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Home ยป ๐Ÿฉธ๐Ÿ–ค BAD OMENS โ€“ EMO GOTHCORE FOR THE DOOMSCROLLING GENERATION

๐Ÿฉธ๐Ÿ–ค BAD OMENS โ€“ EMO GOTHCORE FOR THE DOOMSCROLLING GENERATION

Michael by Michael
6 July 2024
in Band Bios
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Alright mun, grab your black hoodie, crank the eyeliner, and prepare for an emotional collapseโ€ฆ with breakdowns.
Because BAD OMENS arenโ€™t just here to scream and strut โ€” theyโ€™re here to bleed feelings all over the stage and still look cooler than your entire Spotify Wrapped. ๐Ÿ•ถ๏ธ๐Ÿ’”๐ŸŽค

Think Bring Me the Horizon meets The Weeknd in a haunted nightclub โ€” all wrapped up in industrial beats, massive singalongs, and enough angst to flood TikTok.
This ainโ€™t just metalcore anymore.
Itโ€™s post-everything dark pop rage with fangs.


๐Ÿง›โ€โ™‚๏ธ WHO ARE BAD OMENS?

Genre: Modern Metalcore / Alt Metal / Emo Trap Pop / Sadboi Symphony
From: Richmond, Virginia ๐Ÿ‡บ๐Ÿ‡ธ
Formed: 2015
Known For:

  • Hooks you can scream and cry to at the same time
  • Wearing black in 34ยฐC heat
  • Melancholy bangers for the chronically online
  • Noah Sebastianโ€™s angel-demon vocal wizardry
  • Actually making TikTok rock cool.

Bad Omens are the voice of your existential dread โ€”
but with better hair and killer synths.


๐Ÿฉธ THE LINE-UP OF FEELS & FURY

  • Noah Sebastian โ€“ Vocals / emo frontman energy + pop genius vibes
  • Joakim “Jolly” Karlsson โ€“ Guitar / riffs & sleek soundscape overlord
  • Nicholas Ruffilo โ€“ Bass / low-end you feel in your bones
  • Nick Folio โ€“ Drums / technical precision with stadium rock punch

Noah is the heart and howl of the band โ€” flipping from fragile falsettos to demonic growls faster than you can say โ€œplaylist trauma.โ€


๐Ÿ’ฟ DISCOGRAPHY โ€“ SADBOY ANTHEMS WITH BITE


๐Ÿ˜ˆ Bad Omens (2016)

๐ŸŽง Glass Houses, The Worst in Me, Reprise
Vibe: Straight-up metalcore rage with cinematic flair.
Big riffs, bigger emotions.
Early BMTH fans? Youโ€™ll eat this up.


๐Ÿ”ฅ Finding God Before God Finds Me (2019)

๐ŸŽง Dethrone, Burning Out, The Hell I Overcame
Vibe: More polished, more epic.
Choirs, clean choruses, and breakdowns the size of cathedrals.
They went biblical, cinematic, and savage.
This is crying while lifting weights music.


๐Ÿ•ฏ๏ธ THE DEATH OF PEACE OF MIND (2022)

๐ŸŽง Like A Villain, Artificial Suicide, Just Pretend
Vibe: Goth pop meets industrial metalcore.
This is the one.
Breakout moment.
Spotify domination. Arena-ready. TikTok viral.
More synths. More sulking. Still heavy. Still heavenly.


๐ŸŒ˜ Concrete Jungle [THE OST] (2023)

๐ŸŽง V.A.N., C.A.N.C.E.L., ANYBODY CAN BE KILLED
Vibe: Darkwave, cyberpunk-core, glitchy AF.
Experimental AF.
Sounds like Blade Runner if it got dumped and discovered nu-metal.
Not a full LP, but a vibe-heavy detour that slaps.


๐ŸŽง THE RIFF REPORTโ€™S ESSENTIAL BAD OMENS BANGERS

๐Ÿ–ค Just Pretend โ€“ The anthem. The mood. The feels.
๐Ÿ’ฅ Dethrone โ€“ Heavy as hell. Unapologetically pissed off.
๐Ÿ•ฏ๏ธ The Death of Peace of Mind โ€“ Ethereal. Erotic. Existential.
๐Ÿšจ Like a Villain โ€“ A hook so good it should be illegal.
๐Ÿ’ฃ Artificial Suicide โ€“ Screams from the void with laser beams.


๐Ÿ˜ฑ WHY BAD OMENS MATTER

Because they:

  • Broke the metalcore mould and remade it with heartbreak and synths
  • Bring heavy riffs to the hyperpop generation
  • Arenโ€™t afraid to be vulnerable, venomous, or very online
  • Can headline a festival AND trend on TikTok
  • ***Turn breakdowns into breakdowns โ€” emotionally and musically

They’re the bridge between scenecore nostalgia and future goth dreams.
Theyโ€™re what MySpace kids always wanted to grow up into.


๐ŸŽค LIVE SHOWS โ€“ A CATHEDRAL OF FEELS AND FLAMES

A Bad Omens gig is:

  • ๐Ÿ’€ Smoke, strobes, and sadness.
  • ๐ŸŽค Singalongs so loud they hit your soul’s soft bits.
  • ๐Ÿ–ค Noah standing still, then exploding with fury.
  • ๐Ÿ”ฅ A masterclass in mood, power, and prettiness.

Donโ€™t expect banter.
Expect a religious experience.


๐Ÿง  FINAL VERDICT FROM THE RIFF REPORT:

***Bad Omens are the emo saviours of metalcore.
They blend mascara with mayhem, heartbreak with heaviness, and manage to make despair sound danceable.

Want your riffs dipped in tears and wrapped in neon?
Want a band that feels like reading your private journal while being dropkicked into a rave?
Want the soundtrack to your late-night doomscrolling spiral?

Then Bad Omens are already in your playlist. You just havenโ€™t realised it yet.


๐Ÿ–ค The Riff Report wipes a black tear and whispers into the void:
BAD OMENS โ€“ DARK. DREAMY. DEADLY.
SCENE ISNโ€™T DEAD. IT JUST GOT BETTER HAIR.
๐Ÿ•ฏ๏ธ๐ŸŽค๐Ÿ”ฅ

Previous Post

๐ŸŒ€๐Ÿ”Š MONUMENTS โ€“ POLYRHYTHMIC POWER, TECHNICAL RAGE & SOULFUL SCREAMS

Next Post

๐Ÿฉธ๐Ÿ”ช ICE NINE KILLS โ€“ SLASHERCORE SUPREME & HORROR’S HEAVIEST HYPEMEN

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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