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Home ยป ๐ŸŽธ๐Ÿ”ฅ Laurence Jones Releases โ€˜Bad Pennyโ€™ Featuring Rory Gallagher โ€” Honouring His Blues Rock Hero ๐Ÿ”ฅ๐ŸŽธ

๐ŸŽธ๐Ÿ”ฅ Laurence Jones Releases โ€˜Bad Pennyโ€™ Featuring Rory Gallagher โ€” Honouring His Blues Rock Hero ๐Ÿ”ฅ๐ŸŽธ

Michael by Michael
19 September 2025
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Alright butt, strap in, grab a pint, and crank your amps, because this oneโ€™s special. Laurence Jones โ€“ the young gun of British blues rock โ€“ has just dropped a cover of Rory Gallagherโ€™s โ€œBad Pennyโ€, and it ainโ€™t just your usual tribute. Nah, this beast features Rory himself, pulled from the archives and resurrected in glorious blues rock fashion. ๐Ÿค˜

This isnโ€™t just another modern player covering a classic. This is Laurence stepping up, tipping his cap, and saying, โ€œDiolch, Rory โ€“ this oneโ€™s for you, mun.โ€

Letโ€™s dive deep into the riff-fuelled rabbit hole: the story of the song, Roryโ€™s legend, Laurenceโ€™s journey, the recording magic, and what fans are yelling from the mosh pit (and bar stool). Welcome to 3,000 words of pure Riff Report blues-rock worship. ๐ŸŽถ๐Ÿ”ฅ


๐ŸŽต The Origin of Bad Penny โ€“ Roryโ€™s Gem from Top Priority

To really get why this release matters, you need to know the weight of Bad Penny. Back in 1979, Rory Gallagher dropped his tenth album, Top Priority, a gritty, hard-rocking affair that cemented him as one of the most respected guitar slingers of his generation.

Nestled in the middle of the record was โ€œBad Pennyโ€ โ€“ a tune that mixed Roryโ€™s razor-wire slide guitar with his raw, emotive voice. The song wasnโ€™t a massive chart hit (because letโ€™s be honest, Gallagher never played the industry game), but it became a fan favourite. Itโ€™s the kind of track that old heads still point to when saying, โ€œYou want to know why Roryโ€™s a legend? Start here.โ€

The lyrics cut like a knife โ€“ a loverโ€™s betrayal, a bad penny that keeps turning up โ€“ all wrapped in Roryโ€™s no-nonsense delivery. Itโ€™s blues, itโ€™s rock, itโ€™s pain, itโ€™s passion.

Fast forward to 2025, and here comes Laurence Jones, reviving Bad Penny with Gallagherโ€™s original fire stitched into the mix. Goosebumps, mun. Absolute goosebumps.


๐ŸŽธ Rory Gallagher โ€“ The Guitar God Who Never Played the Game

Letโ€™s take a pit stop for the uninitiated. Who the hell was Rory Gallagher?

Born in Ballyshannon, raised in Cork, Rory was the Irish guitar wizard who refused to compromise. No flashy costumes, no gimmicks, no arena theatrics. Just battered Stratocaster, plaid shirt, pint on the amp, and enough soul in his playing to bring grown men to tears.

  • ๐ŸŽค Albums โ€“ from Tattoo to Irish Tour โ€˜74, his discography is a goldmine.
  • ๐Ÿ•ถ๏ธ Style โ€“ a mix of blues, rock, folk, and Celtic fire.
  • ๐Ÿ”ฅ Legacy โ€“ inspired everyone from Brian May to Slash to The Edge.

While others sold millions, Rory built a cult following. His live shows were the stuff of legend. Fans talk about them like religious experiences โ€“ sweaty, loud, raw, and honest.

When he passed in 1995 at just 47, the world lost one of the great unsung heroes of guitar. Yet his influence never died. Every blues player worth their salt has a Rory story. And Laurence Jones? Well, heโ€™s practically made his career carrying Roryโ€™s torch.


๐ŸŽค Laurence Jones โ€“ The Modern Blues Shredder Carrying Roryโ€™s Flame

Born in Liverpool in 1991, Laurence Jones grew up on a diet of Clapton, Hendrix, Stevie Ray Vaughan โ€“ and yes, Rory Gallagher. By his teens, he was already a prodigy, ripping solos with the swagger of someone twice his age.

Jones has been called the โ€œfuture of the bluesโ€, winning Young Artist of the Year at the British Blues Awards multiple times. His albums โ€“ from Thunder in the Sky to Destination Unknown โ€“ show a player unafraid to mix modern polish with classic grit.

But through it all, Rory has been the guiding star. Laurence has covered Gallagher tunes on stage for years, often citing Bad Penny as one of his all-time favourites. Heโ€™s even been spotted wearing Rory-inspired plaid shirts โ€“ proper fanboy vibes. ๐Ÿ˜…

So when the chance came to actually collaborate with Roryโ€™s recorded material? For Laurence, it mustโ€™ve been like stepping onto hallowed ground.


๐Ÿช„ The Magic โ€“ How the Collab Came Together

Right, youโ€™re probably asking: how the hell do you record a song with a man whoโ€™s been gone nearly 30 years?

Hereโ€™s the trick. Laurenceโ€™s team gained access to Roryโ€™s original recordings, isolating his guitar and vocal takes from the late โ€™70s sessions. Using modern studio sorcery, they layered Laurenceโ€™s playing and singing alongside Roryโ€™s parts, blending eras into one seamless jam.

