There are albums written because somebody has a record contract.
There are albums written because somebody has a collection of songs ready to go.
And then there are albums that exist because somebodyโs entire bloody life has fallen apart and music becomes the place where all that anger, hurt and confusion ends up.
Phil Collinsโ Face Value belongs firmly in that final category.
Released in 1981, Collinsโ debut solo album gave the world one of the most instantly recognisable songs โ and certainly one of the most famous drum moments โ in music history:
โIn the Air Tonight.โ
But looking back at the circumstances surrounding Face Value, Collins admitted something fascinating.
At the time he was writing some of those songs, he didnโt necessarily understand what was coming out.
โTo me it was just the sound of the wordsโฆ I didnโt know what I was singing about.โ
Bloody hell.
Sometimes the song knows before the songwriter does. ๐ฅ๐ฅ
๐ A RECORD BORN FROM A MARRIAGE FALLING APART
Face Value emerged during an extremely turbulent period in Collinsโ personal life.
His first marriage was breaking down, leaving him dealing with the emotional fallout while his musical career with Genesis continued.
Rather than sitting down with some grand masterplan to launch himself as a solo superstar, Collins began writing.
And writing.
And writing.
What emerged was intensely personal.
The emotions surrounding his divorce โ anger, bitterness, sadness, frustration and hurt โ found their way into the music, sometimes without Collins consciously setting out to write about any one specific thing.
That is what makes his reflection on the record so revealing.
He wasnโt necessarily sitting there thinking:
โRight then, Iโm going to write a devastating song about divorce now.โ
The emotions were simply coming out.
Music first.
Understanding later.
Anyone who has ever written something while going through a rough patch will probably recognise that feeling immediately.
Sometimes you donโt realise what youโve written until youโve had enough distance to look back at it.
๐ฉ๏ธ THEN CAME โIN THE AIR TONIGHTโ
And out of that emotional storm came โIn the Air Tonight.โ
You know the one.
Of course you bloody know the one.
Even people who claim they donโt know Phil Collins somehow know exactly what to do when that moment arrives.
BA-DUM BA-DUM BA-DUM BA-DUM DUM DUM.
Air drummers of Britain, your time has come. ๐๐ฅ
But beneath that enormous drum fill is a song absolutely dripping with tension.
It doesnโt explode immediately.
It stalks.
It broods.
It waits.
Thereโs something uncomfortable hanging over the entire track, as though youโre listening to somebody trying desperately to keep their emotions under control.
Then the drums arrive.
And suddenly it feels like the entire song has snapped.
Collins himself described the feelings behind it in terms of anger, bitterness and hurt, with all those emotions feeding into โIn the Air Tonightโ.
That legendary drum entrance almost feels like the moment restraint disappears completely.
Not just a drum fill.
A release.
๐คฏ โI DIDNโT KNOW WHAT I WAS SINGING ABOUTโ
Thatโs perhaps the most fascinating thing about Collinsโ recollection.
For decades, people have tried to decode โIn the Air Tonightโ.
There have been endless stories about what the lyrics supposedly mean.
One particularly persistent urban legend claimed Collins witnessed someone drowning and later confronted somebody who could have helped but didnโt.
Itโs a cracking bit of rock folklore.
Itโs also not the actual story behind the song.
The reality is arguably far more interesting.
The lyrics emerged from Collins improvising and allowing words and emotions to appear naturally.
He wasnโt constructing some elaborate murder mystery.
He was processing what was happening inside his own head.
Thatโs why the lyrics can feel mysterious.
Theyโre emotional rather than literal.
You donโt necessarily need to know exactly what every line means because you understand what the song feels like.
And sometimes thatโs far more powerful.
๐ค PHIL COLLINS STEPPING OUT ON HIS OWN
Itโs easy now to forget just how significant Face Value became.
Collins was already famous through Genesis, having originally joined the band as drummer before eventually taking over lead vocals following Peter Gabrielโs departure.
