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Home ยป ๐Ÿ‘‘ Brian May Says New Queen Music Still โ€œCould Happenโ€ โ€“ Should They Dare To Do It? ๐ŸŽธ๐Ÿ”ฅ

๐Ÿ‘‘ Brian May Says New Queen Music Still โ€œCould Happenโ€ โ€“ Should They Dare To Do It? ๐ŸŽธ๐Ÿ”ฅ

Michael by Michael
19 March 2025
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Whatโ€™s occurring? Itโ€™s not every day you hear the words โ€œnew Queen musicโ€ drop out of Brian Mayโ€™s mouth like a Red Special riff echoing through Wembley Stadium. But thatโ€™s exactly what happened, mun. The legendary guitarist and curly-haired riff wizard has admitted that while thereโ€™s no grand plan yet, the possibility of fresh Queen songs isnโ€™t locked in the Tower of London just yet.

Letโ€™s break it down with a Riff Report mega-dive into what this actually means, the history of Queenโ€™s โ€œlostโ€ tracks, the Adam Lambert factor, the fansโ€™ love/hate split, and whether new Queen tunes could ever hope to stand in the same spotlight as Freddie Mercuryโ€™s timeless roar.


๐ŸŽค Queenโ€™s Crown Jewels: Why This Matters So Much

Queen arenโ€™t just a band โ€“ theyโ€™re the band. From Bohemian Rhapsody to Radio Ga Ga, they didnโ€™t just write songs, they built an empire of anthems. For many fans, the very idea of โ€œnew Queen musicโ€ feels like discovering Excalibur under your sofa cushions โ€“ magical, but also kinda dangerous.

Hereโ€™s why itโ€™s such a big deal:

  • Freddieโ€™s Shadow ๐Ÿ•ถ๏ธ โ€“ Every note sung post-1991 exists in his looming, moustachioed presence. He wasnโ€™t just a frontman, he was the show.
  • Made in Heaven Legacy ๐ŸŒŒ โ€“ The last โ€œproperโ€ Queen album, released in 1995, was pieced together from Freddieโ€™s final recordings. It felt like closure.
  • The Queen + Adam Lambert Era ๐Ÿ‘‘ โ€“ Theyโ€™ve smashed tours worldwide since 2012, but have never gone all-in on original music.

So when Brian May says โ€œit could happen,โ€ itโ€™s not just a casual shrug. Itโ€™s the musical equivalent of the Crown Jewels rattling in their display case.


๐Ÿ“œ A Look Back: Queenโ€™s History of Post-Freddie Releases

Before we dream about new riffs, letโ€™s revisit how Queen have handled the idea before:

  • 1995 โ€“ Made in Heaven ๐Ÿ’ซ
    Freddieโ€™s last vocals, Roger and Brianโ€™s last tears. A bittersweet goodbye wrapped in lush production. Songs like Mother Love and Too Much Love Will Kill You are soaked in legacy.
  • 2014 โ€“ Queen Forever ๐Ÿ•ฐ๏ธ
    A compilation that included โ€œlostโ€ tracks like Let Me In Your Heart Again and There Must Be More to Life Than This (featuring Michael Jackson). A reminder that Queenโ€™s vault is deeper than a Welsh coal mine.
  • 2022 โ€“ Face It Alone ๐ŸŽญ
    A haunting Freddie demo from the Miracle sessions, brushed up for release. Fans wept, critics nodded, and it reminded us thereโ€™s still gold in the archives.

These werenโ€™t โ€œnew Queen albums,โ€ but each gave fans a glimpse into what could have been.


๐ŸŽธ Brian May Speaks โ€“ Why Heโ€™s Cautious

Brianโ€™s words are always careful when it comes to new music. Heโ€™s said countless times that Queenโ€™s legacy is a fragile beast โ€“ you canโ€™t just slap a riff on a tune and call it worthy.

His latest tease? He simply refused to shut the door. No promises, no hype machine, just: โ€œIt could happen.โ€

Translation in Riff Report language: โ€œWeโ€™ve jammed, weโ€™ve thought about it, and maybe one day the stars (and egos) will align.โ€


๐ŸŽค Enter Adam Lambert โ€“ The Voice of โ€œNew Queenโ€?

This is where things get spicy. Adam Lambert has been Queenโ€™s live frontman for over a decade now. Heโ€™s not Freddie (and doesnโ€™t try to be), but his pipes could shatter pint glasses from Caernarfon to Cardiff Bay.

