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Home » 🌲 2000trees Festival 2025 – Wednesday Review

🌲 2000trees Festival 2025 – Wednesday Review

Michael by Michael
10 July 2025
in UK Music Festivals
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Early Entry Mayhem, Forest Tears & Cave Stage Chaos

📍 Upcote Farm, Cheltenham – July 9, 2025
✍️ The Riff Report | Covered in glitter and screaming about Graphic Nature since 2pm


🏕️ Welcome to the Cult of Trees

Ah, Wednesday at 2000trees — the day the faithful arrive early, pitch their tents wonkily, and begin the four-day pilgrimage into riff-fuelled nirvana. While the “official” festival doesn’t kick off until Thursday, Trees veterans know the real magic starts on Day Zero.

You get:

  • Smaller crowds ✅
  • Shorter bar queues ✅
  • And the smug joy of knowing you were here before it got cool ✅

If you thought this would be a chill warm-up, you’ve clearly never been smashed in the face by a URNE riff while clutching a £7 pint and crying to Katie Malco in the woods.


🎶 Who Played – and Who Blew the Roof Off?

🌲 The Forest Stage – Cry, Hug, Repeat

2000trees’ Forest Stage isn’t just a stage. It’s a spiritual experience. Fairy lights, acoustic sets, and a vibe so emotional you’d think everyone just rewatched Titanic.

  • Katie Malco opened the stage with a set so delicate and devastating, people were openly weeping into their Strongbows. “Brooklyn” hit like a breakup text from your teenage crush. Absolutely lush.
  • Jamie Lenman (Unplugged) proved yet again why he’s a national treasure. Acoustic? Yes. Mellow? Absolutely not. He delivered banter, bangers, and belly laughs, with stripped-back takes on “Body Popping” and “It’s Hard to Be a Gentleman.” Bloke had us sobbing one minute and snorting cider the next.
  • Sophie Powers brought Gen Z energy and post-pop angst, rocking a set that flipped between soft vulnerability and chaotic glitch-pop rage. “Nosebleed” went off. She’s one to watch, butt.

💣 The Cave & Neu – Chaos in Canvas

Over at The Cave Stage, the mood was less “emotional release under the trees” and more “smash-your-face-against-a-speaker-and-hope-for-the-best.”

  • URNE kicked off the carnage with a sludge-metal monster of a set. Basslines heavier than your aunt’s Christmas pudding and riffs that rattled your ribcage. Absolute filth. 🔥
  • Graphic Nature… oh boy. They set the Cave on fire. Their blend of nu-metalcore and pure rage was exactly what this crowd came for. Their cover of Linkin Park’s “One Step Closer”? Life-changing. Someone in the pit lost a shoe and didn’t care. That good.
  • HERIOT closed out with atmospheric, thunderous brutality. Frontwoman Debbie Gough is a possessed banshee of beauty and destruction. “Near Vision” and “Coalescence” melted minds and made believers of us all.

🍻 Festival Vibes Check – Campsite Edition

If Wednesday is the warm-up, Trees campers were already in mid-festival form. The fields were filled with:

  • DIY flagpoles made of beer crates
  • Blokes in full banana costumes playing kazoo versions of Enter Shikari
  • People yelling “WHERE’S MY TENT?” while clearly inside their tent
  • The classic 2am emo singalong sessions that can cure a broken heart or cause one
  • And the ever-reliable chant of “ONE MORE TUNE!” from someone who definitely peaked too early

Atmosphere rating? 10/10 feral.


🍔 Food & Drink – Fuel for the Forest Folk

The food trucks were already rolling out the goods:

  • 🍟 Loaded fries with more toppings than logic allows
  • 🌱 Vegan doners that made meat-eaters question their life choices
  • 🧀 Mac & cheese bowls that could start religious movements
  • 🍕 Pizza slices the size of a vinyl record

Drinks were flowing, pints around £6.50–£7.50, ciders cold, and water refill stations actually functional. No long queues yet — the midweek miracle lives!


🧻 Toilets: The Early Days of Hope

Let’s be honest, this is the best they’ll be all weekend.

✅ Clean
✅ Still stocked
✅ Not yet a biohazard zone

Enjoy it while it lasts, mun.


🏆 RIFF REPORT’S WEDNESDAY LEGENDS

🎤 Best Set: Graphic Nature – absolute chaos merchants
🪩 Most Unexpected Pit: During Jamie Lenman’s “It’s Hard to Be a Gentleman” – someone two-stepped in a cardigan
🌭 Best Festival Moment: Guy cooking sausages in a George Foreman plugged into a generator, mid-crowd
👟 Lost Item of the Day: Size 10 Converse, last seen airborne
🍺 Best Quote: “I came for the riffs, stayed for the vegan curry and tears” – overheard in the Forest Stage queue


😬 The Bad Bits (Because Nothing’s Perfect)

  • Wi-Fi/Signal = None. If you lost your mates, they now live in the woods. Accept it.
  • Hard ground = broken pegs galore. It’s like pitching tents on a brick.
  • Bit of sound bleed between stages, but honestly, who cares when every set rips?

🌅 The Final Word: Trees Is Alive, Baby

Wednesday 2025 was everything we wanted and more:

  • Intimate? ✅
  • Loud? ✅
  • Emotional? Absolutely ✅
  • Slightly unhinged already? Hell yes.

The pre-show magic is what makes Trees different. It’s not just a festival – it’s a weird little forest cult built on riffs, beer, and friendship bracelets. By the time the main stage opens, we’re already half feral and full of feelings.


📸 Got your own pics from Wednesday? Tag us @theriffreportuk and let’s see ‘em!

🎧 Playlist drop incoming: “Wednesday at Trees – The Emotional Support Riff Tape”
🧼 Reminder: shower now or never.


Next up: THURSDAY – full main stage meltdown with Turnstile, Frank Carter, Holding Absence & more!
Stay loud. Stay weird. This forest belongs to the freaks now.


C’mon then butt, let’s make some noise before the world wakes up. 🌲🔥🎸

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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