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Home ยป ๐Ÿฉธ EVERY OZZY OSBOURNE SOLO ALBUM RANKED โ€“ THE RIFF REPORT EDITION

๐Ÿฉธ EVERY OZZY OSBOURNE SOLO ALBUM RANKED โ€“ THE RIFF REPORT EDITION

Michael by Michael
23 July 2025
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By Order of the Prince of Darkness Himself


๐ŸŽค โ€œALL ABOARD!!!โ€ screams through the speakers. The sky darkens. Bats take flight. A pint of something suspicious fizzes over your boots.

You know what time it is. ๐Ÿ•ฏ๏ธ

Ozzy Osbourne didnโ€™t just leave Black Sabbath and fade into the Brummie fog. He went solo, and for the next four decades, he unleashed a catalogue of albums filled with gothic flair, face-melting riffs, heartfelt ballads, and the occasional WTF moment. From Blizzard to Black Rain, weโ€™ve ranked every solo effort so you donโ€™t have to suffer through โ€œLatimerโ€™s Mercyโ€ again. (Sorry, Ozzy. We still love you.)


๐Ÿ’ฃ 13. Black Rain (2007)

โ›ˆ๏ธ The Storm That Never Quite Hit
Letโ€™s start with the one thatโ€™s more โ€œwet weekend in Wolverhamptonโ€ than โ€œstorm of the century.โ€ Over-produced, under-written, and lacking the usual Ozzy snarl, Black Rain is what happens when you let label execs make too many suggestions. Zakk Wylde does his best, but even his squeals canโ€™t save this one.

๐ŸŽง Must-Hear Track: โ€œI Donโ€™t Wanna Stopโ€ (ironic, innit?)

๐Ÿ”ฅ Riff Report Rating: 3/10 โ€“ โ€œBit of a damp squib, butt.โ€


๐Ÿซจ 12. Scream (2010)

๐Ÿ”Š More Auto-Tune Than Attitude
Youโ€™d expect something big from an album called Scream, but instead, we got a slightly confused Ozzy wrapped in layers of digital fluff. Gus G replaced Zakk Wylde on guitar, and while the ladโ€™s talented, the chemistry just wasnโ€™t there.

๐ŸŽง Must-Hear Track: โ€œLet It Dieโ€

๐Ÿ”ฅ Riff Report Rating: 4/10 โ€“ โ€œSounds like Ozzy sang through a microwave.โ€


๐Ÿง“ 11. Ordinary Man (2020)

๐Ÿ‘ด The Soft One With Post Malone??
Look, we get it โ€“ the world was ending, Ozzy was dying (again), and he fancied a ballad or six. But teaming up with Elton John and Post Malone wasโ€ฆ unexpected. Some powerful moments here, especially lyrically. Itโ€™s emotional, but not something you blast with the car windows down.

๐ŸŽง Must-Hear Track: โ€œUnder the Graveyardโ€

๐Ÿ”ฅ Riff Report Rating: 5/10 โ€“ โ€œA tidy farewellโ€ฆ until the next one.โ€


๐Ÿง  10. Down to Earth (2001)

๐ŸŒ The Millennium Middle Child
Itโ€™s not bad. Itโ€™s justโ€ฆ fine. Like a Greggs sausage roll without the brown sauce. The lead single โ€œGets Me Throughโ€ was solid, but the rest faded faster than a sunburnt goth at Download.

๐ŸŽง Must-Hear Track: โ€œGets Me Throughโ€

๐Ÿ”ฅ Riff Report Rating: 5.5/10 โ€“ โ€œShouldโ€™ve called it Down to Meh.โ€


๐Ÿงฌ 9. Patient Number 9 (2022)

๐Ÿฅ The Comeback No One Expected
Somehow, Ozzy bounced back from surgeries, Parkinsonโ€™s, and bloody everything else to give us this chaotic, riff-filled record. The guest list is wild โ€“ Clapton, Iommi, even Chad Smith on drums โ€“ and somehow it mostly works. Gothic, surreal, and at times beautiful.

๐ŸŽง Must-Hear Track: โ€œImmortalโ€ ft. Mike McCready

๐Ÿ”ฅ Riff Report Rating: 6.5/10 โ€“ โ€œWe thought he was out. He said โ€˜nah mun, not yet.โ€™โ€


๐ŸŽฏ 8. The Ultimate Sin (1986)

๐Ÿงผ The Hair Metal One With Eyeliner & Shoulder Pads
This is glam Ozzy at full power. The productionโ€™s so shiny it could blind a bat, but thereโ€™s no denying those hooks. โ€œShot in the Darkโ€ still slaps. You might need to comb your fringe just listening to it.

๐ŸŽง Must-Hear Track: โ€œShot in the Darkโ€

๐Ÿ”ฅ Riff Report Rating: 7/10 โ€“ โ€œShouldโ€™ve come with a can of hairspray.โ€


๐Ÿงจ 7. Ozzmosis (1995)

๐ŸŒ€ The Weird Grungey, Proggy One
A slow-burn classic. At first, it feels muddy and moody. But give it time and youโ€™ll fall for โ€œPerry Masonโ€ and โ€œSee You on the Other Side.โ€ Not every track lands, but thereโ€™s something mysterious in its swampy depths.

