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Home ยป ๐ŸŽค EMINEMโ€™S HAPPY GILMORE 2 CAMEO โ€“ WHAT WAS GOING ON WITH HIS MOUTH, MUN? ๐Ÿค”๐Ÿ˜‚

๐ŸŽค EMINEMโ€™S HAPPY GILMORE 2 CAMEO โ€“ WHAT WAS GOING ON WITH HIS MOUTH, MUN? ๐Ÿค”๐Ÿ˜‚

Michael by Michael
19 August 2025
in News
Reading Time: 3 mins read
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So you sat down with a cold one to watch Happy Gilmore 2, and boom โ€” in pops Slim Shady himself. But wait a secโ€ฆ why on earth couldnโ€™t Eminem close his mouth properly? Did he lose a bet with Sandler? Was it botched CGI? Or did someone superglue his dentures in? Letโ€™s riff it outโ€ฆ ๐ŸŒ๏ธโ€โ™‚๏ธ๐ŸŽค


The Big Mouth Mystery ๐Ÿ‘„

Eminem shows up as the son of the OG Happy Gilmore heckler โ€” you know, the classic โ€œJackass!โ€ guy from the first film. Only this time, Shadyโ€™s standing there with his gob frozen half open, like heโ€™s just spotted the buffet table at a Cardiff wedding.

Turns out, this wasnโ€™t a blooper or dental disaster. Nah, mate โ€” this was exactly why Adam Sandler cast him. Word from behind the scenes says Sandler wanted that weird open-mouthed look to crank up the awkward comedy. And honestly? It worked. Proper job, mun! ๐Ÿ˜‚


Comedy Gold (with a Detroit Twist) ๐ŸŽถ

In the film, Em keeps that odd lip-frozen smirk while he jeers at Happy, dropping lines like heโ€™s back on 8 Mile โ€” only instead of battling Papa Doc, heโ€™s battling golf balls and Sandlerโ€™s slapstick madness.

And just when youโ€™re thinking, โ€œThis is surreal,โ€ he gets yeeted straight into a water hazard full of alligators. ๐ŸŠ
Yep, the man went from spitting bars to spitting pond water. Detroit vs. the swamp, and the swamp won.


Fans Canโ€™t Stop Talking ๐Ÿ’ฌ

The internetโ€™s been buzzing, asking why Em looked like heโ€™d just walked into a strong wind tunnel and couldnโ€™t shut his jaw. TikTokers are saying that Sandler leaned into the oddness, making it one of the most bizarre cameos in comedy history.

Redditors, meanwhile, are cracking up over the โ€œDetroit, what?!โ€ line and the fact Em even tried a Dark Souls-style dodge roll before his splashdown. Absolute scenes. ๐Ÿคฃ


Final Verdict โ€“ Intentional, and Totally Tidy โœ…

So, why couldnโ€™t Eminem close his mouth in Happy Gilmore 2?
Because it was never meant to! Sandler wanted the awkward energy, Em delivered it, and the result is a cameo people will be quoting long after the credits roll.

Itโ€™s strange, itโ€™s hilarious, and itโ€™s one of those โ€œonly in a Sandler flickโ€ moments. Eminem might not have walked away with a green jacket, but he stole the show with his jaw half-hinged. ๐Ÿ†


๐Ÿ’€ The Riff Report Take:
Adam Sandler + Eminem + golf balls + alligators = cinematic chaos of the highest order. Would we watch it again? YESS MUN! ๐Ÿค˜

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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