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Home ยป ๐ŸŽค๐Ÿ’ฅ YUNGBLUD โ€“ THE RIOT IN PINK SOCKS THAT WONโ€™T SHUT UP

๐ŸŽค๐Ÿ’ฅ YUNGBLUD โ€“ THE RIOT IN PINK SOCKS THAT WONโ€™T SHUT UP

Michael by Michael
6 July 2025
in Band Bios
Reading Time: 7 mins read
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Oi oi! Strap in, cโ€™mon butt, โ€˜cos weโ€™re diving headfirst into the loudest, proudest, most chaotically vulnerable punk-pop juggernaut of the 21st century: YUNGBLUD. ๐Ÿค˜๐ŸŽธ๐Ÿ–ค

Heโ€™s the black-heart emoji of Gen Z rock โ€” part Sex Pistols, part My Chemical Romance, part glitchy TikTok chaos โ€” and somehow still 100% himself: messy, mouthy, and madly magnetic.

Whether heโ€™s shouting about politics, kissing fans on stage, or dancing in a dress while giving the middle finger to every suit in the music biz โ€” YUNGBLUD is not here to be quiet, tidy, or easy to label.
And thatโ€™s exactly why we bloody love him.


๐Ÿ–ค WHO IS YUNGBLUD?

Real Name: Dominic Richard Harrison
From: Doncaster, South Yorkshire (with a Yorkshire accent that could slice through steel)
Genres: Alt Rock / Punk Pop / Emo / Hip-Hop / ADHD-on-vinyl
Formed (solo): 2017
Known For:

  • Wearing skirts and shouting about gender, identity, and freedom
  • Collaborating with rock royalty and SoundCloud rebels alike
  • Being an absolute hurricane of energy live
  • *Making Gen Z feel seen, loved, and LOUD

Dom is the weirdo messiah for the outcasts.
Whether youโ€™re queer, anxious, angry, or just confused as hell โ€” Yungblud has your back, your playlist, and probably your eyeliner brand.


โšก THE VIBE โ€“ LIKE A RIOT INSIDE YOUR HEART

Heโ€™s punk, but pretty.
Heโ€™s emo, but euphoric.
Heโ€™s hip-hop influenced, but guitar-first.
He screams about Boris Johnson and body image in the same breath.
Heโ€™s the voice of the lost, the loud, and the lovely.

Imagine if Green Day and Lady Gaga had a hyperactive child raised by Tumblr and Camden Market.
Thatโ€™s Yungblud.


๐Ÿ’ฟ DISCOGRAPHY โ€“ CHAOS IN ALBUM FORM


๐Ÿ’” 21st Century Liability (2018)

๐ŸŽง Polygraph Eyes, I Love You, Will You Marry Me
Vibe: Rage, rebellion, vulnerability.
The intro manifesto โ€” gender, mental health, politics, and dirty basslines.
Anxious youth finally had a voice that screamed with them.


๐Ÿคฏ Weird! (2020)

๐ŸŽง God Save Me, But Donโ€™t Drown Me Out, Mars, Cotton Candy
Vibe: A glam-punk, genre-bending explosion of identity.
Pansexual anthems, gender fluid visuals, mental health rawness.
Itโ€™s MCR meets Bowie meets neon rebellion.
Massive chart success. He became the voice of a movement.


๐Ÿ–ค Yungblud (2022)

๐ŸŽง The Funeral, Donโ€™t Feel Like Feeling Sad Today, Tissues
Vibe: Polished chaos. Pop-punk hooks with soul-punching honesty.
Deeper, darker, but still danceable.
Also: Robert Smith of The Cure co-signs him here. LEGENDARY.
Bigger venues. Bigger hair. Bigger riffs.


๐Ÿ”ฎ Coming soonโ€ฆ?

Heโ€™s dropping cryptic teasers, surprise singles, and collabs left and right โ€” you can bet another album bombโ€™s brewing.
And itโ€™s gonna hit you in the feels, fists, and face.


๐Ÿค˜ COLLABS TO SCREAM ABOUT

  • Machine Gun Kelly โ€“ Acting Like That
  • Bring Me The Horizon โ€“ Obey
  • Travis Barker โ€“ basically his drummer dad
  • Willow, Avril Lavigne, Dan Reynolds, Marshmello, Tom Morello, AND HEโ€™S JUST GETTING STARTED.

Heโ€™s genre-fluid and friend-heavy.
One minute itโ€™s ska punk, next itโ€™s a sobbing piano ballad about body image.
He thrives in chaos.


๐ŸŽค LIVE SHOWS โ€“ SCREAM, CRY, CUDDLE, RIOT

A Yungblud gig is:

  • ๐Ÿ–ค Fans crying in eyeliner and Doc Martens
  • ๐ŸŽธ Stage dives, sweat, and spontaneous therapy sessions
  • ๐Ÿณ๏ธโ€๐ŸŒˆ Flags waving, hugs flying, and NO judgement
  • ๐Ÿ’ฅ Heโ€™s not just a performer โ€” heโ€™s a ringleader of revolution

Itโ€™s punk energy meets group hug.
You leave tired, teary, and reborn.


๐Ÿง  WHY YUNGBLUD MATTERS

Because he:

  • Makes misfits feel like main characters
  • Uses his platform to scream for the voiceless
  • Breaks gender norms, music boundaries, and marketing expectations
  • Wears his heart on his sleeve โ€” then sets fire to the sleeve
  • ***Is proof that punkโ€™s not dead โ€” it just got a TikTok account.

Heโ€™s a walking contradiction that makes perfect sense.
Too weird for the mainstream. Too big for the underground. Perfect for right now.


๐ŸŽง THE RIFF REPORTโ€™S EMO-PUNK ESSENTIALS

๐ŸŽค Mars โ€“ Trans love story thatโ€™ll break and rebuild you
๐Ÿ”ฅ Obey (w/ BMTH) โ€“ Sledgehammer riffs meet rebel yells
๐Ÿ’„ Cotton Candy โ€“ Sexy, queer, sugary chaos
โ˜ ๏ธ The Funeral โ€“ โ€œIโ€™ve been dancing at my funeralโ€ = goth-punk poetry
๐Ÿฅ€ I Think Iโ€™m OKAY (w/ MGK & Travis Barker) โ€“ Modern classic
๐Ÿฉธ God Save Me, But Donโ€™t Drown Me Out โ€“ The anthem of a generation screaming back


๐Ÿงจ FINAL VERDICT FROM THE RIFF REPORT:

YUNGBLUD is the panic attack we needed to have.
Heโ€™s not your mumโ€™s idea of a rockstar โ€” heโ€™s ours.
Glitter, grit, and absolute honesty wrapped in distorted guitars and a Yorkshire snarl.

Want music that makes you cry, laugh, scream and snog in the pit?
Want representation that rocks?
Want a new generation of punk with eyeliner and empathy?

Then YUNGBLUD is your chaos king.


๐Ÿ–ค The Riff Report scribbles on its school blazer and yells:
YUNGBLUD โ€“ RIOT GOTH PRINCE FOR THE LOST AND LOUD.
WEIRDOS UNITE. SCREAM FOREVER.
๐ŸŽค๐Ÿ”ฅ๐Ÿ•ธ๏ธ

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๐Ÿ”ฅ๐Ÿ’ SLIPKNOTโ€™S SID WILSON PROPOSES TO KELLY OSBOURNE AT BLACK SABBATHโ€™S FINAL SHOW โ€“ METAL ROYALTY ENGAGED ON STAGE! ๐Ÿ–ค๐ŸŽค

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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