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Home ยป ๐Ÿ”ฅ๐Ÿช˜ SEPULTURA โ€“ BRAZILโ€™S METAL REVOLUTIONARIES

๐Ÿ”ฅ๐Ÿช˜ SEPULTURA โ€“ BRAZILโ€™S METAL REVOLUTIONARIES

Michael by Michael
21 February 2025
in Band Bios
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๐Ÿ”ฅ๐Ÿช˜ SEPULTURA โ€“ BRAZILโ€™S METAL REVOLUTIONARIES From the chaos of Belo Horizonte to worldwide metal dominance, Sepultura are one of the most important and groundbreaking metal bands ever forged in fire.

Whether itโ€™s thrash, death, groove, industrial, or tribal percussion-fuelled madness, Sepultura has ripped through genre lines like a jaguar in a pit.


๐Ÿ‡ง๐Ÿ‡ท WHO ARE SEPULTURA?

Genre: Thrash / Groove / Death / Tribal Metal
Formed: 1984
From: Belo Horizonte, Brazil ๐Ÿ
Name Means: โ€œGraveโ€ in Portuguese. Grim, innit?

Known For:

  • Pioneering South American metal on the global stage
  • Fusing tribal rhythms with crushing guitars
  • Massive influence on nu-metal, groove metal, and even hardcore
  • The Max Cavalera era wars (split loyalties forever!)
  • Albums that punch colonisation, war, politics and society right in the throat

๐Ÿค˜ BAND LINE-UP (Past & Present)

๐Ÿ”ฅ CURRENT

  • Derrick Green โ€“ Vocals (since 1998)
    Towering frontman with a roar like a lion in a wind tunnel.
  • Andreas Kisser โ€“ Guitars (since 1987)
    Riff master general. Carried the band through thick and thin.
  • Paulo Jr. โ€“ Bass (founding member!)
    Keeps the roots grounded in metal.
  • Greyson Nekrutman โ€“ Drums (joined 2024)
    The newest beast behind the kit โ€“ and heโ€™s already smashing skulls.

๐Ÿฉธ FORMER LEGENDS

  • Max Cavalera โ€“ Vocals/Guitar (1984โ€“1996)
    The primal voice of early Sepultura. Now fronts Soulfly, Cavalera Conspiracy.
  • Igor Cavalera โ€“ Drums (1984โ€“2006)
    Maxโ€™s brother. Invented tribal metal drumming. Absolute unit.

๐Ÿ’ฟ SEPULTURAโ€™S ALBUMS โ€“ A BLOODY BRILLIANT LEGACY


โ˜ ๏ธ Morbid Visions (1986)

๐ŸŽง Troops of Doom
Raw, satanic, chaotic. Proto-death metal with a DIY Brazilian twist.
This was blackened fury in flip-flops.


๐Ÿ’€ Schizophrenia (1987)

๐ŸŽง Escape to the Void, Inquisition Symphony
The beginning of the thrash storm. Max starts evolving into the beast.


๐Ÿ”ฅ Beneath the Remains (1989)

๐ŸŽง Inner Self, Mass Hypnosis
Game changer. One of the best thrash records ever.
Brutal. Precise. Fast. Brazilโ€™s answer to Slayer.


๐Ÿง  Arise (1991)

๐ŸŽง Dead Embryonic Cells, Desperate Cry
Sepultura goes apocalyptic and technical AF.
Their metal Messiah moment. Just epic.


๐Ÿช˜ Chaos A.D. (1993)

๐ŸŽง Refuse/Resist, Territory, Slave New World
They ripped up thrash rulebooks and slammed in tribal rhythms, groove, and political fury.
Landmark album. Still influences new bands today.
That “Refuse/Resist” drum intro? Iconic.


๐ŸŒ Roots (1996)

๐ŸŽง Roots Bloody Roots, Ratamahatta
Nu-metal before nu-metal existed.
Max and Igor incorporated Amazonian tribal chants, Brazilian percussion, and insane heaviness.
Huge. Bold. Divisive.
And thenโ€ฆ boom. Max leaves.


๐Ÿ”„ THE DERRICK GREEN ERA BEGINS (1998โ€“NOW)

๐Ÿ”‰ Against (1998)

A rough start, but heavy and defiant. Derrick starts finding his voice.

๐Ÿ’ช Nation (2001)

Experimental, political. Underrated banger.

๐Ÿค– Roorback (2003)

Industrial flavours meet groove โ€“ Sepultura refuses to stay in a box.

๐Ÿฉธ Dante XXI (2006)

A concept album based on Danteโ€™s Divine Comedy.
Heavy, ambitious, and angry as hell.

๐Ÿงฌ A-Lex (2009)

Another concept โ€“ based on โ€œA Clockwork Orangeโ€!
Weird, wicked, ultra-violent metal.

๐Ÿช“ Kairos (2011)

Return to groove and savagery. Kairos = time, and the time was RIFF Oโ€™CLOCK.

๐Ÿง  The Mediator Between Head and Hands Must Be the Heart (2013)

Long name. Big sound. Another philosophical, raging slab of metal.

๐Ÿงช Machine Messiah (2017)

Futuristic, sludgy, and shockingly melodic at times.
Derrickโ€™s finest hour vocally.

๐Ÿ’ฅ Quadra (2020)

Top-tier modern metal. Thrash meets classical, meets groove, meets rage.
Concept album based on numerology.
Seriously, this rips.


๐ŸŽค ESSENTIAL TRACKS TO SUMMON CHAOS

  • Roots Bloody Roots โ€“ โ€œI believe in our fate!โ€
  • Refuse/Resist โ€“ Rallying cry for metal revolution
  • Territory โ€“ That groove. That video. That face paint.
  • Arise โ€“ Pure thrash perfection
  • Dead Embryonic Cells โ€“ Technical and ferocious.
  • Inner Self โ€“ For every long-haired outsider
  • Kairos โ€“ Groove metal slamfest
  • Guardians of Earth โ€“ Symphonic power
  • Ratamahatta โ€“ Tribal drums, wild vocals, madness incarnate

๐Ÿ›‘ MAX VS SEPULTURA โ€“ THE ETERNAL SPLIT

Itโ€™s the elephant in the pit.
Max formed Soulfly, then Cavalera Conspiracy.
Now re-recording old Sep albums as โ€œCavaleraโ€.
Fans are still divided โ€“ but letโ€™s be real: both eras rule in their own right.
Youโ€™re allowed to love it all.


๐Ÿช˜ THE RIFF REPORT VERDICT

Sepultura are more than a band โ€“ theyโ€™re a movement.
They shattered borders, redefined metal, and showed you donโ€™t need to be American or European to create sonic devastation.
From death metal roots to tribal thunder to futuristic concept albums, theyโ€™ve never stood still.

๐ŸŽง Wanna feel the earth shake and the jungle rise?
Crank up Roots Bloody Roots and let it take your face off. ๐Ÿช˜๐Ÿ”ฅ๐Ÿ–ค

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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