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Home » 🖤 The 15 Best Ozzy Osbourne Songs of All Time 🖤

🖤 The 15 Best Ozzy Osbourne Songs of All Time 🖤

Michael by Michael
16 January 2025
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By The Riff Report Blog – A bit mad, a bit metal, and 100% Ozzy-tastic

He bit the head off a bat, told us all to “Bark at the Moon,” and survived more band bust-ups, brain fogs, and Brummie benders than you’ve had hot dinners. Ozzy Osbourne is the crown jewel in heavy metal’s battered and beer-stained crown 👑🍻

From Sabbath sorcery to solo stardom, here’s our definitive, devil-horn-approved countdown of Ozzy’s 15 greatest solo tracks. C’mon now, sing it with us… “All aboard!!” 🚂🎤


15. “Gets Me Through” (2001)

Ozzy’s love letter to fans, fame, and his own madness. Emotional, slightly haunted, and very “I’m still standing, ya bastards!”
🎧 Best for: Late-night soul-searching with Jack Daniels and eyeliner.


14. “Mr. Tinkertrain” (1991)

Creepy lyrics. Crunchy guitars. Classic Zakk Wylde squeals. It’s weird, wild, and weirdly addictive.
🎧 Best for: Freaking out your nan on Halloween.


13. “Perry Mason” (1995)

The most epic courtroom-themed metal banger ever written. The riffs slap, and that chorus? Guilty of being lush.
🎧 Best for: Imagining Ozzy in a judge’s wig. You’re welcome.


12. “Back on Earth” (1997)

New track from the The Ozzman Cometh comp that reminded us: Ozzy still had it, butt. Melodic and mighty.
🎧 Best for: Air-guitaring in your mum’s car.


11. “Shot in the Dark” (1986)

Synthy, spooky, and smoother than Ozzy’s post-rehab handshake. One of the first times he flirted with glam metal and nailed it.
🎧 Best for: 80s goth discos and eyeliner enthusiasts.


10. “No More Tears” (1991)

Nearly eight minutes of slow-burning, swampy, sobbing brilliance. That bassline alone deserves a shrine.
🎧 Best for: Crying in the shower while still headbanging.


9. “The Ultimate Sin” (1986)

Glam-era Ozzy in full spandex glory. It’s sleazy, catchy, and totally underrated.
🎧 Best for: Throwing glitter and devil horns simultaneously.


8. “Flying High Again” (1981)

Randy Rhoads rips, Ozzy soars, and the lyrics are delightfully on-the-nose. A ‘high’ point in every sense.
🎧 Best for: Questionable life choices in festival fields.


7. “Mama, I’m Coming Home” (1991)

A power ballad with real emotional bite. Ozzy’s voice drips with ache, and Zakk Wylde brings the feels with that solo.
🎧 Best for: Phoning your mam from the pub at 2am.


6. “Crazy Babies” (1988)

One of Ozzy’s most delightfully unhinged tracks. Just straight-up fun with unfiltered 80s madness.
🎧 Best for: Bar fights and air guitar contests.


5. “Over the Mountain” (1981)

Opens like a thunderstorm and doesn’t let up. Rhoads’ riffage is off the charts.
🎧 Best for: Sprinting through life like you’re on fire. (Metaphorically. Hopefully.)


4. “Bark at the Moon” (1983)

That snarling opening riff! That howling chorus! This is peak werewolf Ozzy.
🎧 Best for: Running barefoot through the woods under a full moon. (Optional pants.)


3. “I Don’t Know” (1980)

Ozzy kicks off his solo career with a warning shot: he’s not just surviving — he’s THRIVING. Absolute belter.
🎧 Best for: Starting a revolution or a very intense pub quiz.


2. “Mr. Crowley” (1980)

Haunting organs, witchy lyrics, and one of Randy Rhoads’ most iconic solos. It’s spooky, theatrical, and utterly essential.
🎧 Best for: Summoning demons or just a vibey Friday night.


🥇 1. “Crazy Train” (1980)

All aboard! The riff that launched a thousand neck injuries. Still timeless, still thunderous, still bloody perfect.
🎧 Best for: EVERYTHING. Gym. Mosh pits. Weddings. Dentist appointments. Whatever.


Honourable Mentions:

  • 🎶 “See You on the Other Side” – A funeral favourite with serious feels.
  • 🎶 “Dreamer” – Ozzy’s emotional “Imagine”-esque moment.
  • 🎶 “Time After Time” – No, not the Cyndi Lauper one. This one rips harder.
  • 🎶 “Under the Graveyard” – A powerful return in the twilight years.

Final Thoughts from The Bat Cave 🦇

From castles in the mist to courtrooms and crazy trains, Ozzy’s legacy is untouchable. Whether he’s growling, sobbing, or screaming into the void, he’s always been OUR mad Brummie wizard 🧙‍♂️💀

What did we miss, c’mon butt?
Hit us up with your favourite Ozzy bangers and let’s raise a pint to the Prince of Darkness himself 🍻

#TheRiffReport | #OzzyOsbourne | #CrazyTrainForever | #AllAboardMun

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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