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Home ยป ๐Ÿ”ฅ Gallows Reissue Orchestra Of Wolves And Grey Britain โ€” But Frank Carter Reunion Rumours Are Put To Bed

๐Ÿ”ฅ Gallows Reissue Orchestra Of Wolves And Grey Britain โ€” But Frank Carter Reunion Rumours Are Put To Bed

Michael by Michael
9 September 2026
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Gallows have announced newly remastered reissues of their first two albums, Orchestra Of Wolves and Grey Britain โ€” while making it crystal clear that all those recent Frank Carter teasers were not signalling a reunion.

Well, they certainly knew how to get everybodyโ€™s attention.

After weeks of mysterious activity, archive footage and plenty of speculation that Frank Carter might be returning to Gallows, the Watford hardcore mob have finally revealed what theyโ€™ve been cooking up.

And unfortunately for anyone already preparing themselves for absolute carnage in a sweaty venue somewhereโ€ฆ

It isnโ€™t a reunion.

Instead, Gallows are celebrating two hugely important records from their early career with newly remastered editions of Orchestra Of Wolves and Grey Britain.

Both albums are set to return on 6 November 2026.

๐Ÿค˜ โ€œNot A Reunion. Not A Coincidence.โ€

Thatโ€™s the line Gallows used when unveiling the new releases.

Cheeky sods.

The bandโ€™s recent social media activity had understandably sent fans into detective mode, particularly as archive footage featuring former frontman Frank Carter began appearing.

And when footage of Gallowsโ€™ final show with Carter surfaced?

Well, you can hardly blame everyone for getting excited.

For a moment, it looked like one of British hardcoreโ€™s most explosive partnerships might genuinely be heading back into a room together.

Instead?

Reissues.

Very nice reissues, mind.

But still.

We can hear several thousand hardcore fans sighing from here.

๐Ÿบ Orchestra Of Wolves Returns

Originally released in 2006, Gallowsโ€™ debut album Orchestra Of Wolves arrived like somebody had lobbed a brick through the window of British rock music.

Raw, furious and absolutely bursting with confrontation, it announced Gallows as one of the most exciting bands emerging from the UK hardcore scene.

Tracks including In The Belly Of A Shark, Abandon Ship, Rolling With The Punches and the title track helped establish a sound that mixed hardcore punk aggression with massive hooks and the sort of live energy that made standing anywhere near Frank Carter feel vaguely dangerous.

The reissued edition expands the album considerably, bringing together bonus material and covers alongside the original record.

And nearly twenty years after its arrival, Orchestra Of Wolves still sounds like it wants to start a fight with the furniture.

๐Ÿ‡ฌ๐Ÿ‡ง Then Came Grey Britain

If Orchestra Of Wolves kicked the door open, Grey Britain tried to tear the entire building down.

Released in 2009, Gallowsโ€™ second album was darker, heavier and considerably more ambitious.

Where the debut felt like pure adrenaline, Grey Britain painted a bleak picture of a country falling apart around the band.

Tracks including London Is The Reason, The Vulture, Misery, Leeches and Death Voices combined hardcore fury with a much larger sense of scale.

It was vicious without being one-dimensional.

Ugly in exactly the right way.

And for plenty of Gallows fans, it remains the bandโ€™s defining record.

๐ŸŽค The Frank Carter Era

Both albums represent the period when Frank Carter fronted Gallows.

Carterโ€™s confrontational performances became central to the bandโ€™s reputation, particularly during live shows where the distinction between stage and audience often seemed more like a vague suggestion than an actual rule.

He eventually departed Gallows in 2011, citing creative differences.

Carter went on to form Pure Love before establishing Frank Carter & The Rattlesnakes, while Gallows recruited former Alexisonfire guitarist Wade MacNeil as their new vocalist.

With MacNeil, Gallows released their self-titled record in 2012 followed by Desolation Sounds in 2015.

But those first two records with Carter have always held a particularly special place within the bandโ€™s story.

๐Ÿ‘€ Those Reunion Teasers Had Everyone Going

Which brings us back to those bloody teasers.

Gallows had been sharing archive material connected to the early years of the band, including commentary and footage involving Carter.

Given that Orchestra Of Wolves turns 20 years old in 2026, speculation naturally started flying.

Anniversary shows?

A reunion tour?

One-off gigs?

Frank Carter back screaming In The Belly Of A Shark while half the audience attempts to climb onto the ceiling?

It wasnโ€™t exactly difficult to imagine.

Then came the confirmation:

โ€œNot a reunion. Not a coincidence.โ€

Fair play.

They absolutely knew what they were doing.

๐ŸŽธ Frank Carter Has Been Rather Busy Anyway

Carter hasnโ€™t exactly been sitting at home waiting for the Gallows phone to ring.

He has spent considerable time performing with the reunited Sex Pistols, taking on the unenviable task of fronting songs forever associated with Johnny Rotten while bringing his own ferocious live personality to the material.

And anyone whoโ€™s watched Carter perform over the years knows subtlety isnโ€™t really part of the package.

He attacks stages.

Which makes the idea of him eventually standing beside Gallows again incredibly tempting.

Even if itโ€™s apparently not happening right now.

๐Ÿ’ฟ Two Albums Worth Rediscovering

Reunion disappointment aside, getting these two records properly back into circulation is still excellent news.

Original vinyl copies havenโ€™t exactly been the easiest things to find over the years without wandering into the dangerous territory where Discogs starts making your bank account nervous.

Newly remastered editions mean younger fans who discovered Gallows later can finally pick up physical copies without selling a kidney.

And for longtime fans?

Wellโ€ฆ

You already own the originals.

You probably own several other versions.

Youโ€™re still going to buy them.

Donโ€™t pretend otherwise.

We know how this works.

๐Ÿ”ฅ Gallows Helped Define A Generation

It can be easy to forget just how much impact Gallows made when they first emerged.

British rock in the mid-2000s had plenty happening, but Gallows felt genuinely dangerous.

They werenโ€™t polished.

They werenโ€™t particularly interested in being friendly.

And they definitely didnโ€™t look like a band constructed in an A&R meeting.

They sounded like five blokes who had accidentally been locked in a rehearsal room with several amplifiers and a serious amount of unresolved anger.

Brilliant.

Their influence stretched well beyond hardcore, helping expose a much wider audience to aggressive underground music at a time when British alternative culture was changing rapidly.

๐Ÿค˜ THE RIFF REPORT VERDICT

Are we slightly disappointed this isnโ€™t a Frank Carter reunion?

Of course we bloody are.

You donโ€™t wave footage of one of British hardcoreโ€™s most explosive frontmen around and expect everyone to remain calm.

But Orchestra Of Wolves and Grey Britain absolutely deserve another moment in the spotlight.

Theyโ€™re furious.

Chaotic.

Important.

And they capture a period when Gallows seemed capable of setting fire to virtually any room unfortunate enough to contain them.

So noโ€ฆ

Frank Carter isnโ€™t rejoining Gallows.

At least not based on this announcement.

But two landmark British hardcore albums are coming back newly remastered, and thatโ€™s still worth turning the speakers up for.

As for whether that reunion ever happens?

Never say never.

Because Gallows have already proved theyโ€™re extremely good at getting everyone talking.

Now stop teasing us, lads. Our hearts canโ€™t take it. ๐Ÿค˜๐Ÿ”ฅ

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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Original content, reviews, photography and general riff-fuelled chaos belong to The Riff Report Blog unless otherwise stated. Please donโ€™t nick our stuff โ€” ask first, butt. ๐Ÿ˜ˆ

ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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