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Home ยป โš”๏ธ THE 12 BEST METAL MUSICIANS OF ALL TIME, ACCORDING TO THE RIFF REPORT BLOG ๐Ÿค˜

โš”๏ธ THE 12 BEST METAL MUSICIANS OF ALL TIME, ACCORDING TO THE RIFF REPORT BLOG ๐Ÿค˜

Michael by Michael
23 April 2025
in News
Reading Time: 6 mins read
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Oi, metalheads! Strap in, because weโ€™re about to summon the gods of distortion, thunder, and chaos. ๐ŸŽธ
This ain’t no Rolling Stone fluff list or AI-generated clickbait โ€” this is The Riff Reportโ€™s unholy gospel of the greatest metal musicians to ever shred, scream, and slam their way into our skulls.

These legends forged the riffs, built the stages, and left trails of sweat, blood, and broken snare heads across decades of gigs. From NWOBHM to nu-metal, from church-burning black metal to arena-filling thrash, these 12 titans defined the genre.

Let the debate (and headbanging) beginโ€ฆ ๐Ÿ–ค


๐ŸŽค 1. RONNIE JAMES DIO โ€“ THE VOICE OF METAL

(Rainbow, Black Sabbath, Dio)
The pint-sized powerhouse with a voice like a dragon in opera school. Dio didnโ€™t just sing metal โ€” he was metal. Whether summoning rainbows in the dark or leading Sabbath through their rebirth, he had lungs of steel and lyrics filled with swords, stars, and shadows.
He literally popularised the ๐Ÿค˜ devil horns โ€” every time you throw them up, you’re throwing love to Ronnie.
Essential Listen: Holy Diver (1983)
Riff Report Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


๐ŸŽธ 2. TONY IOMMI โ€“ THE RIFF-FORGING FATHER OF DOOM

(Black Sabbath)
Letโ€™s be honest: no Iommi, no metal. The godfather of heavy music invented the genre by accident after losing his fingertips in a factory mishap. Instead of giving up, he down-tuned his guitar โ€” and thus, the sound of doom was born.
His riffs are tectonic plates crashing together.
Essential Listen: Children of the Grave
Riff Report Rating: ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ


๐Ÿฅ 3. LARS ULRICH โ€“ THE MOST FAMOUS DRUMMER IN METAL (FOR BETTER OR WORSE)

(Metallica)
Yes, yes, we knowโ€ฆ some of you hate him. But cโ€™mon. Lars was the architect of thrash metalโ€™s biggest empire and the guy who helped bring metal to the masses.
Heโ€™s responsible for some of the most iconic beats in metal history โ€” and some of the most infuriating fills too.
Essential Listen: One
Riff Report Rating: ๐Ÿฅ๐Ÿฅ๐Ÿฅ๐Ÿฅ (with an extra bonus YEAH)


๐ŸŽธ 4. DIMEBAG DARRELL โ€“ RIFF COWBOY, LEGEND FOREVER

(Pantera, Damageplan)
Dime didnโ€™t just play guitar โ€” he painted chaos with it. Whether laying down filthy Southern groove or screeching dive bombs, his playing was untamed brilliance.
He made squeals cool and solos dangerous again. Shot onstage in 2004, his loss still rips through the metal world.
Essential Listen: Floods
Riff Report Rating: ๐Ÿ”ซ๐ŸŽธ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


๐ŸŽค 5. BRUCE DICKINSON โ€“ IRON MAIDEN’S AERIAL ASSAULT

(Iron Maiden)
The voice that could level castles. Bruce is a human jet engine, known for holding insane high notes and actually flying the bandโ€™s tour plane.
If youโ€™ve never screamed โ€œRUN TO THE HILLS!โ€ at the top of your lungs, are you even metal?
Essential Listen: Hallowed Be Thy Name
Riff Report Rating: โœˆ๏ธ๐ŸŽค๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


๐Ÿฅ 6. DAVE LOMBARDO โ€“ THE WAR DRUMMER OF THRASH

(Slayer, Testament, Suicidal Tendencies)
The beast behind Slayerโ€™s brutality. His double bass work on Reign in Blood alone earns him a seat at this table of gods.
Watching Lombardo live is like watching an octopus possessed by Satan.
Essential Listen: Angel of Death
Riff Report Rating: ๐Ÿ’€๐Ÿฅ๐Ÿฅ๐Ÿฅ๐Ÿฅ๐Ÿฅ


