📍 Off-Broadway | Broadway | West End | Worldwide Tours | 1986 Film | 2023/24 Revivals
🎶 “Feed me, all night long!” – A sci-fi horror musical has never sounded so damn catchy.
🌍 Background: Where It All Began
Born from the minds of Howard Ashman (lyrics/book) and Alan Menken (music), Little Shop of Horrors premiered Off-Broadway in 1982 – a lo-fi, high-energy blend of Roger Corman’s 1960 cult film and musical theatre magic.
Fun fact? This was the duo’s first major hit – before they went on to define Disney’s Renaissance with The Little Mermaid, Aladdin, and Beauty and the Beast.
🧪 The Plot – With a Twist of Tragedy
This isn’t just a campy comedy. It’s a Greek tragedy in B-movie drag. Here’s how it plays out:
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Skid Row florist’s assistant Seymour Krelborn is hopelessly in love with his co-worker, Audrey.
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After a strange eclipse, Seymour finds a bizarre plant that he names Audrey II.
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The plant brings him fame, fortune… and demands to be fed – with human blood.
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As the plant grows, Seymour’s morality withers.
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Audrey II becomes a sentient, sassy, singing carnivorous alien overlord.
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The show ends differently depending on the version (we’ll come back to that…).
It’s a tale of temptation, toxic ambition, and the price of playing God – all set to a Motown beat.
🎶 Musical Numbers – Now with More Bite
This soundtrack slays. The songs are as clever as they are catchy – blending humor, heartbreak, and horror with genre-savvy precision.
FULL TRACK LIST HIGHLIGHTS:
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“Prologue (Little Shop of Horrors)” – A brassy blast of doom from the Greek Chorus girls.
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“Skid Row (Downtown)” – One of the best opening ensemble numbers ever written.
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“Da-Doo” – How Seymour finds Audrey II (and yes, the plant literally sings along).
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“Grow for Me” – A hilariously heartfelt ballad about feeding your plant blood.
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“Somewhere That’s Green” – Audrey’s wistful dream of 1950s domestic bliss (tragically ironic).
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“Dentist!” – Meet Orin Scrivello, DDS. A gas-huffing sadist who loves root canals.
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“Feed Me (Git It!)” – Audrey II comes alive. It’s seductive. It’s funky. It’s lethal.
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“Suddenly Seymour” – The unexpected romantic high point – soaring, earnest, brilliant.
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“Suppertime” / “The Meek Shall Inherit” – As Seymour spirals deeper into the plant’s grip.
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“Finale (Don’t Feed the Plants)” – A cautionary closer with a punchline bite.
🗣️ Every line is crafted with precision, pun, and purpose. And Audrey II’s voice? Usually a deep, soulful bass – think Levi Stubbs meets Satan at a disco.
🧬 Audrey II – A Musical Theatre Marvel
Audrey II isn’t just a puppet. It’s a character, a spectacle, and a villain worthy of Broadway’s best.
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Voice: Deep, seductive, soulful, and terrifying. Often played by a separate off-stage vocalist.
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Puppetry: The plant grows from a tiny pot to a stage-devouring monster.
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Operators: Requires multiple puppeteers to sync lip movement and body motion.
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Tech: Larger productions use hydraulics, animatronics, and LED lighting to make the plant appear truly alive.
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Kill Count: In most versions? Let’s just say… don’t stand too close to the leaves.
Every audience member waits for Audrey II’s big moments – and it never disappoints.
🎭 Characters: Quirky, Tragic, and Iconic
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Seymour – A classic nebbish. Kind-hearted, morally grey, and ultimately tragic.
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Audrey – Beautiful, bruised, and dreaming of peace. Her journey is genuinely moving.
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Mr. Mushnik – The money-grubbing florist caught between ethics and opportunity.
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Orin Scrivello – The dentist who makes the audience love to hate him. Usually played hilariously over-the-top.
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Crystal, Ronnette, & Chiffon – The all-singing Greek Chorus who steal every scene with sass, sparkle, and syncopation.
🎬 The Multiple Endings Debate
🎭 Original Stage Version:
Seymour and Audrey both die. Audrey II takes over the world. DARK.
Message: Don’t sell your soul – even for love.
🎬 1986 Film Version:
Test audiences hated the original tragic ending, so…
New ending: Seymour defeats Audrey II. He and Audrey live happily ever after in suburbia.
Message: Hollywood loves a happy ending (but also… check your garden).
💡 Many modern revivals return to the darker, original stage ending – which hits harder and sticks with you.
🎤 Legacy & Cultural Impact
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🧾 The 1986 film is a cult classic with a banging soundtrack and iconic performances.
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🌍 Continually revived around the world, including a hit 2019 Off-Broadway production starring Jonathan Groff, Jeremy Jordan, and MJ Rodriguez.
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💥 Audrey II puppets are so popular, theatre schools have entire masterclasses on operating them.
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🧃 Inspired pop culture references from The Simpsons to RuPaul’s Drag Race to Bob’s Burgers.
This show has outgrown its off-Broadway roots and become a monster-sized staple of musical theatre.
🎟️ Who’s It For?
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🎭 Musical fans who love quirky, character-driven comedy
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🧟♀️ Horror fans who enjoy camp with teeth
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💔 Drama lovers who appreciate stories with real stakes
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🎸 Music lovers who want soul, doo-wop, and gospel fire
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🧪 Theatre techies who drool over puppetry and lighting wizardry
⭐ Final Verdict
Little Shop of Horrors is the perfect blend of fun, fear, and freakish flair. It’s timeless, tuneful, and teeming with talent.
🌟 Final Score:
🌱🌱🌱🌱🌱 – Five singing, bloodthirsty Venus flytraps out of five!
Because when a man-eating alien plant delivers gospel solos, you give it the damn bouquet.
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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