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Home ยป ๐ŸŽถ The 15 Best Deftones Songs of All Time

๐ŸŽถ The 15 Best Deftones Songs of All Time

Michael by Michael
1 April 2025
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Deftones arenโ€™t just a band โ€” theyโ€™re an atmosphere. A vibe. A tidal wave of heaviness and beauty crashing together. From sweaty clubs in the mid-90s to headlining festivals in front of tens of thousands, theyโ€™ve carved out a sound no one else can quite touch. One minute itโ€™s feral riffs thatโ€™ll crack your ribs, the next itโ€™s dreamy soundscapes that make you want to float into the stars.

So, whatโ€™s occurring? Hereโ€™s the definitive ranking of their best tracks ever, complete with breakdowns, live stories, and why each one slaps harder than a Newport night out. ๐Ÿป


15. Minerva (2003 โ€“ Deftones)

Imagine My Bloody Valentine dropped their pedals into a volcano and let Deftones take over. โ€œMinervaโ€ is that explosion. ๐ŸŒŒ

Itโ€™s fuzzy, massive, and shimmering, with Chino sounding like heโ€™s singing from inside a dream. Live, this one hits like the sun coming up after an all-night sesh. It was also the track that introduced many casual rock fans to Deftones โ€” suddenly, they werenโ€™t just โ€œthat heavy bandโ€ but the kings of atmospheric heaviness.


14. Change (In the House of Flies) (2000 โ€“ White Pony)

This is the Deftones gateway drug. Itโ€™s not metal, itโ€™s not rock, itโ€™s not goth โ€” itโ€™s a mood. ๐Ÿฆ‹

The slow crawl of the riff, Chinoโ€™s whispered menace, and that chorus where everything collapses in on itselfโ€ฆ pure art. The video too? Creepy insects, surreal masks, the lot. It turned nu-metalโ€™s swagger into something darker and sexier. Played live, itโ€™s basically a ritual.


13. Passenger (2000 โ€“ White Pony)

Tag team of dreams: Chino Moreno + Maynard James Keenan from Tool. ๐Ÿ‘Œ

The song is claustrophobic โ€” like being trapped in the backseat of a car going way too fast with no control. The push-pull of Chinoโ€™s desperation against Maynardโ€™s measured tones creates a haunting back-and-forth that still gives fans goosebumps two decades later.

If youโ€™ve ever heard this live at a festival, you know the whole crowd turns into a giant moving organism.


12. Hole in the Earth (2006 โ€“ Saturday Night Wrist)

Recorded during a chaotic period for the band, this one still soars. The intro is massive, like getting smacked in the face by a tsunami of sound. ๐ŸŒŠ

Lyrically, Chinoโ€™s rawness comes through (โ€œCan you explain to me / how youโ€™re so evil?โ€), but musically itโ€™s pure catharsis. The live versions often turn into stadium-sized singalongs โ€” proof that even at their lowest points, Deftones were capable of something transcendent.


11. Sextape (2010 โ€“ Diamond Eyes)

Forget the title โ€” this isnโ€™t sleaze, itโ€™s serenity. Itโ€™s one of the most delicate things Deftones ever recorded, all waves and whispers.

The guitar tones feel liquid, like drifting on water. The lyrics are sensual, but in a melancholic, almost tragic way. This is the track fans put on repeat when theyโ€™re lying in bed at 2AM staring at the ceiling. Absolute lushness. ๐ŸŒŠ๐Ÿฅ€


10. Kimdracula (2006 โ€“ Saturday Night Wrist)

If you want to hear Deftones at their most chaotic, this is the one. Itโ€™s schizophrenic โ€” heavy one second, groovy the next, weird as hell all the way through.

It doesnโ€™t sound like any other band. The riff is a monster, the chorus is bizarrely catchy, and Chinoโ€™s vocals flip from croons to snarls in the blink of an eye. A cult fan favourite for proper weirdos (and I mean that in the best way ๐Ÿค˜).


9. Rocket Skates (2010 โ€“ Diamond Eyes)

โ€œGUNS! RAZORS! KNIVES!โ€ โ€” one of the filthiest opening lines of any heavy song ever. ๐Ÿ’€

This track was the first taste fans got of Deftonesโ€™ rebirth after Chi Chengโ€™s accident, and it came out swinging. The riffs are devastating, the drumming is relentless, and the whole vibe is like a bar fight set to music. Itโ€™s feral, dangerous, and 100% head-bang fuel.