Think Nat King Cole and Natalie Cole on โ€œUnforgettableโ€ โ€“ but with a Stratocaster, a Marshall stack, and a whole lot more distortion. ๐Ÿคฏ

The result? Youโ€™ve got Rory snarling out the riffs and Laurence firing back, like a blues duel across time. Itโ€™s goosebump-inducing, emotional, and a proper celebration.

Laurence even said in interviews:

โ€œThis wasnโ€™t about me showing off. It was about standing next to Rory, saying thank you, and keeping his music alive.โ€

Class. Absolute class.


๐ŸŽถ Track Breakdown โ€“ The New Bad Penny

Letโ€™s rip this apart riff by riff.

  • Opening Riff โ€“ Roryโ€™s unmistakable tone kicks it off. That biting Strat sound is raw and dirty, like heโ€™s playing in a pub corner with wires sparking. Laurence mirrors it with modern clarity, making the contrast delicious.
  • Vocals โ€“ Roryโ€™s gravelly voice takes the lead on verse one. Then Laurence slides in, smoother but still blues-soaked. It feels like a conversation between master and student.
  • Guitar Solo 1 โ€“ Rory unleashes chaos. Fast, raw, unpolished โ€“ exactly what you want.
  • Guitar Solo 2 โ€“ Laurence counters with fluid, precise lines, his modern phrasing shining through.
  • Outro โ€“ The two intertwine, Rory bending strings like theyโ€™re screaming, Laurence weaving melody around the grit. Itโ€™s a duel, a dance, a handshake.

By the end, youโ€™re sat there with a tear in your eye, pint half-finished, muttering, โ€œTidy job, boys. Tidy job.โ€


๐Ÿ‘ฅ Fan Reactions โ€“ Old Guard vs New Blood

The drop of this track has sent both Rory die-hards and Laurence fans into meltdown.

  • Old School Fans โ€“ Many were sceptical at first. โ€œDonโ€™t mess with Roryโ€™s legacy,โ€ they cried. But once they heard it? Massive respect. Some are calling it โ€œthe closest thing to seeing Rory live again.โ€
  • Younger Crowd โ€“ For Gen Z blues fans discovering Rory through Laurence, this is like finding a time capsule. Suddenly, Spotify playlists are blowing up with Tattoo and Irish Tour โ€˜74.
  • Critics โ€“ Even the usually grumpy blues press are nodding in approval, praising the balance of reverence and innovation.

One fan on Twitter put it perfectly:

โ€œThis is like Hendrix jamming with John Mayer โ€“ but it feels real, not forced. Laurence did Rory proud.โ€


๐Ÿ“œ Why Bad Penny Matters in 2025

Blues rock has always been about passing the torch. From Robert Johnson to Muddy Waters to Clapton to Rory to Stevie Ray Vaughan โ€“ every generation has someone carrying the flame.

Right now, Laurence Jones is proving heโ€™s next in line. And by choosing to honour Rory in this way, heโ€™s not just cashing in on nostalgia. Heโ€™s reminding the world of Roryโ€™s genius while pushing himself forward.

Itโ€™s also a reminder that while algorithms may pump out soulless pop, thereโ€™s still space for sweat, strings, and six minutes of guitar duelling. ๐ŸŽธ๐Ÿ”ฅ


๐Ÿ”ฎ Whatโ€™s Next for Laurence Jones?

So, where does he go from here?

  • Touring โ€“ Expect โ€œBad Pennyโ€ to become a live centrepiece, with Roryโ€™s parts played via backing tracks or guest guitarists. Imagine the goosebumps in the crowd when Roryโ€™s voice cuts in.
  • Albums โ€“ This collab will likely feature on Laurenceโ€™s next record, perhaps even as the lead single. Could be his breakout moment to bigger audiences.
  • Legacy Building โ€“ Laurence has always had respect in blues circles, but this might elevate him to the next tier โ€“ not just a prodigy, but a torchbearer.

As for Rory? His legend only grows. Every time a young fan presses play on this track, another generation joins the cult. And thatโ€™s lush, mun. Absolutely lush.


๐Ÿ•ถ๏ธ The Riff Report Verdict

Laurence Jonesโ€™ Bad Penny featuring Rory Gallagher isnโ€™t just a song. Itโ€™s a love letter, a resurrection, and a bloody brilliant jam. It proves the blues ainโ€™t dead โ€“ itโ€™s alive, snarling, and very much kicking.

For fans of Rory, itโ€™s a gift. For fans of Laurence, itโ€™s proof heโ€™s the real deal. And for everyone else? Itโ€™s a reminder that guitar music with guts still has the power to move you, shake you, and make you shout โ€œYESS MUN!โ€ in the middle of Tesco.

Score: 10/10 pints of Guinness ๐Ÿบ๐Ÿบ๐Ÿบ๐Ÿบ๐Ÿบ๐Ÿบ๐Ÿบ๐Ÿบ๐Ÿบ๐Ÿบ
Most Goosebump Moment: The outro solo duel โ€“ Rory and Laurence intertwining across time.
Fan Reaction: Tears, beers, and raised Stratocasters.


๐ŸŽง Final Words

From Cork to Liverpool, from 1979 to 2025, Bad Penny has come full circle. Rory Gallagherโ€™s flame burns brighter than ever, and Laurence Jones has proved himself worthy of carrying it forward.

So pour yourself a drink, stick this track on repeat, and let the blues wash over you. Because legends never die โ€“ they just keep riffing. ๐ŸŽธ๐Ÿ”ฅ

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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