Full Review by The Riff Report Blog – July 5, 2025
Stage: Back To The Beginning Main Stage
Band: METALLICA (USA – The Kings. The Closers. The Absolute Unit.)
Time: Somewhere after midnight, beneath fire, stars, and 70,000 horns in the air 🤘
🎸 “SEEK… AND DESTROOOOOY!” – METALLICA BRING THE FINAL KILL SHOT TO VILLA PARK 🎯🔥
There was only one way to end the Back to the Beginning mega-festival at Villa Park – and that was with Metallica. The undisputed gods of thrash rolled in like a wrecking ball of nostalgia, fury, and absolute professionalism, delivering a two-hour masterclass in How to Rule the World With Riffs.
Forget walk-offs. Forget encore gimmicks. This was blood, sweat and METAL – served hot and heavy.
🔥 THE SETLIST – ALL KILLER, NO FILLER
- Whiplash
- For Whom the Bell Tolls 🔔
- Creeping Death
- Ride the Lightning
- The Memory Remains (lighters up, crowd howl was deafening)
- If Darkness Had a Son
- Welcome Home (Sanitarium)
- Fade to Black 😭
- Sad But True (heaviest riff of the weekend? Quite possibly)
- 72 Seasons
- The Unforgiven
- One (with full pyro, lasers, PTSD)
- Master of Puppets
- Battery
- Nothing Else Matters 🖤
- Seek and Destroy (finale = crowd became one enormous pit of joy and chaos)
🎤 JAMES HETFIELD – THE RIFF DAD STILL HAS IT 🔥
James stalked the stage like a lion with a Telecaster. His voice? Gruff perfection. His swagger? Untouchable. His “YEAH!” game? Still elite.
Midway through the show, he said:
“We’ve been doing this a long time… but nights like this remind us why we f***ing started.”
Cue Fade to Black. Cue tears. Cue goosebumps.
🎸 KIRK HAMMETT – WAH MASTER & GUITAR WIZARD 🎩🎶
Yes, he still loves the wah pedal. Yes, he used it a lot. And yes – it still slaps.
From haunting solos in “The Unforgiven” to absolutely melting minds with “One,” Kirk played like a man with hellfire in his fingers.
Bonus: during “Master of Puppets,” he ran the length of the stage while soloing, grinning like a teenage skate punk. Iconic.
🧱 ROB TRUJILLO – THE LOW-END BEAST WITH THE BEST CRAB WALK IN METAL 🦀
Rob’s bass tone during “Sad But True”? Filthy. “Creeping Death”? Devastating.
The man headbanged, windmilled, and crab-walked like it was 2003, all while laying down riffs so thick they could cause minor earthquakes.
Someone in the crowd shouted, “ROB, YOU BEAUTIFUL BASS BASTARD!” and we second that emotion.
🥁 LARS ULRICH – LOVE HIM OR LOATHE HIM, HE DELIVERED 🥁
Look, it’s Lars. You know what you’re getting. But last night?
LARS. WAS. ON. IT.
From the staccato fire of “Battery” to the surgical chaos of “One,” he nailed it. Even haters had to admit: the man’s groove was on point.
Plus, he gave a cheeky wink to the camera and shouted “Cheers Birmingham, you’ve always been f**ing LOUD!”* Classic Lars.
🔥 PRODUCTION – FIRE, LASERS & METAL THEATRE 🛸💥
We’re talking pyro synced with double kicks.
Giant screens showing glitchy puppet strings during “Master of Puppets.”
Laser grids raining down during “One.”
At one point, flames shot 30 feet in the air during “Fight Fire with Fire” and a lad next to us dropped his pint in awe. Diolch for your sacrifice, mate.
🧨 CROWD SCENES – A METAL UNITED NATIONS 🇺🇳🤘
Battle vests. Kids with ear defenders. Punks, goths, dads, emos, full families – all roaring together.
Massive circle pits opened. Crowd surfers flowed like a river of limbs.
And during “Nothing Else Matters”? Thousands swaying in silence. A moment. A mass communion of the riff.
One guy proposed. Another crowd-surfed holding a Les Paul. A girl next to us cried during “Fade to Black” and high-fived strangers after.
🕯️ MOST POWERFUL MOMENT – “ONE” STILL STANDS UNTOUCHED
Intro. Silence. Lasers. Machine gun drums.
People screamed. Some froze.
We’ve seen mosh pits. We’ve seen walls of death. But this? This was warfare in audio form.
And then, straight into “Master of Puppets”? Good. Night.
🎯 FINAL VERDICT: METALLICA REMIND US WHY THEY’RE STILL THE F***ING KINGS
After 40+ years, Metallica aren’t slowing down – they’re refining destruction into an art form.
This wasn’t a legacy act phoning it in – this was a metal sermon. Loud, tight, emotional, and unforgettable.
Score: 15/10 Puppets, Flames & Unforgiven Tears 🎸🔥🖤
Mood: Blessed. Bruised. Baptised by the riff.
Diolch, Metallica – for slamming the door on Villa Park with a final, almighty bang.
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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