Could he record new Queen songs? Absolutely. But hereโ€™s the catch:

  • Fans are divided. Half shout โ€œYesss mun, give us new bangers!โ€ The other half mutter โ€œNot my Freddieโ€ฆโ€
  • Adam himself has been humble, calling himself a โ€œguestโ€ with Queen. Would he be up for stamping his voice onto official new tracks?
  • Brian and Roger clearly adore him โ€“ and if anyone could carry the torch, itโ€™s Glambert.

Still, itโ€™s a gamble. Release new music with Adam and risk backlash, or keep the tours nostalgia-fuelled forever?


๐Ÿง‘โ€๐Ÿคโ€๐Ÿง‘ Fan Reactions โ€“ The Great Divide

When the news hit, social media lit up faster than a pyro cannon at Knebworth.

Team Yes:

  • โ€œDo it! Queen arenโ€™t dead, theyโ€™re alive with Adam!โ€
  • โ€œThe world needs more Brian May riffs, end of.โ€
  • โ€œFreddie wouldโ€™ve wanted them to keep going.โ€

Team No Chance:

  • โ€œLeave the crown polished, donโ€™t scratch it.โ€
  • โ€œQueen without Freddie recording new music? Nah butt.โ€
  • โ€œPlay the hits, save the legacy.โ€

This isnโ€™t new. Every time Queen have dropped archive tracks, the same war breaks out. But maybe thatโ€™s the sign of a band still mattering decades later.


๐Ÿ”ฎ What Would New Queen Music Even Sound Like in 2025?

Now hereโ€™s the fun bit โ€“ what if Brian and Roger actually locked themselves in a studio and cranked out new tracks?

Possible flavours:

  • Classic Queen Vibes ๐ŸŽถ โ€“ Layered harmonies, Mayโ€™s signature orchestral guitar, lyrics about love, life, and grand drama.
  • Modern Twist ๐ŸŽง โ€“ Brianโ€™s hinted at being curious about new sounds. Imagine Queen experimenting with EDM-style production, or even collaborations (Lady Gaga? Muse? Bring it on).
  • Heavy Riffs โšก โ€“ Donโ€™t forget, May and Taylor love their rock hard. They could unleash something more in line with Stone Cold Crazy than We Are The Champions.
  • Vault-Hybrid ๐Ÿ“€ โ€“ Maybe the real path forward is blending Freddie demos with new Adam vocals and Brianโ€™s guitar. The ultimate โ€œthen and now.โ€

Would it chart? Of course. Would it divide? 100%. But would it get the world talking? You bet your last Greggs sausage roll it would.


๐Ÿฐ The Legacy Tightrope

Queen have always walked a fine line: protect the legacy vs keep it alive.

  • Too much nostalgia? They risk being a touring museum.
  • Too much new material? They risk alienating die-hard fans.

But hereโ€™s the truth: legacy isnโ€™t a dusty crown locked away โ€“ itโ€™s a living thing. Freddie himself once said: โ€œThe show must go on.โ€ Maybe thatโ€™s the ultimate blessing.


๐ŸŽง The Riff Report Verdict

Brian May saying โ€œit could happenโ€ doesnโ€™t mean weโ€™ll wake up tomorrow with Bohemian Rhapsody II: Electric Boogaloo on Spotify. But it does mean the fireโ€™s still there. The riffs are still ready. The idea isnโ€™t dead.

And honestly, thatโ€™s exciting. Queen arenโ€™t just history โ€“ theyโ€™re still a band with a pulse. Whether that pulse becomes a full-blown new album, a couple of singles, or just another tease, the very fact weโ€™re still talking about it proves the crown hasnโ€™t slipped.

So, should Queen make new music? Hereโ€™s my answer: Yesss mun โ€“ but do it right. Take the time, honour the past, and give us something that feels like Queen, not a Queen tribute.

Until then, weโ€™ll keep singing along to Donโ€™t Stop Me Now at last orders in the pub โ€“ and maybe, just maybe, one day weโ€™ll have a new anthem to add to the jukebox. ๐ŸŽถ๐Ÿป


๐Ÿ’ฌ Over to you rockers: Would you want a fresh Queen track in 2025, or should they let Freddieโ€™s final notes remain the last word?

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๐ŸŽธ Bernie Marsdenโ€™s Icons โ€“ A Posthumous Love Letter to Rock, Hendrixโ€™s Purple Haze Leads the Charge

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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