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Home ยป โ€œALL IS VANITYโ€ โ€” CHAOS, CHRIST & A HARD LEFT TURN BACK HOME: ALBUM 10 BY ELUSIVE THUGS ๐Ÿ™๐Ÿ”ฅ๐Ÿค˜

โ€œALL IS VANITYโ€ โ€” CHAOS, CHRIST & A HARD LEFT TURN BACK HOME: ALBUM 10 BY ELUSIVE THUGS ๐Ÿ™๐Ÿ”ฅ๐Ÿค˜

Michael by Michael
2 February 2026
in New Album Released
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Every now and then, a record turns up that doesnโ€™t just play โ€” it confesses.

Not in a polished, PR-approved, โ€œhereโ€™s my truthโ€ kind of way either. Nah. This one rocks up bruised, honest, slightly shaken, and says: โ€œSit with this. It might get uncomfortable.โ€

ALBUM 10 by ELUSIVE THUGS is that record. And fair warning, mun โ€” this isnโ€™t background noise for the commute. This is a soul dump. A spiritual hard reset. A proper wrestle with chaos, ego, faith, and the mad circus we call modern life. ๐ŸŽช


NO PLAN. NO AGENDA. THENโ€ฆ BANG. ๐Ÿ’ฅ

Hereโ€™s the thing โ€” ALBUM 10 wasnโ€™t meant to exist.

There was no release schedule. No โ€œthis year Iโ€™ll drop a projectโ€ energy. Life was calm. Kids were around. Things wereโ€ฆ steady.

Then chaos kicked the door clean off its hinges.

Not a gentle knock. Not a warning. Just straight through the frame. And inside that mess โ€” that noise, fear, collapse โ€” came something completely unexpected: an encounter with Christ.

Not the Instagram-verse version. Not the polite, distant one. The real thing. Heavy. Demanding. Transformative.

As the artist puts it โ€” and this line is the spine of the whole record:

โ€œIt is in chaos that you find peace.โ€

Thatโ€™s not a slogan. Thatโ€™s lived experience.


ALL IS VANITY (AND WEโ€™RE ALL RUNNING, BUTT) ๐ŸŒฌ๏ธ

This album leans hard into Ecclesiastes โ€” the Biblical book that takes human ambition, looks it dead in the eye, and calmly says:

โ€œAll is vanity and a chasing after wind.โ€

Fame? Gone.
Money? Slips through your fingers.
Power? Borrowed time.

And honestlyโ€ฆ tell us that doesnโ€™t hit differently in 2026.

The music industry gets put under the microscope here โ€” not with bitterness, but with clarity. Artists grinding themselves into products. Audiences chasing quick hits. Algorithms dictating worth. Everyone loud, busy, surrounded โ€” and quietly empty inside.

Mountains of โ€œsuccessโ€.
Catwalks of glory.
And a shared loneliness echoing backstage.

HEVEL. Vapor. Smoke. Gone before youโ€™ve even clocked it.


EGO: A LOVELY LITTLE CAGE WITH SHARP TEETH ๐Ÿชž๐Ÿ˜ˆ

One of the most cutting ideas running through ALBUM 10 is this:

What if the art doesnโ€™t belong to us at all?

Thereโ€™s a moment recalled from a visit to the AGO Museum in Toronto. Small biblical sculptures. Deeply moving. Timeless. And when the artistโ€™s name is checked?

Anonymous.

No ego. No branding. No โ€œdonโ€™t forget meโ€. Just devotion. Creation as surrender.

That idea slices right through the album. Ego, it suggests, doesnโ€™t fuel creativity โ€” it limits it. True creation happens when the artist steps aside and lets something greater flow through them.

Thatโ€™s not anti-art.
Thatโ€™s art stripped back to its source.


THIS AINโ€™T A MANIFESTO โ€” ITโ€™S A TESTIMONY โœ๏ธ๐Ÿ”ฅ

Letโ€™s be clear: this isnโ€™t a โ€œburn it all downโ€ record.

Itโ€™s not here to lecture. Not here to flex moral muscles. Not here to play saviour.

This is a testimony. A heart laid on the table. A path shared, not imposed.

Thereโ€™s full awareness that criticism will come. Stones will be thrown. Mockery is part of the deal when you refuse to worship ego, fame, or the cult of recognition.

But the compass doesnโ€™t spin.

It stays locked on humility. On love. On light.


GOING BACK HOME (NO GPS REQUIRED) ๐Ÿ โœจ

At its core, ALBUM 10 is about return.

Not to a postcode.
Not to nostalgia.
But to that inner place โ€” the quiet dwelling, the spark, the home we forget exists once the noise takes over.

It speaks about:

  • stewardship instead of domination
  • community instead of hierarchy
  • love instead of recognition
  • faith instead of frenzy

And it leaves this hanging in the air like a challenge:

โ€œThe Kingdom of God is among you.โ€

The door isnโ€™t locked.
Itโ€™s never forced.
You choose when to step inside.


RIFF REPORT VERDICT ๐Ÿค˜๐Ÿ™

This isnโ€™t an easy listen โ€” and thank God for that.

ALBUM 10 doesnโ€™t chase trends, playlists, or short-term glory. It asks you to slow down, listen, and maybe question a few things youโ€™ve been sprinting past.

It wonโ€™t be for everyone.
Itโ€™s not meant to be.

But for those willing to meet it honestly, it offers something rare as hell in modern music: truth without polish, faith without theatre, and peace found the hard way.

Light it up.
Stand up.
Step in.

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STRANGER THINGS: TALES FROM โ€™85 โ€“ NETFLIX JUST OPENED THE PORTAL AGAIN ๐Ÿ‘พ๐Ÿ”ฅ

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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