If your idea of a tidy time involves 50 toms, 20 cymbals, and a rotating riser, then c’mon in – we’re about to deep-dive into the largest, loudest, most ludicrous drum kits in the history of rock and metal. 🤘
This is a tribute to the mad scientists of rhythm – drummers who looked at a normal 5-piece kit and said, “Nah. Gimme everything.”
🧙♂️ 1. Neil Peart (RUSH) – The Professor’s Playground
Era: Clockwork Angels, Snakes & Arrows, Test for Echo
Drum Kit Setup Highlights:
- DW + Roland Hybrid Kit
- 2 bass drums
- 10 toms (ranging from 6″ to 16″)
- 4 floor toms
- Octobans
- Cowbells, temple blocks, chimes, crotales
- Electronic pads & MIDI triggers
- Rotating riser
- Gong bass drum
- Timpani and orchestral percussion rear stage
Cymbals: Sabian AAX + Paragons – over 20 cymbals including chinas, splashes, crashes, and a mega ride.
Neil’s kit was essentially a percussion museum on a Lazy Susan.
🌀 2. Terry Bozzio – The Architect of Drumtopia
Era: Solo & Clinic Performances
Drum Kit Setup Highlights:
- Over 30 toms (yes, really)
- 2 bass drums + multiple remote kick triggers
- 8 snares (different tunings)
- Gongs and tuned percussion
- Multi-tier rack system
- Orchestral bells and sound FX
Cymbals: Sabian – 20+ including radially stacked cymbals and tiny effects splashes
It takes Bozzio longer to tune his kit than most bands spend writing an album.
🎯 3. Mike Mangini (Dream Theater) – Precision Overload
Era: A Dramatic Turn of Events, Distance Over Time
Drum Kit Setup Highlights:
- 2 bass drums
- 12 toms (tuned chromatically)
- Dual snares
- Roland pads + triggers
- Cymbals mounted above head height
- Floor pads for orchestral hits
Cymbals: Sabian – symmetrical layout with mirrored crashes, hi-hats, and stacks
Looks like a math equation had a baby with a spaceship.
🌀 4. Mike Portnoy – Colour-Coded Carnage
Era: Dream Theater, Transatlantic, LTE
Drum Kit Setup Highlights (Dream Theater era):
- 2 bass drums
- 10 toms
- 3 snares
- Cowbells, jam blocks, wind chimes
- Octobans
- Gong drum
- Percussion rack with electronics
- Colour-coded heads for live triggers
Cymbals: Sabian (Portnoy signature Max Stax, etc.) – 20+
Custom setup for every band – no two kits exactly the same!
Portnoy’s kit came with a user manual and probably a warning label.
⚔️ 5. Nicko McBrain (Iron Maiden) – The One-Foot Wonder
Era: Entire Maiden career (but notably Powerslave onwards)
Drum Kit Setup Highlights:
- Single bass drum (no double pedal!)
- 7 rack toms
- 2 floor toms
- Massive bell ride
- Cowbells, tambourines, temple blocks
- TAMA custom kits with Eddie-themed wraps
Cymbals: Paiste – 15+ (2 crashes, 2 chinas, 1 mega ride, multiple splashes)
The largest single-kick setup in metal, and he still plays faster than most double-kickers.
🔄 6. Joey Jordison (Slipknot) – The Spinning Spectacle
Era: Slipknot’s Iowa, Vol. 3, All Hope Is Gone
Drum Kit Setup Highlights:
- 2 bass drums (Pearl)
- 4 rack toms
- 2 floor toms
- Octobans
- Dual snares
- Electronics + triggers
- Hydraulically lifted rotating riser (played upside down mid-set!)
Cymbals: Paiste – 20+ including signature Jordison hats and stacks
His kit wasn’t just for drumming – it was a weapon of theatrical destruction.
🛎️ 7. Carl Palmer (ELP, Asia) – Orchestral Overkill
Era: ELP live shows
Drum Kit Setup Highlights:
- Stainless steel snare
- Double bass drums
- 4 toms + rototoms
- Concert toms
- Mounted timpani
- Gongs (often with pyro!)
