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Home ยป ๐ŸŽธ Metal & Hard Rock Albums Released in June 2025 โ€“ June Didnโ€™t Bloomโ€ฆ It Exploded

๐ŸŽธ Metal & Hard Rock Albums Released in June 2025 โ€“ June Didnโ€™t Bloomโ€ฆ It Exploded

Michael by Michael
1 June 2025
in News
Reading Time: 5 mins read
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Welcome to June 2025, where festivals kicked off, beer gardens overflowed, and the metal gods gifted us a stack of albums so loud they scared the sheep in the Valleys. ๐Ÿ‘

This wasnโ€™t your typical summer soundtrack. Nah, this was blast beats instead of barbecues, growls instead of garden parties, and riffs instead of rosรฉ. Letโ€™s dive into the savage sonic smรถrgรฅsbord that June threw our way, butt-first!


๐Ÿ’ฃ JUNE 20 โ€“ Pirate Metal, Unearthed Lemmy & Nordic Carnage

๐Ÿดโ€โ˜ ๏ธ Alestorm โ€“ The Thunderfist Chronicles

Scotlandโ€™s rum-chugging, parrot-loving pirates are back with a vengeance (and a hurdy-gurdy). This time itโ€™s cinematic AF โ€” think sea shanties meets power metal musicals. The 17-minute closer “Megaโ€‘Supreme Treasure of the Eternal Thunderfist” is a prog-pirate masterpiece with Patty Gurdy and Russell Allen cameoing. Yes, really.

โœ… FFO: Gloryhammer, Korpiklaani, being drunk on a boat
๐ŸŽง Must-Listen: Sea of Spite, Thunderfist Rises, Plunder Symphony


โšฐ๏ธ Motรถrhead โ€“ The Manticore Tapes

STOP EVERYTHING: a lost Motรถrhead album from 1976 just dropped. Yes, this is real life. Lemmy, โ€œFastโ€ Eddie Clarke and Philthy Animal live in a time capsule of raw, nasty, no-nonsense rock โ€˜nโ€™ roll. Itโ€™s gritty, itโ€™s glorious, and itโ€™s like finding a sacred relic in a bikerโ€™s glovebox.

โœ… FFO: Motรถrhead (duh), raw early NWOBHM
๐ŸŽง Must-Listen: No Class (Demo), Iron Brawl, Motorblast


๐Ÿ”ฅ Sodom โ€“ The Arsonist

Still angry. Still fast. Still louder than your daโ€™s hangover. Sodom drop their 17th album, and itโ€™s full of thrash fury and militant stomp. Tribute tracks honour their fallen comrades, while the rest burns like a petrol bomb in a dive bar. Proper German steel.

โœ… FFO: Kreator, Destruction, Slayer
๐ŸŽง Must-Listen: Black Ops Messiah, March of the Arsonists, Agent of Oblivion


โš”๏ธ JUNE 27 โ€“ Comebacks, Deathcore, & Melody Meets Mayhem

๐Ÿ’€ Deadguy โ€“ Nearโ€‘Death Travel Services

OH. MY. GOTH. Deadguy are back after 30 years, and theyโ€™re not here to play nice. This is chaos-core brutality that rips through genres, ears, and your will to sit still. The riffs are unpredictable, the vocals unhinged โ€” and itโ€™s glorious.

โœ… FFO: Botch, Converge, coiling anxiety
๐ŸŽง Must-Listen: Exit Wound Welcome Pack, Shatterstar, Boarding Gate 666


๐Ÿ•ฏ๏ธ Shadow of Intent โ€“ Imperium Delirium

Symphonic deathcore? More like apocalyptic opera of pain. Imperium Delirium swings between tech-death devastation and orchestral grandeur, with guest howls from Corpsegrinder (Cannibal Corpse) and bombastic keys by Francesco Ferrini (Fleshgod Apocalypse). Melodic brutality, thy name is Shadow.

โœ… FFO: Lorna Shore, Septicflesh, Cradle of Filth at the symphony
๐ŸŽง Must-Listen: Crown of Flesh, Echoes Through Flame, Imperium Delirium


๐Ÿ”ฅ Heaven Shall Burn โ€“ Heimat

Album ten for Germanyโ€™s melodic metalcore masters. Heimat translates as โ€œhome,โ€ but donโ€™t expect hugs โ€” this is a 51-minute scream into the void about injustice, identity, and inner rage. Passionate, political, and punishing. Proper job.

โœ… FFO: Caliban, As I Lay Dying, Raised Fists of Fury
๐ŸŽง Must-Listen: Blutland, Rebellion in Silence, Heimat


๐Ÿ’ฃ Riff Reportโ€™s Top 7 โ€“ June 2025

RankAlbumWhy It Rules
๐Ÿฅ‡Near-Death Travel Services โ€“ DeadguyComeback of the decade. Wild. Unfiltered. Vital.
๐ŸฅˆImperium Delirium โ€“ Shadow of IntentDeathcore drama, symphonic as hell.
๐Ÿฅ‰The Arsonist โ€“ SodomVeteran thrash that still punches teeth in.
4๏ธโƒฃThe Thunderfist Chronicles โ€“ AlestormPirate metal’s cinematic masterpiece.
5๏ธโƒฃHeimat โ€“ Heaven Shall BurnA metalcore warcry for identity and rebellion.
6๏ธโƒฃThe Manticore Tapes โ€“ MotรถrheadLemmy lives. Vintage, raw, beautiful filth.
7๏ธโƒฃBirthing โ€“ Swans (Late May drop)Sonic doom art. Still echoing into June.

๐ŸŽค Final Thoughts from the Front Row

June didnโ€™t give us a summer breeze โ€” it hit us with a blast furnace of riffs. Comebacks from the dead, unreleased Lemmy, German thrash legends, deathcore symphonies, and seafaring nonsense from metalโ€™s drunkest pirates.

If this is June, what the hell is July gonna look like? ๐Ÿซฃ


๐Ÿ’ฌ What About You?

Which June 2025 album left you speechless (or hoarse from screaming)?
Did Deadguyโ€™s return ruin your spine in the best way?
Are you still doing pirate jigs around the kitchen?

Let us know below or yell at us on @theriffreportuk


Written by: The Riff Report Team
Brought to you by tinnitus, Tescoโ€™s energy drinks, and that one guy in the pit who never wears a shirt.

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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