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Home ยป Take a Look at Me Now: Phil Collinsโ€™ Musical Career ๐ŸŽค๐Ÿฅ๐Ÿ†

Take a Look at Me Now: Phil Collinsโ€™ Musical Career ๐ŸŽค๐Ÿฅ๐Ÿ†

Michael by Michael
9 August 2025
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Phil Collins โ€” the man who somehow went from Genesis drummer to global pop icon, from beating the skins to beating the charts, and from In the Air Tonight to in your head forever. Heโ€™s the king of the big gated snare sound, the double life in two mega careers, and the only man brave enough to play two continents in one day at Live Aidโ€ฆ by Concorde.

Letโ€™s grab our air drumsticks and walk through the chapters of his mad, magical, and sometimes mental career.

The Genesis ofโ€ฆ well, Genesis ๐ŸŽธ

Back in the early โ€˜70s, Genesis were a full-on prog rock outfit โ€” long songs, odd time signatures, and Peter Gabriel in a fox head mask (donโ€™t ask). In 1970, a young Phil Collins joined as their drummer after answering a Melody Maker advert. His drumming was tight, inventive, and powerful โ€” perfect for the bandโ€™s theatrical chaos.

Then, in 1975, Gabriel left. Collins stepped up to the mic reluctantlyโ€ฆ and boom โ€” Genesis became something different entirely. They went from prog labyrinths to more radio-friendly rock bangers, but with enough weirdness to keep the old fans happy.

Songs like Turn It On Again, Mama, and Invisible Touch proved Collins wasnโ€™t just keeping time โ€” he was redefining it.

The Solo Explosion ๐Ÿ’ฅ๐ŸŽค

While still leading Genesis, Collins decided to do his own thing โ€” and his debut solo album Face Value (1981) was a bombshell. Opening track? In the Air Tonight. You know the one. That drum break. That moment where EVERY pub air drummer in Britain becomes Neil Peart for five glorious seconds.

From there, the hits just kept coming:

Against All Odds โ€“ A power ballad so emotional it could make a biker cry into his pint. Sussudio โ€“ Pure pop nonsense but somehow still brilliant. Easy Lover (with Philip Bailey) โ€“ Funk, pop, and Phil on peak charisma mode. One More Night โ€“ Late-night heartbreak bottled into song form.

By the mid-80s, Collins was everywhere โ€” topping charts, winning Grammys, selling out arenas. He basically became the soundtrack to the decade.

Live Aid: The Day of Days โœˆ๏ธ๐ŸŒ

1985: Collins pulls off the most ridiculous flex in rock history. Plays Londonโ€™s Wembley Stadium for Live Aid, hops on the Concorde, and plays Philadelphiaโ€™s JFK Stadium the same day. Madness. Who even thinks of that? (Phil Collins, apparently.)

Film, Disney, and the โ€œSerious Hitsโ€ Era ๐ŸŽฌ๐Ÿฆ

In the โ€˜90s, Collins kept dominating. He scored Tarzan for Disney, bagging an Oscar for Youโ€™ll Be in My Heart (and yes, he sang it in multiple languages for international releases โ€” what a show-off).

His Serious Hitsโ€ฆ Live! tour became one of the highest-grossing tours ever, cementing his status as not just a drummer turned singer, but one of the biggest solo artists in history.

The Decline and The Comeback ๐ŸŽญ

By the 2000s, Philโ€™s health began to take a hit โ€” back problems, nerve damage, and hearing loss forced him to step back. For a while, he even said he was retiring. The world collectively went, โ€œOh no you donโ€™t, Phil.โ€

And sure enough โ€” he came back. First with the Not Dead Yet tour, then joining Genesis again for their The Last Domino? tour. He now performs seated due to mobility issues, but the voice is still there.

The Legacy ๐Ÿ†

Phil Collins has sold over 150 million records worldwide โ€” both solo and with Genesis. Few artists can claim theyโ€™ve dominated two careers at once. His influence on drumming, production (that gated reverb snare is basically the sound of the 80s), and pop songwriting is colossal.

And yes โ€” In the Air Tonight will forever be THE air-drum moment at every wedding, pub, and festival for the rest of time.

Phil Collins in Numbers ๐Ÿ”ข

150+ million records sold 8 Grammys 1 Oscar 1 Golden Globe 2 massive music careers at the same time Countless air drum performances worldwide

๐Ÿ’ฌ โ€œTake a look at me nowโ€ฆโ€ โ€” Phil, we never stopped. Youโ€™ve been in our ears, hearts, and playlists for decades. Diolch, mun. ๐Ÿด

Previous Post

Fleetwood Macโ€™s Biggest Career Moments โ€“ The Rollercoaster Ride of Rockโ€™s Messiest, Most Magical Band

Next Post

๐ŸŽฏ Lars Ulrich Spills on Metallicaโ€™s Plans for the Sphere, the Super Bowl, and a Tiny Gig Thatโ€™ll Blow Your Eardrums

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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