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Home » 💀🩸 NECROMONGER’S EMANATION OF THE DYING PERCEPTIONS IS THE AUDIO EQUIVALENT OF BEING DRAGGED THROUGH A MASS GRAVE 🤘🔥

💀🩸 NECROMONGER’S EMANATION OF THE DYING PERCEPTIONS IS THE AUDIO EQUIVALENT OF BEING DRAGGED THROUGH A MASS GRAVE 🤘🔥

Michael by Michael
19 May 2026
in Bands, New Album Released
Reading Time: 9 mins read
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Dark horror album cover: a stitched, demon‑like figure seated cross‑legged, with multiple arms holding severed heads on dripping platters around it, set against a black background with red lettering above.

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LABEL: Xtreem Music
RELEASE DATE: July 9th 2026
GENRE: Death/Gore Metal

Some albums entertain you.

Some albums inspire you.

And then there are albums like Emanation Of The Dying Perceptions by Necromonger — records that feel like they were stitched together from corpse parts in a lightning storm before being buried underground for a decade and rediscovered by accident. 🩸💀

This is not casual listening.

This is not “stick it on while cleaning the kitchen” music.

This is the sound of humanity collapsing in slow motion beneath layers of grime, blood, rust, fear and absolutely colossal riffs.

And honestly, butt… it’s gloriously disgusting. 🤘🔥


🧟 FROM THE DEPTHS OF BULGARIA COMES PURE FILTH

Emerging from Bulgaria’s underground metal sewer system in 2021, Necromonger formed from members of Fecal Body Incorporated, Cocklush and Concrete — which already tells you everything you need to know about where this band’s collective headspace lives.

Spoiler alert:
It’s somewhere horrible. 😈

Rather than chasing polished production or modern death metal trends, Necromonger fully embrace the grime, the ugliness and the oppressive atmosphere that made old-school gore metal so terrifying in the first place.

There’s no flashy overproduction here.

No over-edited “Instagram metal”.

No shiny TikTok-core breakdown nonsense.

Just slow-moving, sewer-dwelling death metal violence designed to make listeners feel physically uncomfortable.

And that’s exactly why this album works so brilliantly.


⚰️ THIS ALBUM DOESN’T PLAY… IT HUNTS

From the opening seconds of “Beyond The Pleasure Principle”, Necromonger establish a suffocating atmosphere that hangs over the entire record like toxic fog rolling through a cemetery.

The intro creeps forward slowly, tension building with sinister intent before the guitars finally crash in with all the grace of a wrecking ball hitting a morgue wall.

The riffs are thick.

Not “heavy” thick.

We’re talking:

  • abandoned slaughterhouse thick,
  • industrial freezer thick,
  • gravy after six pints thick.

Every note feels drenched in filth.

Meanwhile, Pigman’s vocals sound genuinely possessed — less like traditional death metal growls and more like a deeply angry creature trying to claw its way out of a collapsed coffin.

There’s a horrifying authenticity to it all.

Nothing feels forced.

Nothing feels trendy.

This is a band completely committed to creating a world of decay and dragging the listener into it whether they like it or not.


🔥 SLOWER… HEAVIER… DEADLIER

One of the smartest things Necromonger do throughout Emanation Of The Dying Perceptions is avoid relying purely on speed.

A lot of modern death metal bands try to flatten listeners through sheer velocity.

Necromonger prefer to crush you slowly.

Tracks like “Born In Grave Wax” stagger forward with this horrible, primitive groove that feels ritualistic and violent all at once. The bass tone sounds absolutely rotten — like the strings were dipped in swamp water before recording.

It’s hypnotic.

Disgusting.

And weirdly addictive.

Meanwhile, Quill Rat’s drumming constantly shifts between restrained tension and sudden bursts of blunt-force destruction, making every transition hit even harder.

This is music designed for:

  • filthy underground venues,
  • sweat dripping from ceilings,
  • fog machines barely working,
  • and some bloke in the pit wearing a battle jacket that smells like damp festivals and regret.

