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Home ยป ๐ŸŽญ 13 Best Slipknot Masks of All Time โ€“ Ranked ๐Ÿ”ฅ๐Ÿค˜

๐ŸŽญ 13 Best Slipknot Masks of All Time โ€“ Ranked ๐Ÿ”ฅ๐Ÿค˜

Michael by Michael
17 April 2025
in News
Reading Time: 6 mins read
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By a maggot, for the maggots ๐Ÿช“

Slipknot masks aren’t just latex and leather โ€” they’re stitched nightmares, rage incarnate, and the stuff of sweaty arena dreams. Over the years, these Iowa maniacs have switched up their looks like a demon carousel, each new era bringing fresh terror and twisted identity. So grab your jumpsuit and gas up the chainsaw, butt โ€” weโ€™re diving face-first into the 13 best Slipknot masks ever. Ranked, rated, and ready to haunt your dreams. ๐Ÿ˜ˆ


13. Craig Jones (Spikes Galore โ€“ Iowa Era)

๐Ÿง  The human porcupine
Craigโ€™s mask in the Iowa era looked like itโ€™d take your eye out if you made eye contact. Less “keyboardist” and more “boss fight.”

Creepy Factor: 8/10
Could it be worn at Tesco? Only once.


12. Sid Wilson (Gas Mask Cyborg โ€“ All Hope Is Gone Era)

๐Ÿค– The Slipknot Transformer
Sidโ€™s gas mask evolved into a futuristic nightmare, mixing WWII terror with Daft Punk vibes. If a rave happened in hell, heโ€™d be DJing.

Freaky Functionality: 7/10
Mosh Compatibility: 100% certified.


11. Mick Thomson (Classic Hockey Mask โ€“ Self-Titled Era)

๐Ÿฅถ Jason Voorheesโ€™ brutal cousin
Before he got all biomechanical, Mick rocked this hard-as-nails, โ€œdonโ€™t mess with meโ€ hockey mask. Minimalist terror. Pure attitude.

Slashcore Level: Savage
Neck Snap Potential: Maximum


10. Jay Weinberg (Dripface โ€“ We Are Not Your Kind Era)

๐Ÿฅ The bloody apprentice
Jayโ€™s mask felt like a modern horror flick: sleek, cracked, bleeding. You could hear the snare hits in his expression.

Fresh Maggot Energy: Tidy!
Stage presence: Unstoppable.


9. Clown (Red Nose Horror โ€“ Volume 3 Era)

๐ŸŽˆ Pennywise meets percussion
Shawn Crahanโ€™s obsession with terrifying clown masks hit peak madness in Volume 3. Dead eyes. Warped smile. Nightmare fuel.

Could haunt a Punch & Judy show? Yes, and end it.
Welsh Translation: โ€œI was tamping after seeing this thing!โ€


8. Corey Taylor (Melted Face โ€“ Iowa Era)

๐Ÿ”ฅ The meltdown king
Looked like his soul had been microwaved and thrown into the pit. Iconic, intense, and screaming with bottled rage.

Scream Compatibility: 10/10
Hair Metal this is not.


7. Joey Jordison (Death Doll โ€“ Self-Titled Era)

๐Ÿช† The goth puppet master
With that kabuki-style porcelain mask, Joey looked like the villain in a J-horror slasher. Beauty and brutality. RIP legend. ๐Ÿ–ค

Drum Speed Boost? Confirmed.
Legends never die.


6. Corey Taylor (Sewn Shut โ€“ Volume 3 Era)

๐Ÿงต The stitched silence
This was when Corey started to lean into emotional terror. Button lips. Zip lines. Like Ed Gein went emo.

Sing-scream aesthetic? Nailed.
Looks like it smells of whiskey and regret.


5. Jim Root (Zipper Mouth โ€“ Iowa Era)

๐ŸงŸ The silent assassin
Jimโ€™s long-faced stitched-up mask was freaky in a “why is that thing looking at me like that?” kind of way. The zipper? Oh, that’s just for screaming internally.

Guitar wizardry rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ
Could be on a horror VHS box cover? Yup.


4. Sid Wilson (Skull Mask โ€“ We Are Not Your Kind Era)

๐Ÿ’€ Reaper in Adidas
A cyborg skull fused with melted metal and rap-metal chaos. Like Robocop got into street fights in Cardiff.

Cyborg Chaos Level: 666%
Swansea goth clubs approved.


3. Craig Jones (Laser Spikes โ€“ The End, So Far Era)

โšก Cyber creep vibes unlocked
Now thatโ€™s evolution. The upgraded spikehead is part Clive Barker, part industrial nightclub bouncer. Would guard the gates of a Nine Inch Nails afterparty.

Looks like a Bluetooth speaker from hell.
Noise level: Extreme.


2. Corey Taylor (Double Mask โ€“ The End, So Far Era)

๐ŸŽญ Split personality terror
Coreyโ€™s latest mask-within-a-mask concept is psychological horror brilliance. Like two ghosts arguing over who gets to possess your nan.

Conceptual Madness: Chefโ€™s kiss.
Diolch, Corey, for the nightmares.


1. Joey Jordison (Black Crown โ€“ Iowa Era)

๐Ÿ‘‘ The king of pain
The blackened kabuki mask crowned with nails, anguish, and unholy rhythm. This was Slipknotโ€™s golden age, and Joeyโ€™s mask was the centrepiece of that chaos.

Iconic. Haunting. Irreplaceable.
Rest in riffs, legend. ๐Ÿ–ค๐Ÿฅ


Honourable Mentions:

  • Chris Fehnโ€™s long Pinocchio-nose mask (too nosey to ignore) ๐Ÿ‘ƒ
  • Tortilla Manโ€™s identity-mystery mask (Still not 100% sure, are we?)
  • Paul Grayโ€™s pig mask (terrifying in a farmhouse murder way) ๐Ÿท

So, which mask made you go โ€œYESS MUN!โ€โ€ฆ and which one made you hide behind your sofa?

Drop your favourites in the comments, and donโ€™t forget: if you see someone wearing a Slipknot mask in Tescoโ€ฆ just smile, nod, and back away slowly. ๐Ÿคก๐Ÿ›’


Want more metal madness? Follow us for riffs, chaos, and the kind of mask reviews your nan wouldnโ€™t approve of:
๐Ÿ‘‰ @theriffreportuk

๐ŸŽค Stay heavy. Stay weird. Stay masked.

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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