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Home ยป ๐ŸŽƒ Behemothโ€™s New Album: Is The Shit Ov God Really That Bad? ๐Ÿค˜๐Ÿ”ฅ

๐ŸŽƒ Behemothโ€™s New Album: Is The Shit Ov God Really That Bad? ๐Ÿค˜๐Ÿ”ฅ

Michael by Michael
7 May 2025
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Oi oi, front-row heathens! The Polish blackened death overlords Behemoth have returned with a brand-new slab of blasphemy titled The Shit Ov God. Brutal? Yep. Controversial? Always. But the question shaking the crypts of the metal underground right now is: is it actually any good, or is it just, wellโ€ฆ shit? ๐Ÿ’€

Letโ€™s dive in headfirst โ€” corpsepaint smudged, pint in hand, and volume cranked.


โšก What the Critics Are Screaming

Like any Behemoth release, this oneโ€™s divided the metal masses quicker than you can say โ€œhail Satan.โ€

๐Ÿ”ฅ High-Energy Praise

  • Blabbermouth slapped it with a 9/10, calling it โ€œtheir finest album in a decade.โ€
  • Kerrang! gave it 4/5, praising its โ€œtranscendental darkness.โ€
  • Distorted Sound cheered a mighty 8/10, calling it โ€œrich, opulent, and irresistibly catchy.โ€
  • Ghost Cult Mag lost their minds, throwing down a 9/10 and declaring it Behemothโ€™s strongest since Evangelion.

๐Ÿ˜ถ Lukewarm & Meh

  • Angry Metal Guy wasnโ€™t exactly headbanging โ€” 3/5, noting โ€œnothing interesting happens until the last couple of tracks.โ€
  • Soundboard Reviews found the mix โ€œcluttered and overwhelming,โ€ though admitted there was still black magic lurking within.
  • Sonic Perspectives liked the riffs but said the lyrics felt โ€œmore blunt than poetic.โ€

๐Ÿ’ฉ Full-On Hate Train

  • Toilet Ov Hell went nuclear: 1/5. They called it a tired rehash of The Satanist and accused the band of self-plagiarism. Brutal.
  • Sputnikmusic users dragged it with a 2.3/5, calling it โ€œindistinguishable from their past work.โ€

๐Ÿค˜ What the Fans Are Saying

On Reddit and forums, the chaos continues:

โ€œTitle track is weakโ€ฆ rest was surprisingly good.โ€

โ€œLyrics? Abysmal.โ€

โ€œHonestly a lot better than I expectedโ€ฆโ€

โ€œThis album is cringe as shit.โ€

โ€œIt blasts ass.โ€

So yeah โ€” about as divided as the mosh pit when someone drops a pint. ๐Ÿบ


๐Ÿฉธ The Good, The Bad & The Ugly

The Good:

  • Lean and mean at just 8 tracks, under 40 mins โ€” no filler.
  • Massive riffs, especially on โ€œNomen Barbarvmโ€ and โ€œO Venvs, Come!โ€
  • Energy and darkness that feels like classic Behemoth.

The Bad:

  • Lyrics that sometimes read like edgelord fan-fic.
  • Overproduction that leaves some riffs buried.
  • If you wanted groundbreaking innovation, this ainโ€™t it.

The Ugly:

  • That album title. Imagine telling your mam youโ€™re off to listen to The Shit Ov God. Sheโ€™s gonna be tamping, mun. ๐Ÿ˜‚

๐ŸŽค Final Riff Report Verdict

So, is The Shit Ov God really that bad? Nah.

Itโ€™s not a flawless masterpiece, but itโ€™s not the catastrophic turd some haters are calling it either. At its best, itโ€™s ferocious, concise, and fun as hell (literally). At its worst, itโ€™s a little self-indulgent and lyrically cringe.

Think of it like a festival pint โ€” not always cold, sometimes a bit flat, but still gets the job done when youโ€™re screaming at the stage. ๐Ÿป


๐Ÿ•ถ๏ธ TL;DR Tidy Takeaway

Your VibeAlbum Verdict
Crave blackened death fury, lean tracklists & riffs sharp enough to cut steel?Youโ€™ll love it. ๐Ÿค˜
Want another The Satanist or lyrical genius?Prepare to roll your eyes. ๐Ÿ™„

At the end of the day, Behemoth still sound like Behemoth โ€” loud, dark, and unapologetically sacrilegious. Love it or loathe it, The Shit Ov God proves one thing: Nergalโ€™s still not here to make friends. ๐Ÿ–ค

Cโ€™mon butt, give it a spin and decide for yourself!

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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