But becoming a successful solo artist was another matter entirely.
Then Face Value landed.
And absolutely flew.
The album reached Number One on the UK Albums Chart, beginning a solo career that would eventually turn Collins into one of the biggest recording artists of the 1980s.
Suddenly the drummer from Genesis wasnโt merely stepping forward from behind the kit.
He was becoming a global superstar.
And Face Value wasnโt simply Genesis with a different badge slapped on the front.
Collins explored soul, pop, atmospheric rock and deeply personal songwriting while still bringing that unmistakable rhythmic instinct of a drummer.
It sounded like somebody discovering exactly what kind of artist he could be.
๐ฅ THAT DRUM SOUND CHANGED EVERYTHING
We canโt talk about Face Value without talking about the drums.
Especially those drums.
The huge gated-reverb sound associated with โIn the Air Tonightโ became one of the defining production sounds of the decade.
You can practically hear the โ80s arriving when that drum fill kicks in.
And what makes the moment so effective isnโt simply how massive the drums sound.
Itโs when they arrive.
The song makes you wait.
And wait.
And wait.
Thenโฆ
BOOM.
Itโs musical delayed gratification on an industrial scale.
Forty-five years later, people still stop whatever theyโre doing and mime that fill.
Steering wheel?
Drum kit.
Desk?
Drum kit.
Knees?
Drum kit.
Shopping trolley?
Probably best not, mun. ๐
๐ถ FACE VALUE WAS MUCH MORE THAN ONE SONG
โIn the Air Tonightโ naturally dominates conversations about the album, but Face Value had plenty more going on.
Songs including โI Missed Again,โ โIf Leaving Me Is Easy,โ โBehind the Linesโ and โThe Roof Is Leakingโ showed different sides of Collins as a songwriter and performer.
The album moved between vulnerability, anger, soul influences, experimentation and huge pop instincts.
It wasnโt simply an album containing a massive single.
It was the beginning of an entirely new chapter.
And considering Collins apparently wasnโt initially working from some calculated plan to become one of the biggest solo artists on Earth, what followed is pretty remarkable.
๐บ CLASSIC ALBUMS: FACE VALUE
Collinsโ comments were explored in the 1999 documentary Classic Albums: Phil Collins โ Face Value, which looked closely at how the record came together and the circumstances surrounding its creation.
Hearing Collins discuss the songs years after making them adds another layer to the album.
Because hindsight allows him to recognise emotions that perhaps werenโt completely obvious to him while he was actually writing.
Thatโs the beautiful โ and occasionally terrifying โ thing about songwriting.
You can accidentally leave pieces of yourself inside a song.
Then millions of strangers spend the next four decades listening to them.
โค๏ธ SOMETIMES THE BEST SONGS ARENโT PLANNED
Thereโs something wonderfully human about Collins admitting:
โI didnโt know what I was singing about.โ
Because great songwriting isnโt always about sitting down with a perfectly formed concept.
Sometimes itโs instinct.
Sometimes itโs improvisation.
Sometimes itโs three chords and something you desperately need to get out of your system.
And occasionally, if the stars align, it becomes โIn the Air Tonight.โ
A song born from emotional chaos became one of the most recognisable recordings of its generation.
An album created during one of the most difficult periods of Collinsโ life launched one of the biggest solo careers in British music.
And a drum fill lasting only a few seconds became immortal.
Not bad for somebody trying to make sense of what was rattling around inside his head.
That, butt, is the strange magic of music. ๐ค๐ฅโค๏ธ
Sometimes you write the song.
Sometimes the song writes you.
๐ค THE RIFF REPORT
Were you there when Face Value first landed in 1981?
And be honestโฆ
Have you EVER heard โIn the Air Tonightโ without air-drumming that legendary fill? ๐๐ฅ
We donโt believe you.
Proudly Welsh. Proudly Loud. ๐๐ค
