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Home » 🎸🔥 ON THIS DAY IN METAL: METALLICA DROPPED RELOAD! 🔥🎸

🎸🔥 ON THIS DAY IN METAL: METALLICA DROPPED RELOAD! 🔥🎸

Michael by Michael
18 November 2025
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Released: 18 November 1997

C’mon butt — crack open a cold one and turn the volume to obnoxious, because today we celebrate one of the most divisive, chaotic, swagger-filled chapters in Metallica history. 🤘

Reload might not be the thrash titan of the early years, but blimmin’ hell, it’s got riffs hotter than chip-shop curry sauce at 1am and more cowboy swagger than Clint Eastwood at a rodeo. Tidy!


🔥 WHAT RELOAD BROUGHT TO THE TABLE

This album was the second punch of the Load era — the bluesy, rock ’n’ roll left-turn that had metalheads arguing harder than people fighting over who’s next at the bar in Merthyr.

But whether you loved it or you were still tamping about the haircuts, the record is stacked with groove, grit, and some of James Hetfield’s most swagger-drenched vocals ever.


🎵 FULL TRACKLIST + TRACK-BY-TRACK REVIEWS

Time to dive into the lava lamp–looking beast and break down every tune Metallica threw at us…


1. Fuel

🔥 Gimme fuel, gimme fire, gimme that which I desire!
The album doesn’t just start — it explodes. This is pure nitro-in-the-veins Metallica. A high-octane rocker custom-built for car chases, gym playlists, and accidentally driving 20mph faster than you meant to.
Verdict: A tidy, petrol-soaked anthem. Still melts faces live.


2. The Memory Remains

With Marianne Faithfull sounding like a ghost who smokes 40 a day (in the best way), this track drips with sleaze, swagger and burnout Hollywood vibes.
Verdict: Proper haunting. Proper groove. Proper job.


3. Devil’s Dance

A low-slung, slithering riff that sounds like it crawled out of the bayou with bad intentions. Hetfield’s vocals on this one? Filth.
Verdict: Slow, heavy, swamp-monster brilliance.


4. The Unforgiven II

The sequel nobody expected — and one that actually works. A reimagining of a beloved classic that hits with more country/Western dust and emotional grit.
Verdict: Underrated as hell. “Are you unforgiven too?” Still hits the feels, mun.


5. Better Than You

James going full cocky cowboy while Lars hammers out a stomping beat. This one later won them a Grammy, which still makes some fans tamping.
Verdict: Arrogant, loud, fun — classic ’90s Metallica.


6. Slither

Oooh, controversial one. It’s bluesy, bouncy, and very un-Metallica.
Verdict: Not for everyone, but the chorus is catchier than the flu in winter.


7. Carpe Diem Baby

A swaggering, blues-metal strut with Hetfield delivering one of his coolest vocal performances.
Verdict: Criminally slept on. Perfect for stomping around pretending you’re cooler than you are.


8. Bad Seed

Starts with coughing, ends with chaos. It’s crunchy, dirty, and sounds like it rolled around in the mud before being recorded.
Verdict: A nasty little groove monster — lush.


9. Where the Wild Things Are

Metallica enter fairy-tale territory with a dark, dreamy riffscape. This is Jason Newsted’s moment — he co-wrote it, and the vibe is pure night-time weirdness.
Verdict: Atmospheric, strange, and proper underrated.


10. Prince Charming

NOW WE’RE TALKING. This is the Load/Reload era at its most fun — party-metal swagger with a huge chorus and riffs that punch harder than a Valleys nightclub bouncer.
Verdict: So good it should’ve been a single. High energy, high chaos.


11. Low Man’s Lyric

Grab the tissues, mun. A violin, a hurdy-gurdy, and Hetfield pouring his heart out. It’s raw, sad, and beautiful.
Verdict: Devastating. A proper pint-in-hand emotional moment.


12. Attitude

A tough, punk-ish, straight-ahead rocker with a riff that feels like a headbutt.
Verdict: Solid filler, but still fun when blasted loud enough to annoy the neighbours.


13. Fixxxer

The cult classic. The deep cut. The closer that fans worship. Dark, moody, hypnotic — and live performances of this send the fanbase into meltdown.
Verdict: MASTERPIECE. The crown jewel of Reload.


🤘 THE LOAD/RELOAD ERA — GLORIOUS CHAOS

This was Metallica reinventing themselves — leather pants, eyeliner, cowboy boots, and tunes that confused your dad. Some fans hated it, some loved it, but everyone talked about it.

Only in the ’90s, mun. Only in the ’90s. 😅


🏴 THE RIFF REPORT VERDICT

Is Reload perfect? Nah.
Is it criminally underrated? YES MUN.
Does it slap when blasted at anti-social volumes? LIKE A SLEDGEHAMMER.

From the swagger of “Prince Charming” to the emotional gut-punch of “Low Man’s Lyric,” Reload remains one of Metallica’s boldest creative swings — and honestly, fair play to them.
Proper job, lads. Proper job. 🤘🔥

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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