Cymbals: Paiste – multiple rides, splashes, hi-hats + chinas
If prog rock is maximalist, Carl Palmer is its metal-clad overlord.
🦾 8. Thomas Lang – The Drumming Cyborg
Era: Clinics, stints with Paul Gilbert, etc.
Drum Kit Setup Highlights:
- Double bass drums
- Left + right side double pedals
- 4 snares (multi-angle)
- 8–10 toms
- Multi-foot hi-hats
- Remote-controlled triggers
- Electronics & sample pads
- Reversed toms (for flair!)
Cymbals: Meinl – 25+ including stacked crashes, splashes, and angled FX cymbals
Watching Lang is like watching someone program MIDI in real life.
🔔 9. Lars Ulrich (Metallica) – Rack City, Baby
Era: …And Justice for All, Black Album
Drum Kit Setup Highlights:
- 2 bass drums
- 4 rack toms
- 2 floor toms
- Custom-built cage rack system
- Hexagonal pads (in later years)
- Drum-triggered samples
Cymbals: Zildjian – ride, 3 crashes, chinas, splashes, signature bell ride
1989 Lars kit looked like a scaffolding nightmare – glorious chaos.
🇧🇷 10. Aquiles Priester (Angra, Hangar) – Symmetry & Speed
Era: Angra & Hangar tours
Drum Kit Setup Highlights:
- Double bass drums
- 9 rack toms
- 2 floor toms
- Multiple snares
- 3 hi-hats
- Triggers and pads
- Symmetrical layout for ambidextrous playing
Cymbals: Paiste – 20+ with stacked FX cymbals and signature crashes
Aquiles plays like he’s being chased by a polyrhythmic demon.
🔥 11. Alex Van Halen – Glamour & Gongs
Era: 1984, Balance tours
Drum Kit Setup Highlights:
- 6 bass drums (only 1 or 2 actually used!)
- 5 rack toms
- 3 floor toms
- Concert toms
- Massive gong
- Custom Ludwig finishes (often glittery)
Cymbals: Paiste – crashes, rides, gongs, splashes
Style points? 100. Functionality? Optional. But bloody cool, butt.
🧛♂️ 12. Shannon Larkin (Godsmack) – Drumming on Fire
Era: Faceless, IV, Live & Inspired
Drum Kit Setup Highlights:
- Double kick
- 4 rack toms
- 2 floor toms
- Side snare
- Giant chinas and FX stacks
- Percussion add-ons (cowbells, blocks)
Cymbals: Zildjian – heavy crashes, stacks, mega rides
Shannon hits like a man possessed – and his kit looks like it survived an exorcism.
🧨 13. Don Brewer (Grand Funk Railroad) – Vintage Thunder
Era: 1970s arena tours
Drum Kit Setup Highlights:
- Double bass
- 3 rack toms
- 2 floor toms
- Hi-hat, chinas, splashes
- Basic gong + tambourine setup
Cymbals: Zildjian or Sabian – simple but loud
Raw, old-school rock muscle, no frills needed!
🎖️ Honourable Mentions:
- Danny Carey (TOOL): Poly-rhythmic wizard with a kit built by druids
- George Kollias (Nile): Four pedals, three snares, one unholy speed demon
- Rick Allen (Def Leppard): Reinvented rock drumming with a one-arm electronic fortress
- Phil Collins (Genesis): Double-kit duets with Chester Thompson were chef’s kiss
🎤 Closing Cymbal Crash:
Whether they were spinning upside down or surrounded by enough drums to summon Thor, these drummers didn’t just play – they conquered. Their kits were wild, their arms were faster than lightning, and they made every gig feel like a percussive apocalypse.
Got a fave we missed? Drop us a message or chuck a cowbell at the sky – we’ll hear you. 😉
More toms. More cymbals. MORE LOUD.
Welcome to drum heaven, Riff Report style. 🥁🔥 #MoreIsMore #DrumMadness #RockTheKit
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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