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Home ยป ๐Ÿ•ฏ๏ธ๐Ÿ–ค BATUSHKA โ€“ CHURCH BURNS, CHANTS RISE, RIFFS REIGN

๐Ÿ•ฏ๏ธ๐Ÿ–ค BATUSHKA โ€“ CHURCH BURNS, CHANTS RISE, RIFFS REIGN

Michael by Michael
6 July 2024
in Band Bios
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Alright sinners, grab your incense, cloak yourself in shadows, and prepare for an Orthodox black metal sermon from the crypt.
Because BATUSHKA (ะ‘ะะขะฎะจะšะ if you’re feeling Cyrillic) arenโ€™t just here to play heavy โ€” they’re here to deliver liturgy straight from the apocalypse. โ˜ฆ๏ธ๐Ÿ”ฅ๐Ÿ“ฟ

Imagine a monastery getting possessed by Behemoth, with the choir replaced by robed riff lords and the altar piled with skulls.
That’s Batushka: part ritual, part rebellion, all absolutely blasphemous.


โ˜ฆ๏ธ WHO (OR WHAT) IS BATUSHKA?

Genre: Orthodox Black Metal / Ritual Doom / Liturgical Mayhem
From: Poland ๐Ÿ‡ต๐Ÿ‡ฑ
Formed: 2015 (โ€ฆand then promptly imploded into a cursed soap opera)
Known For:

  • Mixing Eastern Orthodox liturgy with furious black metal
  • Gregorian-style chants layered over bone-crushing tremolo riffs
  • Worshipping at the altar of atmosphere AND annihilation
  • A band split so dramatic even Satan went โ€œdamn lads, calm downโ€

Letโ€™s get this out the way:
Yes, there are TWO Batushkas now.
Yes, itโ€™s messy.
No, you donโ€™t have to pick sides โ€” just follow the riffs.


๐Ÿงจ THE SPLIT โ€“ BLACK METALโ€™S MESSIEST DIVORCE

Originally founded by:

  • Krzysztof โ€œDerphโ€ Drabikowski โ€“ Guitarist & mastermind
  • Bartล‚omiej โ€œBartโ€ Krysiuk โ€“ Vocalist & frontman

After their debut Litourgiya blew up like a censer full of TNT, the band imploded in holy hellfire.
Lawsuits flew. Statements were issued.
Now there are TWO Batushkas:

  • Drabikowskiโ€™s Batushka โ€“ DIY, grim, raw, unfiltered evil
  • Krysiukโ€™s Batushka โ€“ Signed, polished, touring like a liturgical rock opera

Result?
Fans are divided.
The music? Still slaps harder than an icon thrown from the pulpit.


๐Ÿ’ฟ DISCOGRAPHY โ€“ BOTH CHURCHES SHALL BE JUDGED

๐Ÿ”ฅ Litourgiya (2015 โ€“ OG Batushka)

๐ŸŽง Yekteniya 1โ€“8
Vibe: ***Black metal perfection.
Choral chants, churning riffs, holy hell this is good.
Considered a modern masterpiece.
Everyone agrees: THIS is the blueprint.


๐Ÿ–ค Panihida (2019 โ€“ Drabikowskiโ€™s Batushka)

๐ŸŽง Piesn 1โ€“8
Vibe: Rawer, darker, deeper.
Less production, more atmosphere.
A DIY exorcism recorded in a candlelit bunker.
Still brutal AND beautiful.


๐Ÿ•ฏ๏ธ Hospodi (2019 โ€“ Krysiukโ€™s Batushka)

๐ŸŽง Wozglas, Polunosznica, Utrenia
Vibe: Bigger, glossier, theatrical.
More groove and polish than Panihida, but still delivers the darkness.
More โ€œarena of fire,โ€ less โ€œgraveyard in the woods.โ€


๐Ÿ—ก๏ธ Raskol (2021 โ€“ Krysiukโ€™s)

๐ŸŽง Irmos, Rozhdestvo, Powieczerje
Vibe: Riffs return, cleaner but more furious.
Name literally means โ€œschismโ€ โ€“ cheeky much?
Leans into the epic, stompier vibe of late Behemoth.


๐Ÿ”ฅ ะฆะฐั€ัŽ ะะตะฑะตัะฝั‹ะน / Carju Niebiesnyj (2023 โ€“ Drabikowskiโ€™s)

๐ŸŽง Each track a grim gospel
Vibe: Ritualistic, cold, and absolutely punishing.
***Drabikowski proving he doesnโ€™t need a label โ€” just a torch and a chalice.


๐ŸŽง RIFF REPORTโ€™S ESSENTIAL PSALMS OF DESTRUCTION

โ˜ฆ๏ธ Yekteniya 1 โ€“ The bell tolls. The end begins.
๐Ÿ”ฅ Polunosznica โ€“ Dark, theatrical, stomping toward judgment.
๐Ÿ•ฏ๏ธ Piesn 3 โ€“ Cavernous. Crying. Crushing.
๐Ÿ’€ Rozhdestvo โ€“ Blackened blasphemy with style.
๐Ÿ”ฎ Carju Niebiesnyj โ€“ As close as youโ€™ll get to being buried aliveโ€ฆ with groove.


๐Ÿง  WHY BATUSHKA MATTER

Because they:

  • Took the tired tropes of black metal and blessed them with sacred theatre
  • ***Created one of the most unique sounds in extreme metal this century
  • ***Made Orthodox chants terrifying again (or possibly for the first time)
  • ***Proved that you can split a band in half and STILL have two that slap
  • Wear robes better than half of Eurovision

They blur the line between worship and war, and whether youโ€™re on Team Drabikowski or Team Krysiuk โ€”
youโ€™re still getting your face melted off in the pews.


๐ŸŽค LIVE SHOWS โ€“ A FUNERAL MASS WITH RIFFS

A Batushka gig is:

  • โ˜ ๏ธ Smoke. Candles. Fire. Icons. Intensity.
  • ๐Ÿ•ฏ๏ธ ***Less โ€œgigโ€ and more โ€œfuneral for the light.โ€
  • ๐ŸŽญ A full-blown blackened ritual โ€“ with stage robes, swinging censers, and ominous glares
  • ๐Ÿ”Š Sound like a crypt collapsing on a cathedral

Whether it’s the raw violence of Drabikowski or the arena-blasted glory of Krysiuk โ€” youโ€™ll walk out changed.


๐Ÿ•ฏ๏ธ FINAL VERDICT FROM THE RIFF REPORT:

***Batushka may be a band split in two โ€” but both halves are lethal.
One burns churches.
One builds cathedrals of sound.
Both are blasphemous as hell.

Want Orthodox chants over blast beats?
Want your black metal steeped in ritual, wrath, and robed mystery?
Want to feel like you just pissed off every saint in the sky?

Then light the incense, raise the chalice, and enter the litourgiya.


๐Ÿ–ค The Riff Report kneels, snarls, and chants:
BATUSHKA โ€“ TWO NAMES.
ONE DARK PURPOSE.
BLACK METALโ€™S HOLY WAR.
โ˜ฆ๏ธ๐Ÿ”ฅ๐Ÿ’€

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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Original content, reviews, photography and general riff-fuelled chaos belong to The Riff Report Blog unless otherwise stated. Please donโ€™t nick our stuff โ€” ask first, butt. ๐Ÿ˜ˆ

ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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ยฉ 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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