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Home » ⚔️🌋 ALIEN WEAPONRY – MAORI METAL MAYHEM FROM AOTEAROA!

⚔️🌋 ALIEN WEAPONRY – MAORI METAL MAYHEM FROM AOTEAROA!

Michael by Michael
6 July 2024
in Band Bios
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C’mon now! Time to strap in, slap on your war paint, and prepare to get HAKA’D into oblivion.
Because Alien Weaponry aren’t just shredding riffs — they’re reclaiming heritage, making metal bilingual, and kicking the colonisers in the teeth with breakdowns. 🇳🇿🤘🔥

From small-town New Zealand to international festival carnage, these young Māori warriors are dragging thrash into the future with a battle cry of ancestral rage and face-melting grooves.
You’ve never heard anything like it.
And you’ll never forget it.


🪓 WHO ARE ALIEN WEAPONRY?

Genre: Groove Metal / Thrash Metal / Māori Metal (yes, it’s a thing now 🤘)
From: Waipu, Northland, New Zealand 🇳🇿
Formed: 2010 (when they were literal children!)
Known For:

  • Blending Te Reo Māori (Māori language) with metal
  • Writing bangers about colonialism, oppression, and war
  • Making international metal heads chant in Māori
  • Being young, loud, and terrifyingly talented

They’re like if Sepultura, Lamb of God, and Rage Against The Machine got lost in the Pacific and came back furious.


🌊 THE WARRIOR LINE-UP

  • Lewis de Jong – Guitars / Vocals / Founding brother / Fierce frontman with a warrior’s snarl
  • Henry de Jong – Drums / Founding brother / Hits harder than a haka stomp
  • Ethan Trembath – Bass / Left in 2020, but was core to the rise
  • Tūranga Morgan-Edmonds – Current bassist / Keeps the low end thunder rolling

Alien Weaponry are more than just a band — they’re a movement.
Bringing ancient stories to modern ears through massive, punishing riffage.


💿 DISCOGRAPHY – THE WAR CRY COLLECTION


⚔️ Tū (2018)

🎧 Rū Ana Te Whenua, Kai Tangata, Holding My Breath
Vibe: Thrash meets haka. Rage meets ritual.
Their debut LP hit like a cannonball.
Rū Ana Te Whenua tells of the Battle of Pukehinahina, while Kai Tangata means “People Eater” — a furious tribute to pre-colonial justice.
This album doesn’t just slap – it stomps your chest in.


🌋 Tangaroa (2021)

🎧 Tangaroa, Hatupatu, Buried Underground
Vibe: More expansive, more experimental, still heavy AF.
Songs about ocean pollution, mythology, and spiritual legacy.
The title track honours Tangaroa – the Māori god of the sea.
Hatupatu recounts an ancient escape tale.
Heavy? Yes.
Cultural? Deeply.
A second album that proves they’re no gimmick — they’re the future.


🧠 THEMES THAT HIT HARDER THAN A BREAKDOWN

Alien Weaponry aren’t writing about slaying dragons or teen angst.
They’re shouting about:

  • 🛡️ Māori history and resistance
  • 🌊 Cultural erosion and environmental devastation
  • 🪶 Colonial injustice and indigenous pride
  • 🔥 Rage passed through generations

Their lyrics educate and eviscerate.
You’re headbanging AND learning.


🎧 THE RIFF REPORT’S ESSENTIAL ALIEN ANTHEMS

🥩 Kai Tangata – Absolute riot. Cannibalistic thrash groove madness.
🌋 Tangaroa – Oceans rise, riffs crash. Majestic and furious.
💀 Rū Ana Te Whenua – The earth shakes… and so will your speakers.
🕳️ Buried Underground – Raw, groovy, menacing.
🪓 Blinded – Modern metalcore with ancestral rage.


🌏 WHY ALIEN WEAPONRY MATTER

Because they:

  • Make the ancient feel urgent.
  • Give a global voice to indigenous struggle.
  • Fuse languages, cultures, and riffs into something never done before.
  • Aren’t just “good for their age” – they’re DAMN GOOD.
  • Are walking proof that metal can evolve and still punch you in the throat.

Alien Weaponry aren’t following trends — they’re forging a new path with carved bone and distortion.
This is warrior metal for the next generation.


🎤 LIVE SHOWS – HAKA IN THE PIT

A live Alien Weaponry gig feels like:

  • ⚔️ A battle chant before war
  • 🔥 Wall-to-wall grooves and guttural roars
  • 🪶 Sacred storytelling through sonic warfare
  • 💪 A proud, powerful celebration of Māori heritage

The band sometimes opens with an actual haka, chests out, fists up, eyes blazing.
The crowd? Ferocious. Hypnotised. Unified.
Metal meets mana. And it’s spine-tingling.


🗣️ FINAL VERDICT FROM THE RIFF REPORT:

Alien Weaponry are more than a band — they’re a cultural awakening in drop C.
They don’t play metal — they wield it.
Every riff is a weapon. Every lyric is a legacy.

Want thrash that teaches you ancient history?
Want metalcore that actually stands for something?
Want to scream in Māori while throwing elbows in a sweaty pit?

Then get your face painted, your fists raised, and your ears ready.
Because Alien Weaponry are rewriting the metal rulebook — one haka at a time.


🪓 The Riff Report lifts its taiaha and roars into the storm:
ALIEN WEAPONRY – MANA METAL FROM THE LAND OF THE LONG WHITE CLOUD.
AND THEY’RE JUST GETTING STARTED.
🌋⚔️🖤

Previous Post

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🌸⚔️ BABYMETAL – KAWAII CHAOS, METAL MADNESS & MOSH PITS WITH A SMILE!

Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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