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Home ยป ๐Ÿฆ OZZY OSBOURNE GETS HIS OWN MONEY โ€“ AND YES, ITโ€™S LUSH, MUN! ๐Ÿด๐Ÿค˜

๐Ÿฆ OZZY OSBOURNE GETS HIS OWN MONEY โ€“ AND YES, ITโ€™S LUSH, MUN! ๐Ÿด๐Ÿค˜

Michael by Michael
14 August 2025
in News
Reading Time: 3 mins read
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Move over Charles, thereโ€™s a new face for the fiver โ€“ and heโ€™s biting the head off inflation! Artist Dion Kitson has gone full heavy-metal banker, hand-cutting and designing 1,000 special edition Ozzy Osbourne-themed bank notes as a tribute to the Prince of Darkness himself. And honestly, they look so good weโ€™d be tempted to pay council tax just to hand one over.

These arenโ€™t just dodgy Photoshop jobs โ€“ every note has been carefully crafted, printed, and lovingly detailed by Kitson, blending classic UK currency style with proper Brummie rock royalty. Itโ€™s the ultimate mix of art, heritage, and heavy metal mischief.

๐Ÿ’ท WHATโ€™S ON THE NOTES?

The designs scream Back to the Beginning โ€“ a nod to both Ozzyโ€™s career and his recent return to Birmingham for the Black Sabbath: The Ballet and the massive โ€˜Working Class Heroโ€™ exhibition. Hereโ€™s the breakdown:

ยฃ50 Note โ€“ A moody, monochrome Ozzy staring right into your soul, with Birmingham Childrenโ€™s Hospital in the background. Big riffs, bigger heart. ยฃ20 Note โ€“ Younger Ozzy in his long-haired, wide-eyed glory, with industrial smokestacks and the quote: โ€œHe was burned to dust in the great magnetic field, when he travelled time for the future of mankind.โ€ (Lyrics from Sabbathโ€™s โ€œIron Manโ€ โ€“ tidy touch!) Other Denominations โ€“ Black Sabbath band portraits, Birmingham landmarks, and even Villa Park sneaking in for a bit of local pride.

Every single one of them is dripping with nostalgia and Brummie grit. Honestly, if the Bank of England had any sense, weโ€™d have had these in circulation already.

๐ŸŽจ WHY THIS MATTERS

Dion Kitson isnโ€™t just making souvenirs โ€“ heโ€™s creating folk art with attitude. In a city that owes so much to heavy metal, these notes feel like proper hometown medals.

And letโ€™s be honest, Ozzy is currency in Birmingham. Heโ€™s worth more than gold, probably smells like whiskey and hair dye, and has been cashing in pure chaos since 1968. These notes are a love letter to the man, the myth, and the mosh pit.

๐Ÿด โ€œMAMA, Iโ€™M COMING HOMEโ€ โ€“ IN STYLE

The series title, Back To The Beginning, is plastered proudly across the notes โ€“ a perfect nod to Ozzyโ€™s full-circle journey from Aston lad to global rock god, back to his roots.

And itโ€™s not just fans going wild โ€“ these things have become collector gold dust overnight. With just 1,000 made, theyโ€™ll be rarer than a pint at Download Festival without a queue.

๐Ÿ’ก OUR TAKE

We need to see these in actual wallets. Imagine your Tesco self-checkout voice going:

โ€œUnexpected item in bagging area. Is itโ€ฆ Ozzy Osbourne?โ€

This isnโ€™t just art โ€“ itโ€™s metal history on paper. From the fine print to the inky riffs, Kitsonโ€™s managed to make legal tender thatโ€™s worth more to rock fans than Bitcoin, NFTs, or that signed drumstick you nicked from a gig in โ€™03.

Diolch, Dion โ€“ this is a proper job. Now, can we get a Lemmy ยฃ5 note next? Asking for a friendโ€ฆ ๐Ÿฅƒ๐Ÿค˜

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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