๐ŸŽง Must-Hear Track: โ€œPerry Masonโ€

๐Ÿ”ฅ Riff Report Rating: 7.2/10 โ€“ โ€œGrunge Ozzy is a vibe, who knew?โ€


๐Ÿบ 6. Bark at the Moon (1983)

๐ŸŒ• The Full-Moon Howler
Jake E. Lee steps up post-Rhoads and brings a sense of drama and danger. The title track is iconic, the synths are spooky, and Ozzyโ€™s voice is razor sharp. Couldโ€™ve done with more Jake and fewer keyboards, mind.

๐ŸŽง Must-Hear Track: โ€œBark at the Moonโ€

๐Ÿ”ฅ Riff Report Rating: 7.5/10 โ€“ โ€œHairy, howly, heavenly.โ€


โš”๏ธ 5. No Rest for the Wicked (1988)

๐ŸงŒ The Birth of Zakk Wyldeโ€™s Pinch Harmonics
Zakk enters stage left with more attitude than your nan at bingo night. Raw, riff-driven, and nasty in the best way. โ€œMiracle Manโ€ goes straight for the jugular, and the whole album feels like a biker bar brawl.

๐ŸŽง Must-Hear Track: โ€œMiracle Manโ€

๐Ÿ”ฅ Riff Report Rating: 8/10 โ€“ โ€œProper job, Zakk. Proper job.โ€


๐Ÿชฆ 4. Diary of a Madman (1981)

๐Ÿง› Dark, Dramatic, and Downright Haunting
Randy Rhoads went full wizard mode. This is Ozzyโ€™s gothic masterpiece โ€“ lush arrangements, eerie melodies, and lyrics that drip with madness. โ€œOver the Mountainโ€ is worth the price of admission alone.

๐ŸŽง Must-Hear Track: โ€œFlying High Againโ€
(Also: โ€œDiary of a Madmanโ€ for full spine-tingle)

๐Ÿ”ฅ Riff Report Rating: 9/10 โ€“ โ€œA madmanโ€™s masterpiece.โ€


๐Ÿ•ฏ๏ธ 3. No More Tears (1991)

๐Ÿ˜ข The Epic One With All the Feels
Anthemic. Melancholic. Iconic. This is Ozzy embracing the 90s with open arms and a bucket of eyeliner. Every song couldโ€™ve been a single. Itโ€™s heavy, itโ€™s heartfelt, and itโ€™s home to one of his best ever riffs.

๐ŸŽง Must-Hear Track: โ€œNo More Tearsโ€

๐Ÿ”ฅ Riff Report Rating: 9.2/10 โ€“ โ€œMassive vibes, butt.โ€


โ„๏ธ 2. Blizzard of Ozz (1980)

๐ŸŒช๏ธ The Legendary Debut
Just months after being kicked from Sabbath, Ozzy links up with Randy Rhoads and drops one of the greatest debut albums in metal history. โ€œCrazy Trainโ€ alone changed everything. โ€œMr. Crowleyโ€ summoned something dark. And โ€œSuicide Solutionโ€ gave Tipper Gore a nosebleed.

๐ŸŽง Must-Hear Track: โ€œMr. Crowleyโ€

๐Ÿ”ฅ Riff Report Rating: 9.5/10 โ€“ โ€œICONIC. The bat bit back.โ€


๐Ÿ‘‘ 1. The Diary + Blizzard Combo: Untouchable Ozzy Era (1980โ€“1981)

๐ŸŽธ Randy Rhoads + Ozzy = Immortality
Alright, butt โ€“ weโ€™re cheating. We canโ€™t split these two. Diary is darker. Blizzard is bigger. Together? Theyโ€™re untouchable. Randyโ€™s playing was next-level. Ozzyโ€™s voice had that golden wail. Sharon was managing. And the 80s were about to become a nightmare dressed in studs.

๐Ÿ”ฅ Riff Report Rating: 10/10 โ€“ โ€œThe peak. The legend. The madness.โ€


๐Ÿ•ฏ๏ธ Honourable Mentions:

  • ๐Ÿ’ฅ Live & Loud (1993) โ€“ As close as youโ€™ll get to seeing Ozzy in full flow, pre-reality TV.
  • ๐Ÿง› Speak of the Devil (1982) โ€“ Sabbath classics done solo. Shambolic in places, but loads of fun.
  • ๐ŸงŸโ€โ™‚๏ธ Ozzfest Compilations โ€“ Nostalgia fuel for every 2000s metalhead.

๐ŸŽค Final Words from the Prince

Ozzyโ€™s solo catalogue is as chaotic, fascinating, and occasionally unhinged as the man himself. He gave us guitar gods, metal anthems, mushy ballads, and enough eyeliner to flood a Boots.

Whether you love the glam, the grunge, or the gothic, thereโ€™s a version of Ozzy for you.

๐Ÿฆ‡ LONG LIVE THE PRINCE OF DARKNESS. ๐Ÿฆ‡
Now go spin Crazy Train on loop and howl at the moon with your nan.


Need a playlist version? Want us to rank the best Ozzy B-sides, TV moments, or Sharon Osbourne freakouts?
Let us know in the comments or shout at us on socials:
๐Ÿ‘‰ @theriffreportuk

Diolch for reading, legends! ๐Ÿ–ค


The Riff Report โ€“ Because rock never dies. It just gets louder.

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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