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Home ยป ๐ŸŽธ๐Ÿ”ช METAL & ROCK ALBUMS INSPIRED BY STEPHEN KING

๐ŸŽธ๐Ÿ”ช METAL & ROCK ALBUMS INSPIRED BY STEPHEN KING

Michael by Michael
2 August 2025
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Reading Time: 6 mins read
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Stephen King ainโ€™t just the king of horror novels, mun โ€” heโ€™s the patron saint of spooky riffs, mosh-worthy mayhem, and bands that love a bit of blood-soaked storytelling. From demonic trucks to killer clowns, the Master of Horrorโ€™s influence has crept its way into the studio like a haunted reverb pedal.

So, pull up your denim battle vest, pour yourself a pint of red rum, and letโ€™s explore the albums and bands that were 100% cursed (in the best way) by King himself.


๐Ÿ‘จโ€๐Ÿ”ง AC/DC โ€“ Who Made Who (1986)

๐Ÿ’€ Inspired by: Maximum Overdrive

King was off his rocker on cocaine and behind the directorโ€™s chair for Maximum Overdrive, his only feature film. So who did he call to soundtrack the madness of killer trucks and vending machines? AC/โœญDC, obviously.

The band delivered “Who Made Who,” “D.T.,” and a whole comp album for the flick. The result? A soundtrack that slaps harder than a jukebox possessed by Satan.

๐Ÿ”Š “If you’re gonna have death by lawnmower, it needs to be set to ‘Hell’s Bells’, innit.” โ€” everyone, probably


๐Ÿ‘ฟ The Misfits โ€“ Graves Era Cuts

๐Ÿ’€ Inspired by: Pet Sematary vibes

While the Ramones did the original Pet Sematary anthem (banger), The Misfits in their Graves era channelled serious King energy. Songs like “Dust to Dust” and “Dead Kings Rise” could be alt scenes straight outta Derry.

Their entire catalogue drips with Creepshow, Salemโ€™s Lot, and Children of the Corn dread.

โœจ Bonus points if you blast it in the woods at night. With torches. And a shovel.


๐Ÿšซ Pennywise โ€“ Self-Titled (1991)

๐Ÿ’€ Inspired by: IT

That name isn’t just coincidental. The SoCal punks took their moniker straight from the sewer-dwelling shapeshifter himself, Pennywise the Dancing Clown.

The band doesnโ€™t go full clowncore lyrically, but the aggressive sound and themes of fear, identity, and rebellion are peak IT energy.

๐ŸŽˆ “Youโ€™ll float too… into the pit!”


๐ŸŽธ Metallica โ€“ Ride the Lightning (1984) & The Call of Ktulu

๐Ÿ’€ Loosely inspired by: Cosmic horror (aka King’s multiverse neighbours)

Metallica arenโ€™t directly quoting King, but theyโ€™re certainly dwelling in the same disturbing headspace. “Creeping Death,” “Fade to Black,” and “The Call of Ktulu” evoke the very dread that fuels King’s supernatural epics.

Itโ€™s not hard to imagine Roland from The Dark Tower blasting these while wandering the wastelands.


๐Ÿ‘จโ€๐Ÿฆฐ Rigor Mortis โ€“ Rigor Mortis (1988)

๐Ÿ’€ Inspired by: Horror overload, Stephen-style

Texas thrash legends Rigor Mortis made horror their bread and butter. While not King-exclusive, tracks like “Wizard of Gore” and “Demons” conjure the blood-slicked atmosphere of The Stand or The Shining.

Proper nasty stuff. We love it.


๐Ÿ’… King Diamond โ€“ Them (1988)

๐Ÿ’€ Inspired by: King’s storytelling flavour

No direct shoutouts to Stephen King, but King Diamond‘s gothic concept albums like Them and Conspiracy share the same DNA: haunted houses, creepy old ladies, and family trauma dialled to eleven.

Honestly, Them could be a spiritual sequel to The Shining. If you swapped Jack Nicholson for a corpse-painted Danish falsetto demon, like.


๐ŸŒŸ Ice Nine Kills โ€“ The Silver Scream (2018) & Welcome to Horrorwood (2021)

๐Ÿ’€ Inspired by: IT, Carrie, and more

The modern kings of horrorcore metalcore. Ice Nine Kills write bangers based entirely on horror films, and yep โ€” IT Is the End is their direct tribute to IT, complete with clown horns, circus chaos, and death growls from the sewers.

Other tracks tip the hat to Carrie, and the Welcome to Horrorwood sequel dives even deeper into blood-drenched cinema.


๐ŸŽถ Honorable Mentions: Songs That Scream Stephen King

๐ŸŒŸ Ramones โ€“ “Pet Sematary”

Wrote it for the film at Kingโ€™s request. Surprisingly heartfelt and spooky as hell.

๐ŸŽถ Anthrax โ€“ “Among the Living”

Inspired by The Stand and Randall Flagg. Pure thrash fury.

๐ŸŽถ Dream Theater โ€“ “The Shining” (unreleased)

Legend has it they jammed a version of this backstage and in soundchecks. We need it released. STAT.


๐Ÿ’ฅ King’s Dark Tower Multiverse: Metal’s Playground

The Dark Tower connects everything in Kingโ€™s world. Itโ€™s like the MCU, but way gnarlier. And you better believe the metal scene took notes:

  • Blind Guardian referenced it in interviews and vibe
  • Demons & Wizards crafted entire albums around similar fantasy-horror themes
  • Mastodon‘s artwork and lyrical layers often echo the Tower’s madness
  • Tool would 100% hang out in Mid-World if it had a studio

๐Ÿ‘ฝ Final Thoughts: Rockers Read King Too

From mosh pits to haunted paperbacks, Stephen King is essential metal canon. Whether itโ€™s a literal soundtrack to a cursed film (AC/DC), lyrical tributes (Anthrax), or spiritual homages in darkness (King Diamond), his influence lives loud.

So next time you spin a riff-heavy horror banger, remember: thereโ€™s a good chance it was born in a Maine nightmare.

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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