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Home » 🖤🌀 LOATHE – BEAUTY MEETS BRUTALITY IN THE BLEAKEST DREAMSCAPE

🖤🌀 LOATHE – BEAUTY MEETS BRUTALITY IN THE BLEAKEST DREAMSCAPE

Michael by Michael
6 July 2024
in Band Bios
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C’mon butt… are you ready to feel things you weren’t prepared to feel during a breakdown? 😵‍💫💔
Because Loathe doesn’t just punch you in the chest — they cradle your broken soul, drag it through a haunted industrial wasteland, and leave you sobbing in slow motion to the sound of your own heartbeat.

From downtuned devastation to shoegaze serenity, Loathe are genre shapeshifters – like if Deftones, Code Orange, and Blade Runner had a lovechild and raised it on despair, ambience, and menace.
They’re as much about emotion as they are about eruption. This is music for the end times and the introspective come-down that follows. 🩸🧠💥


🌫️ WHO THE HELL ARE LOATHE?

Genre: Experimental Metal / Alt-Metal / Post-Hardcore / Shoegaze / Doomgaze / Violence & Vulnerability
From: Liverpool, UK 🇬🇧
Formed: 2014
Known For: Being heavy, ethereal, weird, wonderful, and totally unlabelable.

Imagine slipknot-level anger one second and My Bloody Valentine levels of dreaminess the next — that’s Loathe.


🖤 THE SHADOWY UNIT OF DOOM & DELICACY

  • Kadeem France – Vocals / The roar. The wrath. The beast within.
  • Erik Bickerstaffe – Guitar + Clean Vocals / The whisper. The wail. The dreamer.
  • Sean Radcliffe – Drums / Groove ninja meets noise merchant
  • Feisal El-Khazragi – Bass / The bottom end that rumbles like a broken city
  • Connor Sweeney – Former guitarist / Left in 2021 but helped shape the early sonic madness

Their dual-vocal style is the secret weapon — rage + reflection in perfect sync. One screams at the void, the other sings it to sleep.


💿 LOATHE DISCOGRAPHY – THE SOUNDTRACK TO YOUR INNER MELTDOWN


☠️ Prepare Consume Proceed (EP, 2015)

🎧 In Death, Despondent
Vibe: Raw metalcore. First mutation. You can already hear the seeds of doom.
Chaotic, guttural, and pissed off at everything.


🔨 The Cold Sun (2017)

🎧 Dance on My Skin, It’s Yours, East of Eden
Vibe: Bleak, futuristic, jagged. A concept album wrapped in barbed wire.
Industrial meets post-hardcore meets metalcore breakdowns that grind your face into the tarmac.
This is the “Black Mirror” of metal albums.


🖤 I Let It In and It Took Everything (2020)

🎧 Two-Way Mirror, New Faces in the Dark, Screaming, Gored
Vibe: A masterpiece. Their magnum opus. The sound of breaking down beautifully.
Shoegaze + post-metal + deathcore + sadness + soaring ambient guitar walls.
Sounds like Deftones in mourning.

TWO-WAY MIRROR especially?
👁‍🗨 Sadboi anthem of the decade.


🌫️ The Things They Believe (2021 – Instrumental/Ambient Album)

🎧 2110, Don’t Get Hurt
Vibe: Haunting. Minimalist. More atmosphere than riffs.
Soundtrack to your dreamlike breakdown at 3am.
They literally released a soundtrack to grief, healing, and space.


🎧 THE RIFF REPORT’S LOATHE ESSENTIAL LISTENING

🩸 New Faces in the Dark – Groove metalcore meets fury
🖤 Two-Way Mirror – Gothic dream-pop for metalheads. Fragile. Gorgeous.
🧱 Gored – Disgustingly heavy. Bassline that’ll rupture your bones.
🌌 Screaming – A duet of beauty and rage. Essential Loathe duality.
💔 Is It Really You? (Live collab w/ Alpha Wolf) – If a mosh pit cried.


🔊 WHY LOATHE ARE FLIPPING THE METAL SCRIPT

Because they:

  • Refuse to be pinned to one genre.
  • Bring both emotional intelligence and riff brutality.
  • ***Are genuinely experimental without sounding like try-hards.
  • Give Deftones energy but keep it 100% Scouse and savage.
  • Feel modern, urgent, and alien all at once.
  • Make vulnerability feel HEAVY.

In a world of predictable breakdowns and screamo clichés – Loathe are the glitch in the system.


🧨 LIVE SHOWS – CHAOTIC, CATHARTIC & A LITTLE POSSESSED

Seeing Loathe live is like:

  • Watching serenity turn into a riot.
  • Witnessing a slow dance erupt into a bar brawl.
  • One second you’re swaying with your eyes closed, the next you’re punching the floor.
  • Will they scream? Will they whisper? Will your spine survive the bass drop?

The lighting, the atmosphere, the mood – it’s post-metal theatre. With riffs.


🎤 FINAL VERDICT FROM THE RIFF REPORT:

Loathe are the future – but also the collapse, the dream, the nightmare, and the resurrection.
They don’t just play songs – they create emotional weather systems.
You don’t just hear them – you feel them in your jaw, in your gut, and in your bloody soul.

Want music that makes you mosh AND meditate?
Want a sonic purge with beauty baked in?
Want to cry in the pit and thank the band for it?

Then LET IT IN. LET LOATHE IN.


🖤 The Riff Report is floating in a fog of feedback, holding its heart, screaming into the void:
LOATHE – TO HURT, TO HEAL, TO DESTROY. TO FEEL.
Let the mirror crack, and see who you really are.

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⚔️🔥 SYLOSIS – THRASH-FUELLED APOCALYPSE WITH A TECHNICAL EDGE

Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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