Right then… gather round, heartbreak survivors, situationship escapees, and anyone who’s ever rolled their eyes at a £12 petrol station teddy bear… because this one’s for YOU 😈🔥
Bailey Spinn has just unleashed “homicide” — and bloody hell, it doesn’t just slap… it swings a chair across the room and sets it on fire afterwards 💣🤘
Dropped on February 13th (the ultimate anti-Valentine’s mic drop, fair play 👀), this track is a full-throttle emotional detonation wrapped in distortion, attitude, and zero apologies.
💣 LOVE SONGS ARE DEAD — LONG LIVE THE CHAOS
Forget roses. Forget romance. Forget that awkward card aisle in Tesco.
“homicide” kicks the door down and replaces all that mush with:
- 🎸 Riffs that snarl like they’ve had enough of your nonsense
- ⚡ Hooks sharper than a drunk text at 2:47am
- 🔥 Vocals that sound like they’ve just burned a diary and don’t regret a thing
Produced by Matt Squire (the mastermind behind chaos merchants like Panic! At The Disco and Sum 41), the track hits that perfect sweet spot between polished and absolutely unhinged.
It’s loud. It’s raw. It’s got teeth.
And honestly? It’s exactly what the rock scene needs right now 🔥
🖤 FROM HEARTBREAK TO “NAH, I’M GOOD ACTUALLY”
This ain’t your typical sob-in-the-corner breakup tune, mun.
Nah — this is the soundtrack to:
👉 Deleting their number
👉 Blocking them everywhere
👉 Realising you were WAY too good for that mess anyway
“homicide” turns emotional burnout into a proper power move — a middle finger wrapped in distortion and self-respect 💪🔥
It’s catharsis you can scream along to… preferably in the car, windows down, terrifying pedestrians 🚗💨
🚀 BAILEY SPINN ISN’T MESSING ABOUT
If you’re only just clocking onto Bailey Spinn now — welcome to the party, butt 😏
She’s been building serious momentum with previous bangers like:
- “critical”
- “fear of going out”
And her debut album loser (2025)? Absolute stormer.
Especially the fan-favourite happy ending, which smashed past 10 million streams like it was nothing 💥
Her whole vibe is this glorious mix of:
🎸 Y2K alt-rock nostalgia
💔 Brutally honest storytelling
🔥 Modern, don’t-take-any-crap energy
She’s not just riding the wave — she’s making the bloody thing 🌊
🌍 TOUR INCOMING — AND IT’S GONNA BE MAYHEM
As if dropping this weapon of a track wasn’t enough, Bailey’s heading out on tour with Dark Divine this spring across North America 🤘
Kicking off March 4 at The Palladium in Worcester, this run’s shaping up to be:
- 🔥 Loud
- 🤘 Sweaty
- 😈 Slightly unhinged (the best kind)
If her live shows match the energy of “homicide”… expect chaos, crowd screams, and at least one person losing their voice entirely.
🔥 RIFF REPORT VERDICT
“homicide” isn’t just a song — it’s a statement.
It’s what happens when heartbreak stops being sad and starts getting loud.
And honestly? We’re backing it all the way.
Because sometimes…
You don’t need closure.
You just need a massive riff, a bit of attitude…
and a track that absolutely goes for the throat 😈🔥🤘
👉 Stick this on full blast, annoy your neighbours, and raise a pint to being gloriously over it 🍻
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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