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Home ยป ๐Ÿฉธ BLUDFEST: YUNGBLUDโ€™S RIOT AGAINST RIP-OFF FESTIVALS ๐Ÿค˜๐Ÿ”ฅ

๐Ÿฉธ BLUDFEST: YUNGBLUDโ€™S RIOT AGAINST RIP-OFF FESTIVALS ๐Ÿค˜๐Ÿ”ฅ

Michael by Michael
29 July 2025
in UK Music Festivals
Reading Time: 6 mins read
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โ€œThatโ€™s like 750 quid for a ticket!โ€ โ€“ Yungblud, probably watching Coachella prices and nearly fainting ๐Ÿ’ธ

What happens when one of Britainโ€™s most chaotic rock stars looks at the state of modern festivals โ€” ยฃ8 pints, ยฃ380 entry, and ยฃ20 to charge your phone โ€” and says โ€œNah, this ainโ€™t it, famโ€?

You get BLUDFEST, the brainchild of Yungblud, built not just as a music festival, but as a grassroots movement to make live music accessible, inclusive, and LOUD again.

๐Ÿ’ฅ The Birth of BLUDFEST โ€“ Music for the People

In 2024, Dom Harrison (aka Yungblud, aka the chaotic goblin king of Gen Z punk) had had enough. The music industry was pricing out the very fans that built it โ€” young people, working-class fans, rebels, outsiders, the weird and the wonderful.

So he said โ€œscrew itโ€ and launched his own festival: BLUDFEST. No corporate greed. No ยฃ200 wristband for a deckchair. Just music. Mayhem. And the maddest mosh pits this side of the Severn Bridge.

๐ŸŽซ Tickets: Rockinโ€™ Not Robbinโ€™

BLUDFEST launched in 2024 at The National Bowl in Milton Keynes, with tickets priced at a beautifully punk ยฃ49.50 โ€” thatโ€™s less than a merch hoodie at Glasto, mun.

Compare that to:

Reading Festival Weekend Ticket: ยฃ286.45 Glastonbury 2025: ยฃ380 Taylor Swift Eras Tour VIP Pit: ยฃ750+ ๐Ÿซ  And donโ€™t even mention Tomorrowlandโ€ฆ

BLUDFEST said โ€œnah, weโ€™re not having it.โ€

๐ŸŽค What Went Down at BLUDFEST 2024

๐Ÿ“ The Venue: Milton Keynes Bowl

A proper iconic outdoor venue โ€” think 65,000 sweaty, euphoric, eyeliner-streaked fans dancing in a big grass crater. Itโ€™s seen Bowie, Metallica, and Green Day, and now? It belongs to the BLUDs.

๐Ÿ”ฅ The Vibe

BLUDFEST wasnโ€™t just a gig โ€” it was a war cry. A celebration of misfits. An โ€œif you feel weird, youโ€™re welcome hereโ€ kind of party.

Gender-neutral loos โœ… Mental health support tents โœ… A โ€œMake a Mateโ€ tent โœ… (yes really, and it worked!) People bringing flags from all over the world โœ… No egos, just energy ๐Ÿ’ฅ

Oh, and the merch? Actually affordable. ยฃ20 shirts, not ยฃ60 corporate tat. Proper job.

๐ŸŽธ The Line-Up That Banged

While the focus was on accessibility, Yungblud didnโ€™t skimp on talent. BLUDFEST 2024 brought a tidal wave of punk, alt-rock, emo, and pure chaotic energy.

Headliner:

Yungblud โ€“ The man, the myth, the madness. Topless, feral, stage-diving, and screaming about how love beats capitalism. Iconic.

Other artists that tore up the Bowl included:

Lil Yachty (yes, genre chaos reigns!) Nova Twins โ€“ Heavy riffs and feminist fire ๐Ÿ”ฅ The Damned โ€“ Punk royalty Hot Milk โ€“ Manchesterโ€™s emo rage angels Wet Leg, Yonaka, ZAND, and more

It was a genre-defying, youth-fuelled frenzy โ€” a bit like Woodstock โ€˜99 if it had actually gone right ๐Ÿ˜…

๐ŸŽง Why BLUDFEST Matters (Like, Actually)

Letโ€™s be real: festivals have become classist playgrounds for people who can afford ยฃ12 cocktails and ยฃ350 tents that collapse in a breeze. BLUDFEST flipped that script and shouted:

โ€œMusic belongs to everyone. Not just the rich.โ€

And they meant it:

Yungblud partnered with local charities Free tickets for underprivileged youth were distributed Volunteers were treated like humans, not vending machines Community stalls celebrated people, not brands

It wasnโ€™t just a gig. It was a rebellion.

๐Ÿ“… Whatโ€™s Occurring in 2025?

BLUDFEST is BACK, baby! ๐Ÿ’ฅ

๐Ÿ“ Where?

The National Bowl, Milton Keynes again โ€” because if it ainโ€™t broke, donโ€™t move it.

๐Ÿ—“๏ธ When?

Saturday 21 June 2025 โ€“ mark it with a skull and a lightning bolt in your calendar โšก๐Ÿ’€

๐ŸŽŸ๏ธ Tickets?

Still blessedly low-priced, still making posh boutique festivals look like scams, and still one of the best bangs for your buck (or quid) in UK music.

(Tidy! ๐Ÿ‘)

๐Ÿง  The Punk Philosophy Behind It All

This isnโ€™t just about Yungblud patting himself on the back. This is about building a template for how festivals should be.

Affordable tickets No โ€œplatinumโ€ VIP โ€œeliteโ€ crap Fans treated like people, not wallets Real community, not influencer hellscapes More mosh, less markup ๐Ÿค˜

BLUDFEST is a middle finger to the industry that turned something magical โ€” live music โ€” into a luxury product. And fans are rallying to it.

๐ŸŽค Final Thoughts โ€“ A Festival for the Freaks, by the Freaks

BLUDFEST is a love letter to the outcasts, the misfits, the punks, the emos, the TikTok anarchists, and everyone who ever felt like they didnโ€™t belong at a corporate mega-fest.

Yungblud didnโ€™t just throw a party โ€” he built a home. And in 2025, that home is getting even bigger.

So if youโ€™re sick of posh glamping, ยฃ7 sausage rolls, and being treated like a debit card on legsโ€ฆ

Get yourself to BLUDFEST. Bring your eyeliner, bring your flag, bring your energy. And letโ€™s scream together until the mountain echoes.

WE ARE THE BLUD. ๐Ÿฉธ๐Ÿค˜

๐Ÿ“Œ INFO ZONE

๐Ÿ—“๏ธ Next Festival: 21 June 2025 ๐Ÿ“ Location: The National Bowl, Milton Keynes ๐ŸŽŸ๏ธ Tickets: From ยฃ49.50 (actual bargain) ๐Ÿ”— More info/tickets: www.bludfest.com (site may update soon for 2025) ๐ŸŽง Best Song to Listen While Reading This: โ€œLowlifeโ€ by Yungblud

Want us to cover BLUDFEST 2025 live, backstage, and with a pint in hand?

Smash that follow button, tag us @theriffreportuk, and letโ€™s make some bloody noise ๐Ÿ”Š

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๐Ÿฅ€ GOODBYE TO OZZY OSBOURNE: THE PRINCE OF DARKNESS TAKES HIS FINAL BOW IN BIRMINGHAM ๐Ÿ–ค

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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