not a typo, butt. ๐Ÿ˜…

This isnโ€™t just about one gig; this is a massive win for music fans everywhere whoโ€™ve had enough of scalpers turning gigs into a rich manโ€™s sport. The law means no more bots sweeping ticket sites, no more Viagogo listings at ten times face value, and no more heartbroken fans priced out of seeing their favourite bands.

๐Ÿ’ฅ If Victoria can do it โ€” why canโ€™t everyone else? ๐Ÿ’ฅ

Fans in the UK, Europe, and the States have been screaming about this for years. Every major festival and arena show gets hijacked by resellers within minutes. Weโ€™ve seen it time and time again โ€” Oasis, Taylor Swift, Arctic Monkeys, Metallica, you name it. The second tickets drop, the bots pounce, and within seconds, resale sites are stacked with inflated prices.

Itโ€™s daylight robbery with a digital mask. ๐Ÿ’ป๐Ÿ’ฐ

But down in Oz, theyโ€™ve had enough. The Victorian Government isnโ€™t messing about โ€” theyโ€™ve declared Oasis Live โ€™25 a โ€œMajor Event,โ€ putting it in the same category as the AFL Grand Final and the Australian Open. That gives the state power to prosecute anyone profiteering from resale madness.

Imagine if the UK had the same rule for Cardiff Castle, Wembley, or Glastonbury tickets. No more ยฃ120 standing passes going for ยฃ800 on shady sites. No more fans queueing for hours just to be beaten by bots. Just fans, tickets, and tunes. ๐ŸŽธ

This needs to go worldwide, mun. ๐ŸŒ

The Major Events Act 2009 proves that governments can protect fans โ€” they just have to want to. Music shouldnโ€™t be a luxury for those who can afford to get scalped; it should be for everyone who bleeds for the band.

So hereโ€™s The Riff Reportโ€™s message loud and clear:

๐Ÿ‘‰ Make anti-scalping laws global. Protect the fans. Protect live music.

Because nothing kills the vibe faster than a ยฃ600 resale ticket to a ยฃ90 gig.


๐ŸŸ๏ธ Event: Oasis Live โ€™25
๐Ÿ“… Date: Saturday, 1 November 2025
๐Ÿ“ Venue: Marvel Stadium, Melbourne
๐Ÿ’ธ Resale Limit: No more than 10% above face value
โš ๏ธ Fines: $908 โ€“ $545,220 AUD


Until then, weโ€™ll raise a pint to Victoria for leading the charge โ€” proper tidy job, mates. ๐Ÿป
Now, whoโ€™s starting the petition to make this law global? ๐Ÿ‘€

#OasisLive25 #EndTicketScalping #MusicForTheFans #TheRiffReport #Oasis #MarvelStadium #FairTicketsNow #CmonButt ๐Ÿค˜

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.