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Home ยป ๐ŸŽถ๐Ÿค˜ Moselele Bring Ukulele Chaos To The Pub With A Brilliant โ€˜Kids In Americaโ€™ Singalong

๐ŸŽถ๐Ÿค˜ Moselele Bring Ukulele Chaos To The Pub With A Brilliant โ€˜Kids In Americaโ€™ Singalong

Michael by Michael
9 September 2026
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Who needs a wall of Marshalls when youโ€™ve got a handful of ukuleles, a pub full of willing voices and a proper belter from Kim Wilde? Moselele have been doing exactly that โ€” and the result is gloriously good fun.

Thereโ€™s something wonderfully infectious about seeing a group of musicians sitting around a pub table, instruments in hand, absolutely throwing themselves into a song everyone knows.

And thatโ€™s exactly what Moselele โ€“ The Moseley Ukulele Group have been up to.

The Birmingham-based community group have been sharing their take on Kim Wildeโ€™s classic โ€œKids In Americaโ€, turning the 1981 new-wave anthem into a warm, rowdy ukulele singalong.

No giant stage.

No smoke cannons.

No drummer hidden behind 42 cymbals.

Just a bunch of people having a proper laugh with a great song.

And honestly?

Thatโ€™s what music is supposed to be about.

๐ŸŽธ โ€˜Kids In Americaโ€™ Gets The Ukulele Treatment

Originally released by Kim Wilde in 1981, โ€œKids In Americaโ€ remains one of those songs that immediately lights up a room.

That synth-driven intro.

That huge chorus.

That unstoppable sense of momentum.

Itโ€™s an absolute classic.

Moseleleโ€™s version strips all of that back and rebuilds it around ukuleles and voices, proving that a massive pop-rock anthem doesnโ€™t need a mountain of production to work.

Give people a strong enough song and a room willing to sing itโ€ฆ

Job done.

๐Ÿบ Music Belongs In Pubs

Thereโ€™s also something very British about the whole thing.

A pub.

A table.

A few drinks.

Instruments everywhere.

Somebody starts playing.

Before long, half the room is singing.

Beautiful.

For generations, pubs have been places where music lives outside the polished world of arenas and recording studios.

Folk sessions.

Open mics.

Pub rock.

Acoustic nights.

Community singalongs.

And groups like Moselele keep that tradition alive in their own wonderfully cheerful way.

๐Ÿค˜ Not Everything Has To Be Serious

Rock and metal can sometimes get very serious about itself.

Gear.

Tone.

Technique.

Authenticity.

Which subgenre of which subgenre something belongs to.

Then a bunch of ukulele players sit down in a pub and belt out โ€œKids In Americaโ€ with massive smiles on their faces.

Perspective restored.

You donโ€™t need expensive gear to make music worthwhile.

You donโ€™t need to be headlining Wembley.

Sometimes you just need four chords, good company and enough confidence to absolutely murder the volume on the chorus.

๐ŸŽค A Community Built Around Songs

Thatโ€™s perhaps the nicest thing about groups like Moselele.

The music isnโ€™t simply about performance.

Itโ€™s about participation.

People getting together.

Learning songs.

Playing instruments.

Having a laugh.

Making friends.

And creating something together.

That sense of community has always been one of the strongest parts of music culture.

Whether itโ€™s twenty thousand metalheads in a festival field or twenty people playing ukuleles in a pub, the feeling is surprisingly similar.

Everyone knows the song.

Everyone joins in.

For a few minutes, everybodyโ€™s on the same wavelength.

๐ŸŽถ Kim Wildeโ€™s Classic Still Works Anywhere

The fact โ€œKids In Americaโ€ survives the transition so comfortably says plenty about the quality of the original song too.

More than four decades after its release, the chorus still lands.

Put it through synthesizers.

Electric guitars.

Acoustic guitars.

Ukuleles.

Probably a kazoo orchestra if youโ€™re feeling reckless.

Itโ€™s still going to work.

Thatโ€™s the sign of a proper tune.

๐Ÿป Heading Back To The Prince Of Wales

Moseleleโ€™s post also points towards another of their regular sing-song gatherings at the Prince Of Wales, where the group continue doing what they do best โ€” getting people together and making some noise.

And frankly, more pubs could probably use this sort of thing.

We love a massive gig.

We love pyrotechnics.

We love stacks of amplifiers tall enough to require planning permission.

But thereโ€™s something equally special about live music happening two feet away from you while somebodyโ€™s pint sits dangerously close to the instruments.

Thatโ€™s grassroots music in its purest form.

๐Ÿค˜ THE RIFF REPORT VERDICT

This is exactly the sort of musical joy we can get behind.

No egos.

No nonsense.

Just people getting together and playing a song because they bloody love it.

Moseleleโ€™s ukulele-powered version of โ€œKids In Americaโ€ is fun, communal and impossible to watch without wanting to join in.

And in a world where music can sometimes feel increasingly dominated by algorithms, streaming numbers and carefully polished content, seeing real people sitting around a pub table making music together feels refreshingly genuine.

More of this, please.

More pub sessions.

More community bands.

More instruments in hands.

More people singing badly but enthusiastically.

Because sometimes rock โ€™nโ€™ roll spirit doesnโ€™t come from a distorted guitar.

Sometimes it comes from a ukulele and a table full of mates.

Weโ€™re the kids! Weโ€™re the kids! And apparently weโ€™ve all brought ukuleles. ๐ŸŽถ๐Ÿบ๐Ÿค˜

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Michael

Michael

Michael is the founder, editor, and chief riff wrangler of The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. ๐Ÿค˜ A lifelong rock and metal fan, he spends much of the year covering festivals, gigs, bands and the incredible community that keeps the scene alive. From massive headline shows to grassroots venues and rising artists, Michael is passionate about sharing the stories, music and people that deserve to be heard. Proudly Welsh. Proudly Loud. Always chasing the next great riff. ๐ŸŽธ๐Ÿ”ฅ

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