8. Rosemary (2012 โ€“ Koi No Yokan)

Seven minutes of slow-burn brilliance. This is Deftones doing space metal shoegaze before half the scene even realised that was a thing. ๐Ÿš€

It starts dreamy, with Chino practically whispering, and builds into a swirling wall of sound that feels like being sucked into a black hole. When the final chorus crashes in, itโ€™s life-affirming. Fans will happily chant this as one of their best deep cuts.


7. Tempest (2012 โ€“ Koi No Yokan)

Dark, ominous, and apocalyptic. This feels like the soundtrack to the world burning while you stand on the hill watching.

The verses are restrained, almost haunting, then the chorus kicks in with utter devastation. Itโ€™s prog-ish, itโ€™s heavy, itโ€™s cinematic. Basically Deftones showing theyโ€™re not just a band โ€” theyโ€™re a whole damn experience.


6. Be Quiet and Drive (Far Away) (1997 โ€“ Around the Fur)

This oneโ€ฆ this one hits the feels. ๐Ÿฅฒ

Itโ€™s escapism in song form โ€” you can almost feel the wind whipping your face as you imagine running from everything. A perfect blend of shoegaze shimmer and alt-metal bite. The live acoustic version is also legendary. Easily one of their most emotional fan-favourites.


5. My Summer (Shove It) (1997 โ€“ Around the Fur)

Iconic. That riff is pure swagger. ๐Ÿ˜Ž

Lazy, sleazy, yet heavy as hell. Chino practically invented the โ€œsounding bored but sexyโ€ vocal delivery here, and it became the Deftones calling card. Stick this on at a house party and watch everyoneโ€™s head start nodding in unison.


4. Engine No. 9 (1995 โ€“ Adrenaline)

Straight out of their debut, this is pure carnage. ๐Ÿš’๐Ÿ”ฅ

One of the first tracks that proved Deftones werenโ€™t just another nu-metal act. Itโ€™s raw, violent, and aggressive, with riffs that could cave your skull in. Any time they drop this live, pits explode.


3. Digital Bath (2000 โ€“ White Pony)

The sexiest murder ballad youโ€™ll ever hear. โšก

On the surface, itโ€™s dreamy, almost sensual. But the lyrics? Dark as hell. Thatโ€™s the beauty of Deftones โ€” they walk the line between tenderness and menace like nobody else. The shimmering guitars, the falsetto vocals, the sheer atmosphere โ€” itโ€™s perfection.


2. Diamond Eyes (2010 โ€“ Diamond Eyes)

Hope, heaviness, and healing wrapped into one.

Written after tragedy, this track became a beacon of strength for the band and fans alike. Itโ€™s soaring, anthemic, and devastatingly beautiful. Chinoโ€™s delivery here feels like heโ€™s singing straight to your soul. Easily one of their defining moments.


1. Knife Prty (2000 โ€“ White Pony)

And here it is: the ultimate Deftones track. ๐Ÿฉธ

Itโ€™s everything the band is in one song โ€” heavy, eerie, sensual, euphoric, terrifying. Rodleen Getsicโ€™s haunting guest screams elevate it into another dimension. Listening to this is like standing in the eye of a storm, drenched in chaos and beauty at once.

Fans have argued about what the best Deftones song is for decades, but for us at The Riff Report? Knife Prty is the crown jewel.


โšก Honourable Mentions

Because cutting it down to 15 was torture, hereโ€™s a few more worth shouting about:

  • โ€œBoredโ€ (Adrenaline) โ€“ the slacker rage anthem.
  • โ€œLhabiaโ€ (Around the Fur) โ€“ filthy and underrated.
  • โ€œPoltergeistโ€ (Koi No Yokan) โ€“ nasty groove.
  • โ€œThis Place Is Deathโ€ (Diamond Eyes) โ€“ dreamy closer.
  • โ€œEntombedโ€ (Koi No Yokan) โ€“ delicate, heart-melting.

๐ŸŽค The Legacy of Deftones

What makes Deftones so timeless is their ability to shapeshift without losing their soul. They were born in the nu-metal explosion, but they never stayed in that lane. Instead, they created their own world where brutality and beauty coexist.

At a gig, youโ€™ll see metalheads, goths, indie kids, punks, and shoegaze fans all vibing together. Not many bands can bridge scenes like that.

From Adrenalineโ€™s raw chaos to Ohmsโ€™ reflective heaviness, their catalogue is a journey โ€” and these 15 songs are the peaks along the way.

So next time you throw on a Deftones playlist, turn it all the way up. Whether youโ€™re moshing in your bedroom or floating through space in your mind, these tracks are pure catharsis.

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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