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Home »  🎙️ Interview: Stone Sea

 🎙️ Interview: Stone Sea

Michael by Michael
3 February 2026
in Interviews
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Massive thanks to Stone Sea for taking the time to sit down with The Riff Report 🤘🔥

Top chats, cracking stories, and serious passion for the craft — exactly the kind of energy we love championing. It’s always a buzz digging into the riffs, the graft, and the madness behind the music, and you lot delivered in spades. Absolute pleasure getting your words out there for the readers, mun.

Best of luck with everything coming up — new tunes, loud shows, and whatever chaos you’re about to unleash next. We’ll be watching from the barrier with a grin on our faces 😈🎸

Cheers again.

ORIGINS & MYTHOLOGY

  • Let’s start at the beginning — how did Stone Sea come crashing into existence?

It came about quite naturally. To start with, my parents named me Elvis (laughs), so I guess music was unavoidable. I started guitar lessons at 11, and pretty quickly I just wanted to do what my idols were doing. Noise became a way for me to express myself, and through that, to understand myself better. Stone Sea is basically the result of never stopping that process.

  • The name’s got weight to it. What does Stone Sea actually mean to you?

Stone represents the fixed elements of life: the body you inhabit, family, memories—things that simply are. Sea represents constant change and transformation. Together, they also reflect our music: rooted in heavy, Sabbath-like foundations, but always shifting, evolving, and mutating.

  • Was this always meant to be a proper band, or did it start as a “let’s just see what happens” situation?

Always wanted to be a proper band, even with my teenage mentality at the time (laughs).

  • Who in the band secretly knew this would slap… and who needed convincing?

I can easily be at both spots as there’s a part of me that’s extremely sceptical and the other one never gives up.


 SOUND, RIFFS & HEAVY ATMOSPHERE

  • How would you describe your sound to someone who likes it loud, emotional, and slightly unhinged?

“tsup dude, I think I just found a pretty good soundtrack for your life.”

  • What bands get name-checked when people hear you for the first time?

People often mention Alice in Chains, but I also heard Nirvana, Soundgarden and Black Sabbath.

  • Are you more about groove, doom, melody, or controlled chaos?

I think all these names are very self-describing on the same amount (laughs). I guess we’re a balanced mix.

  • Which song best represents Stone Sea right now?

Age of Tears. It’s very honest, complex and heavy af.


 SONGWRITING & THEMES

  • Where do your lyrics come from — personal stuff, big feelings, or staring into the abyss at 2am?

(laughs) Once again, a perfect mix, but I’m probably more attracted by the abyss.

  • Is there a track that still hits you hard when you play it live?

Mistify. Since we started playing it, there hasn’t been a gig without it. 

  • Do songs start with a riff, a mood, or someone saying “hear me out…”?

It can be any of those, but usually it starts with a melody in my head, which probably makes me the “hear me out” guy.  

  • How brutal is the editing process — do you kill your darlings or let them run wild?

It depends on whether we’re tight on time or not. Some things may be left out there, and overtime they may sound quite cool – like the guitar feedback when the distorted section ends on Flow Upstream.


 LIVE SHOWS & CROWD ENERGY

  • Describe a Stone Sea gig in three words.

Hard-hitting, groovy and drifty.

  • Which track always flips the switch in the room?

Lately it’s Age of Tears. It’s also the last song before I drop the guitar to the low string.

  • Best crowd reaction you’ve had so far?

At our last gig, after playing Left to Be, people started chanting the chorus over and over. It was so worthy.

  • Any on-stage chaos, near disasters, or “how did we survive that?” moments?

Plenty of technical scares—broken strings, tuning issues—but somehow everything always holds together just enough to finish the set (laughs).


 SCENE, COMMUNITY & SUPPORT

  • What’s your take on the current rock/metal scene where you’re based — thriving or still slept on?

There are way more great bands than I expected, but the scene around Málaga and the Costa del Sol is still limited. There aren’t many venues for original music—most places only want cover bands, which makes it tough.

  • Which bands should everyone be checking out right now?

Definitely Plastic Woods and Red Eye.

  • How important is the DIY/community side of the scene to you?

It’s essential. Any active scene needs DIY energy. Projects like Sonido Custom and Stoner Club are doing invaluable work, and I’m really glad to recently connect with them.

  • Best venue you’ve played so far — and why?

I love spaces that don’t feel like traditional venues—festival-style setups—but Cochera Cabaret in Málaga was a great place to play.


 RECORDING, RELEASES & WHAT’S NEXT

  • What have you been working on lately — new songs, new recordings, new headaches?

All of the above (laughs). We’re finishing our seventh new song and plan to hit the studio soon.

  • Are we getting singles, an EP, or something bigger on the horizon?

For sure, count on singles leading up to an album!

  • How do you want people to feel when they hear your latest material?

Surprised! In a good way, of course (laughs).

  • Any dream gigs, festivals, or support slots you’re manifesting?

We’ve been dying to get to Desertfest, Sonic Blast. Always felt we belong.


 THE IMPORTANT STUFF (OBVIOUSLY)

  • Pre-gig ritual?

Lots of stretches and a little beer to ease the mind.

  • Post-gig food of choice?

Ain’t always a question of choice, but a kebab is always open.

  • Who’s always late to practice?

Nobody, we’ve been very punctual surprisingly.

  • Who’s the biggest gear nerd in the band?

None of us, really—which probably explains our live sound… unless the engineer saves us (laughs). – Don’t get me wrong, I got my funky setups.  


 QUICKFIRE RIFF ROUND

  • Studio perfection or live chaos?

Uff… I’m guilty of both, sorry.

  • Big riffs or subtle textures?

Damn, will all these questions be like that?

  • Dark and heavy or loud and cathartic?

Yes, they will.

  • One word to describe Stone Sea in 2026.

Bold (dna is a bitch)


 FINAL SHOUT

  • Why should someone who’s never heard Stone Sea come see you live immediately?

Because I (not so secretly) added it to your list of things to do before you die.

🌐 Official Hub

Linktree (everything in one tidy place):
👉 https://linktr.ee/stonesea

This is your one-stop portal — socials, streaming platforms, videos, and whatever else the band decides to unleash next.

📸 Instagram

👉 https://www.instagram.com/stoneseaband/
Behind-the-scenes chaos, gig snaps, and that “we might melt your speakers” energy.

📘 Facebook

👉 https://www.facebook.com/stoneseamusic/
Gig updates, announcements, and proper old-school community vibes.

▶️ YouTube

👉 https://www.youtube.com/channel/UCcs8EaseUCOzPNGDibWXtZw
Live footage, visuals, and proof that these riffs hit even harder when you can see them.

Previous Post

🎧 BEFORE THE SIRENS – AS IT IS ABOVE, SO IT IS BELOW

Next Post

🎸 THE DAY THE MUSIC DIED – 67 YEARS ON, AND IT STILL HURTS 💔✈️

Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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