Steelhouse Festival 2025 – Friday 13th – WHO THE BLOODY HELL WERE THE WHO WANNABES?! 🎸🎤🤯
Right… C’mon butt, gather ‘round. We need to talk. Not about killer riffs. Not about thunderous drums. Not even about a broken toilet tent (again). No. We need to address the absolute fever dream that was The Who Wannabes on Steelhouse Friday. Friday the 13th, mind you. Should’ve known something cursed was gonna go down… 😬
🤡 Who Are The Who Wannabes?
That’s the million-pound question, innit? Were they a tribute band? Performance art? A midlife crisis wrapped in paisley shirts and dad bod swagger? Honestly, they looked like someone dared their uncle’s pub rock band to play The Who’s discography while huffing helium and chewing fireworks.
They came on stage like they’d just escaped from the worst open mic night in Rhyl. But fair play, they had confidence. The singer (let’s call him Roger Daltry-Looked-At-Me-Funny) was swinging the mic like it owed him money. Guitarist was windmilling like his shoulder was on fire. Drummer? Looked like he’d borrowed Keith Moon’s ghost, but forgot how to summon rhythm.
🎶 The Setlist (Allegedly)
Here’s what we think they played:
Baba O’Riley – but with a synth line that sounded like a ZX Spectrum being strangled. My Generation – now titled My Confusion. Pinball Wizard – except the pinball was broken and the wizard was on furlough. Something original? Maybe? Honestly, it could’ve been a Tesco jingle.
There was a moment — swear down — when they tried to merge Behind Blue Eyes with Sex on Fire. We still don’t know if that was a bit, a breakdown, or a cry for help.
😳 The Crowd Reaction
The front row was a mix of stunned silence and nervous giggles. Some people genuinely thought it was a parody set. One bloke shouted, “This ain’t Live at Leeds, it’s Die at Ebbw Vale!”
Kids were covering their ears. Grown men were Googling “how to unsee live music.” And we swear to Lemmy someone in a high-vis started setting up cones around the band like it was a hazard zone.
Still, there was a mosh pit. Because of course there was. Steelhouse lot never back down. Respect.
🧠 Were They… Genius?
Alright, hear us out. What if The Who Wannabes are actually operating on a higher plane? A meta-commentary on rock nostalgia? A deconstruction of legacy bands and tribute culture? Like, what if they’re so bad… they’re brilliant?
Nah. We tried. They were mince. Entertaining mince, but still.
Final Thoughts: 🔥
If you went for a pint during their set, you might’ve dodged a psychological horror. But if you stayed — welcome to the trauma club, butt. We laughed, we cried, we questioned our reality.
Will we remember them? Yes.
Will we book therapy because of them? Also yes.
But you know what? Steelhouse Friday needed a little chaos. And The Who Wannabes brought it in spades, cymbals, and cursed charisma.
Steelhouse, you mad beautiful bastard of a festival – never change. 🤘
(Except maybe vet the tribute acts a bit more carefully next time, yeah?)
🏴 Written in confusion and love by The Riff Report Blog
🔥 Diolch for the nightmares, lads.
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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