๐ŸŽธ 7. JAMES HETFIELD โ€“ THE DOWNPICK KING

(Metallica)
Papa Het is rhythm guitar. His right hand could crack the Earthโ€™s crust. Every iconic riff from Metallicaโ€™s golden age โ€” thatโ€™s him.
Plus, his โ€œYEEEAH!โ€ is basically a mating call for metal fans.
Essential Listen: Master of Puppets
Riff Report Rating: ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ and a TABLE YEAHHH


๐ŸŽธ 8. RANDY RHOADS โ€“ THE CLASSICAL SHREDDER

(Ozzy Osbourne)
Randy fused Bach and mayhem. His leads on Blizzard of Ozz and Diary of a Madman are like operas conducted by demons.
Gone far too soon, but his solos still echo across every fretboard.
Essential Listen: Mr. Crowley
Riff Report Rating: ๐ŸŽป๐ŸŽธ๐Ÿ’€๐Ÿ’ซ๐Ÿ’ซ


๐Ÿฅ 9. JOEY JORDISON โ€“ SLIPKNOTโ€™S STICK-WIELDING DEMON

(Slipknot, Murderdolls, Sinsaenum)
Behind the mask and corpse paint was Joey, an absolute machine.
His 360ยฐ drum kits, hyper-speed fills, and blast beats brought extreme metal into arenas.
Essential Listen: People = Sht*
Riff Report Rating: ๐Ÿ”ฅ๐Ÿฅ๐Ÿฅ๐Ÿฅ๐Ÿฅ๐Ÿชฆ


๐ŸŽธ 10. STEVE HARRIS โ€“ THE BASS THAT LAUNCHED A THOUSAND RUNS

(Iron Maiden)
No bassist gallops quite like Harris. Heโ€™s the engine behind Maidenโ€™s epics and the proudest football fan in metal.
Also: writes half their catalogue. A riff-writing machine with a four-string sword.
Essential Listen: The Trooper
Riff Report Rating: โš”๏ธ๐Ÿดโ€โ˜ ๏ธ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


๐ŸŽค 11. ROB HALFORD โ€“ THE METAL GOD

(Judas Priest)
Leather, studs, and skyscraper vocals. Halford screams like angels in a blender and rides Harleys onstage.
He paved the way for operatic vocals, metal fashion, and LGBTQ+ representation in rock.
Essential Listen: Painkiller
Riff Report Rating: ๐Ÿณ๏ธโ€๐ŸŒˆ๐Ÿ๏ธ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


๐ŸŽธ 12. TOM MORELLO โ€“ THE NOISE MAKER

(Rage Against the Machine, Audioslave)
Morello turned guitar solos into sonic anarchy. Scratchy DJ sounds? Allen keys mid-solo? Yeah, he did all that and still made it heavy.
Heโ€™s the sound of revolution strapped to a wah pedal.
Essential Listen: Bulls on Parade
Riff Report Rating: ๐Ÿšจ๐ŸŽ›๏ธ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ๐Ÿ”ฅ


๐Ÿค˜ HONOURABLE MENTIONS (Because This List Was a Bloodbath):

  • Cliff Burton โ€“ Metallicaโ€™s lost low-end sorcerer
  • Vinnie Paul โ€“ Groove thunder god (Pantera)
  • Angela Gossow โ€“ Growl queen of melodic death metal
  • Kerry King โ€“ Slayerโ€™s chrome-dome riff master
  • Lemmy โ€“ Rock โ€˜nโ€™ roll outlaw, even if you argue Motรถrhead isnโ€™t metal (youโ€™re wrong)

๐Ÿคฏ FINAL THOUGHTS FROM THE PIT

Could we have added Tom Araya? Geezer Butler? Corey Taylor? Absolutely. But this ainโ€™t no charity list. These 12 earned their spots by melting ears and shaking souls.

Agree? Disagree? Wanna start a friendly mosh pit over it?

Drop your favourite in the comments or shout at us on socials: @theriffreportuk

And remember:
If it ain’t loud, it ain’t worth it. ๐ŸŽค๐Ÿ”ฅ
If it ain’t rude, it ain’t rock.
If it ain’t metalโ€ฆ well, we probably left it in the bin with Nickelback.


Diolch for reading, you beautiful riff gremlins. Now go crank that amp and annoy the neighbours.
๐ŸŽธ๐Ÿ’€ #TheRiffReport #MetalLegends #YEAHHH

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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