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Home ยป ๐Ÿš€ ACE FREHLEY: CAMPAIGN LAUNCHED TO MAKE THE KISS LEGEND A POSTHUMOUS NASA ASTRONAUT ๐ŸŒ 

๐Ÿš€ ACE FREHLEY: CAMPAIGN LAUNCHED TO MAKE THE KISS LEGEND A POSTHUMOUS NASA ASTRONAUT ๐ŸŒ 

Michael by Michael
6 November 2025
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Because if anyone deserves a seat on the next rocket to Mars, itโ€™s the Spaceman himself.

Only in the world of rock โ€™nโ€™ roll could this happen, mun. ๐Ÿด A KISS superfan has just launched a campaign calling for Ace Frehley โ€” the original Spaceman, six-string sorcerer, and master of cosmic riffs โ€” to be named a posthumous NASA astronaut.

And honestly? Weโ€™re so here for it. ๐Ÿค˜


๐Ÿ‘จโ€๐Ÿš€ The Petition Thatโ€™s Outta This World

The online petition, started by a lifelong KISS devotee (and self-described โ€œintergalactic shredder in trainingโ€), argues that Ace deserves official recognition for โ€œinspiring millions to dream beyond the stars through the power of rock music.โ€

Itโ€™s already doing the rounds on social media, with hashtags like #AceInSpace, #LaunchTheSpaceman, and the frankly brilliant #ToTheStarsWithLoveGun picking up speed faster than a Paul Stanley stage jump.

The fanโ€™s mission statement?

โ€œAce Frehley made kids pick up guitars, believe in the impossible, and reach for the stars โ€” literally. NASA should honour him as an honorary astronaut for his contribution to humanityโ€™s fascination with space.โ€

And you know what? Thatโ€™s not even a stretch. Ace wasnโ€™t just playing the Spaceman โ€” he lived it. From the silver jumpsuits and sci-fi makeup to his explosive, galactic solos, the man looked like heโ€™d just crash-landed from Planet Riff and plugged straight into an amp.


๐ŸŽธ From the Bronx to the Cosmos

Ace Frehleyโ€™s journey from a streetwise Bronx kid to rockโ€™s most iconic extraterrestrial is the stuff of legend. Joining KISS in 1973, he became the bandโ€™s mysterious, space-age lead guitarist โ€” combining interstellar swagger with fretboard wizardry that made his Gibson Les Paul look like it could launch satellites.

His 1978 solo album Ace Frehley (yes, the one with New York Groove โ€” all rise!) cemented his reputation as both a showman and a serious musical innovator. He wasnโ€™t just dressing like a spaceman โ€” he was sonically orbiting Earth while the rest of us were still tuning up.


๐Ÿ’ซ โ€œHe Took Us Higher Than the Moonโ€ โ€“ Fans React

The petition has unleashed a tidal wave of fan comments, many of which read like love letters from another galaxy:

โ€œHe inspired me to become an engineer for NASA. Without Ace, I wouldnโ€™t be building rockets โ€” Iโ€™d still be playing air guitar in my garage.โ€ ๐Ÿš€

โ€œHe was the first man to make me believe aliens could rock.โ€ ๐Ÿ‘ฝ

โ€œIf Elon Musk can get a car into space, we can get Ace Frehley there too.โ€ ๐Ÿ›ธ

One fan even suggested a statue of Ace on the Moon โ€” guitar raised to the heavens, cape flapping in zero gravity. And honestly, tell me that wouldnโ€™t make the perfect lunar landmark. ๐ŸŒ•๐ŸŽถ


๐Ÿง‘โ€๐Ÿš€ NASA, Are You Listening?

So far, NASA hasnโ€™t responded (probably too busy calculating the trajectory of Aceโ€™s solos), but the idea isnโ€™t as far-fetched as it sounds. The agency has previously honoured pop-culture figures who inspired space enthusiasm โ€” from Star Trekโ€™s Nichelle Nichols to Gene Roddenberry.

If ever there was a rocker who deserved to join that cosmic hall of fame, itโ€™s Ace.

Imagine it: a NASA patch with his lightning bolt makeup, embroidered with โ€œThe Spaceman: Forever Among the Stars.โ€ Thatโ€™s merch and meaning right there.


๐Ÿ”ฅ โ€œHe Was Always Out Thereโ€ฆโ€

Even KISS frontman Paul Stanley once said of Ace:

โ€œHe was always out there โ€” literally. Ace could make his guitar sound like a spaceship landing.โ€

Gene Simmons, meanwhile, once joked that Frehley โ€œspent more time in orbit than the Apollo missions,โ€ and weโ€™re not entirely sure it was just a metaphor. ๐Ÿ˜‚


๐Ÿช The Legacy of the Spaceman Lives On

Whether or not NASA salutes him with official astronaut status, the campaignโ€™s message rings clear โ€” Ace Frehley will forever be part of rockโ€™s cosmic DNA.

He was the guy who reminded us that rock โ€™nโ€™ roll isnโ€™t just about rebellion โ€” itโ€™s about exploration. Whether through sound, style, or sheer madness, Ace made the unknown sound amazing.

As the petitionโ€™s creator put it:

โ€œHe didnโ€™t just play to the crowd โ€” he played to the cosmos.โ€

And honestly, thatโ€™s lush, that is.


๐ŸŒŒ Final Thoughts: One Small Step for Ace, One Giant Riff for Mankind

We donโ€™t know if NASA will grant Ace his posthumous astronaut badge, but we do know this โ€” heโ€™s already up there somewhere, watching over us with a Les Paul in one hand and a beer in the other. ๐Ÿบ

So cโ€™mon butt โ€” sign the petition, blast Rocket Ride on full volume, and remember: the next time you look at the night sky, thereโ€™s a Spaceman smiling back at you. ๐Ÿค˜โœจ

Diolch, Ace. Keep rocking the stars. ๐ŸŒ 

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๐Ÿ—ž๏ธ METALLICA FANS ARRESTED FOR CLIMBING TOWER DURING PERTH CONCERT โ€” โ€œONLY IN AUSTRALIA, MUN!โ€ ๐Ÿค˜๐Ÿ‡ฆ๐Ÿ‡บ

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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