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Home ยป ๐ŸŒ‡ DEAFHEAVEN โ€“ WHERE BLACK METAL MEETS POST-ROCK HEARTBREAK

๐ŸŒ‡ DEAFHEAVEN โ€“ WHERE BLACK METAL MEETS POST-ROCK HEARTBREAK

Michael by Michael
5 July 2024
in Band Bios
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Genre: Blackgaze / Post-Metal / Shoegaze / Art Metal / Crycore (yeah we said it)
Formed: 2010 โ€“ San Francisco, California ๐Ÿ‡บ๐Ÿ‡ธ
Known For: Blending soaring shoegaze melodies with black metal screams and looking like sad baristas from Brooklyn.
Also Known For: Triggering the kvlt elite and making metal pretty โ€“ in the best way possible.


๐Ÿ˜ต WHO THE HELL ARE DEAFHEAVEN?

Formed by George Clarke (the poet of pain) and Kerry McCoy (the riff alchemist) in 2010, Deafheaven exploded with Sunbather in 2013 โ€“ an album that shattered black metalโ€™s aesthetic glass ceiling with its pink artwork, emotionally crushed lyrics and riffs that glisten and grind like ocean storms.

Theyโ€™re equal parts My Bloody Valentine, Burzum and Sigur Rรณs โ€“ and they donโ€™t care what genre you think they are.

Deafheaven said “Yes, you can scream over beautiful music” โ€“ and damn, it worked.


๐ŸŒ˜ CORE LINE-UP โ€“ THE SAD BOY SYMPHONY

  • George Clarke โ€“ Vocals / Shrieker-in-chief, stage presence of a tortured ballet dancer
  • Kerry McCoy โ€“ Guitar / Master of lush tones and evil distortion
  • Daniel Tracy โ€“ Drums / Blastbeat meets jazz fusion meets emotional damage
  • Chris Johnson โ€“ Bass / Low-end wizard
  • Shiv Mehra โ€“ Guitar / Texture lord, echo master

๐Ÿ’ฟ DISCOGRAPHY โ€“ A SONIC DESCENT INTO ECSTATIC MELANCHOLY ๐ŸŒ’


๐Ÿ’ฟ Roads to Judah (2011)

๐ŸŽง Violet, Language Games
Vibe: Raw, reverb-drenched blackgaze birth
Riff Rating: ๐ŸŒ•๐ŸŒ•๐ŸŒ•๐ŸŒ•
*Like getting punched in the soul while hugging a fog machine.


๐Ÿ’— Sunbather (2013)

๐ŸŽง Dream House, The Pecan Tree, Vertigo
Vibe: Beautiful agony. A pink meteor of emotional destruction.
Riff Rating: ๐ŸŒ•๐ŸŒ•๐ŸŒ•๐ŸŒ•๐ŸŒ•๐ŸŒ•
*The game-changer.
Critics wept. Elitists raged. Fans ascended.


โšฐ๏ธ New Bermuda (2015)

๐ŸŽง Luna, Brought to the Water
Vibe: Heavier, darker, moodier.
Riff Rating: ๐ŸŒ•๐ŸŒ•๐ŸŒ•๐ŸŒ•๐ŸŒ•
*Post-Sunbather hangover with added thrash and doom.


๐Ÿฅ€ Ordinary Corrupt Human Love (2018)

๐ŸŽง Canary Yellow, Honeycomb, Glint
Vibe: Hopeful despair. Pianos, clean tones, cinematic vibes.
Riff Rating: ๐ŸŒ•๐ŸŒ•๐ŸŒ•๐ŸŒ•
*Your existential crisis with a choir and jazz chord.


๐ŸŽน Infinite Granite (2021)

๐ŸŽง Great Mass of Color, In Blur, Mombasa
Vibe: FULL shoegaze. No screaming. Still devastating.
Riff Rating: ๐ŸŒ•๐ŸŒ•๐ŸŒ•๐ŸŒ•
*Like Beach House on an emotional bender.
The vocals float. The guitars shimmer. The haters rage.


๐ŸŽง THE RIFF REPORT’S ESSENTIAL DEAFHEAVEN TRACKS

๐ŸŽธ Dream House โ€“ The gateway drug. STILL unbeaten.
๐ŸŽธ Brought to the Water โ€“ Heaviest opener. Riffs from the abyss.
๐ŸŽธ Canary Yellow โ€“ Soaring. Screaming. Shining. Sad.
๐ŸŽธ Mombasa โ€“ A crescendo into oblivion.
๐ŸŽธ In Blur โ€“ Soft as snowfall, sharp as heartbreak.


๐Ÿ–ค WHY DEAFHEAVEN MATTER:

Because they:

  • Dragged black metal into the 21st century
  • Made non-metalheads scream like they were in the pit
  • Brought aesthetic, vulnerability, and melody into extreme music
  • **Turned every gig into a beautiful existential breakdown
  • Paved the way for countless genre-defying bands

And because they didnโ€™t care about โ€œrulesโ€ โ€“ just feelings, sound, and sonic transcendence.


๐ŸŽค FINAL VERDICT FROM THE RIFF REPORT:

**Deafheaven are proof that metal doesnโ€™t have to sound or look like hell to hit like it.
They *blur boundaries, trigger trolls, and move mountains with melody and shrieks.

Want to cry in the mosh pit AND feel reborn?
Want shoegaze with a switchblade?
Want metal that glows?

Deafheaven is your new religion. Praise be the pastel pink.๐Ÿ–ค๐ŸŒ…๐ŸŽธ

Previous Post

๐Ÿ‰ OPETH โ€“ DEATH METALโ€™S PROG LORDS OF THE ENCHANTED RIFF REALM

Next Post

๐Ÿช– HEAVEN SHALL BURN โ€“ THE SOUNDTRACK TO THE REVOLUTION

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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