Proper death metal culture, mun. 🤘


🩸 “CONFESSIONS OF A DEAD POET” FEELS LIKE A NIGHTMARE

One of the album’s standout moments arrives with “Confessions Of A Dead Poet”, where Necromonger lean heavily into atmosphere and psychological horror.

The song feels cold.

Not emotionally cold.

Physically cold.

Like standing alone in an abandoned building at 3am hearing noises from another room.

The riffs crawl instead of sprinting, allowing every note to linger uncomfortably in the air while the vocals echo like some cursed spirit narrating your final moments.

It’s genuinely unsettling stuff.

And in a genre where plenty of bands mistake noise for atmosphere, Necromonger absolutely nail the balance.


🔪 “SLAUGHTER TO THE BONES” IS PURE AUDIO HORROR

The album’s advance single “Slaughter To The Bones” is arguably the crown jewel of the entire record.

And good grief… this thing is nasty. 💀🔥

The track unfolds with a slow-burning sense of dread before exploding into one of the filthiest riff assaults on the album.

The guitars sound gigantic.

The vocals are horrifying.

And the entire atmosphere feels drenched in hopelessness.

There’s this creeping sensation throughout the track that something truly terrible is about to happen — and by the end of it, it feels like the album finally reveals its true monstrous form.

It’s death metal that genuinely feels dangerous.

Not in a fake PR-marketing way.

But in the old-school underground sense where the music sounds like it was made by people who absolutely live and breathe this stuff.


📀 PHYSICAL FORMATS FOR THE GORE COLLECTORS

Necromonger clearly understand their audience because Emanation Of The Dying Perceptions is getting a proper old-school physical release rollout.

The album will be available on:

  • CD
  • 12” Vinyl LP
  • Cassette
  • Digital formats

And the bonus material is exactly the sort of gloriously excessive madness gore fans will love.

💿 CD Bonus Track:

“Necromonger”

An instrumental journey through atmosphere and brutality that expands the album’s nightmare world even further.

📼 Cassette Bonus Track:

“Necrocannibal Pollution”

Quite possibly the most beautifully disgusting song title released this year.

Honestly, if your cassette player survives this album, it deserves a medal.


⚒️ THE BAND MEMBERS SOUND LIKE BOSSES FROM A BANNED HORROR GAME

Necromonger Line-Up:

  • Pigman — Vocals
  • Agrogrinder — Guitars/Bass
  • Quill Rat — Drums

You could tell someone these were characters from a lost PS2 horror game and they’d absolutely believe you.


🎧 FOR THE TRUE DEATH METAL FILTH MERCHANTS

Fans of the following legends should immediately throw this album onto their playlist:

  • Carcass
  • Mortician
  • Impetigo
  • Autopsy

If your music taste includes:

  • horror films banned in 14 countries,
  • underground demo tapes,
  • riffs that sound like collapsing buildings,
  • and album covers your nan would absolutely hate…

…then Necromonger are probably about to become one of your favourite new bands.


🤘 THE RIFF REPORT VERDICT

Emanation Of The Dying Perceptions is a revolting, oppressive, riff-soaked descent into gore metal madness — and we mean that as the highest compliment possible.

Necromonger have crafted a debut album that feels authentic, dangerous and completely committed to its horrific vision.

No gimmicks.

No trend chasing.

Just pure death metal ugliness delivered with terrifying conviction.

This is the soundtrack to:

  • rotting graveyards,
  • candlelit slaughterhouses,
  • post-apocalyptic wastelands,
  • and probably the queue outside Download Festival toilets at 1am after too much cider.

Absolute carnage, mun. 💀🔥

If you’re craving death metal that crawls under your skin and stays there long after the final riff fades out, Emanation Of The Dying Perceptions deserves your attention immediately.

Just maybe don’t listen to it alone in the dark.

Or do.

We’re not your parents. 🤘🩸


🔗 Further Information

  • Necromonger Facebook
  • Xtreem Music Official Website
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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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© 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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