The dark heart of UK metal is already rumbling again, butt — Damnation Festival 2026 has officially dropped its first announcement: Blind Bird tickets are live at 2025 prices! 😈
That’s right, maniacs — for a limited time, you can lock in your ticket for next year’s chaos by paying just the booking fee. No lineup? No problem. If you’ve been before, you already know what’s coming — riffs heavier than hell, pits that could summon demons, and one of the most passionate metal crowds in the country. 🖤
🔥 Event Details:
📍 BEC Arena, Manchester
📅 7–8 November 2026
Blind Bird tickets are your chance to secure your spot in the pit before prices rise — and trust us, this one will sell fast. Every year Damnation ups the ante with jaw-dropping lineups featuring everything from blackened fury to sludgy doom, tech-death precision to prog wizardry.
2025’s edition blew the roof off the BEC Arena — and if that was anything to go by, 2026 will be utter carnage. Expect blistering performances, exclusive one-off sets, and a crowd louder than Behemoth’s backline. 🥁
So, what are you waiting for? Grab your Blind Bird tickets NOW and prepare for the UK’s heaviest weekend of the year. The devil waits for no one…
🎟️ Tickets: On sale now via the Damnation Festival website
💀 Price: 2025 rates (pay only the booking fee today)
🤘 Tag your crew — this one’s not for the faint of heart!
Tidy up your battle vest, charge your horns, and we’ll see you in Manchester. Damnation 2026 is coming… and it’s going to be biblical. 🔥
#DamnationFestival #MetalheadsUnite #ManchesterMetal #TheRiffReport
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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