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Home ยป ๐ŸŽ™๏ธ ELLES BAILEY PRESSES HER OWN VINYL โ€” ONE COPY TRAVELS 5,000 MILES TO ARIZONAโ€ฆ AND THE STORY GETS EVEN BETTER, MUN ๐Ÿค˜๐Ÿ”ฅ

๐ŸŽ™๏ธ ELLES BAILEY PRESSES HER OWN VINYL โ€” ONE COPY TRAVELS 5,000 MILES TO ARIZONAโ€ฆ AND THE STORY GETS EVEN BETTER, MUN ๐Ÿค˜๐Ÿ”ฅ

Michael by Michael
10 February 2026
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Right then, Riff Report crewโ€ฆ gather round the turntable because this is PROPER wholesome rock โ€˜nโ€™ roll magic.

While the streaming overlords keep feeding us disposable playlists quicker than you can say โ€œskip intro,โ€ Elles Bailey has gone full analogue warrior and reminded the world why vinyl is still king of the hill. ๐Ÿ‘‘๐Ÿ“€

To celebrate her brand-new album Can’t Take My Story Away (out now via Cooking Vinyl and Outlaw Music), Elles didnโ€™t just pose for a promo shot. She didnโ€™t just sign a stack of sleeves backstage.

Nope.

She walked onto the factory floor at Packaged Sounds in High Wycombe and pressed a vinyl copy herself. By hand.

Signed it. Dated it. Slipped it back into the production run like some blues-rock secret agent.

And that single record?

It ended up over 5,000 miles away in Arizona. ๐ŸŒต๐Ÿ”ฅ

Imagine opening your parcel thinking, โ€œLovely, new record for the shelf,โ€ and instead holding a one-in-a-thousand, artist-pressed piece of music history. Thatโ€™s not merch. Thatโ€™s mythology, butt.


๐Ÿ“€ VINYL ISNโ€™T NOSTALGIA โ€” ITโ€™S A STATEMENT

Letโ€™s get one thing straight.

Vinyl isnโ€™t back because itโ€™s retro cool. Itโ€™s back because it means something.

Elles put it perfectly:

โ€œPhysical music isn’t just a collector’s item. It’s a way for fans to truly stand behind the music and for artists to keep building on their own terms.โ€

And guess what? The charts absolutely backed her up.

This independent, grassroots release stormed in at:

๐Ÿฅ‡ #1 Record Store Chart
๐Ÿฅ‡ #1 Official Jazz & Blues Albums Chart
๐Ÿ”ฅ #5 Official Album Sales Chart
๐Ÿš€ #14 Official Albums Chart

For an indie release largely driven by physical sales? Thatโ€™s not tidy. Thatโ€™s seismic.


๐ŸŽถ THE ALBUM SHE WAS DESTINED TO MAKE

Produced by Luke Potashnick and featuring the golden-eared wizardry of Ethan Johns, this eleven-track beauty has been brewing for nearly a decade.

Three years in the making. Song origins stretching back almost ten years. Blood, sweat, heartbreak, growth โ€” the lot.

MOJO handed it 4โ˜… and basically crowned her blues royalty, saying sheโ€™s blessed with:

โ€œEtta Jamesโ€™s emotional gravity and Janis Joplinโ€™s gritty power.โ€

Steady on. Thatโ€™s heavyweight praise.

And the single โ€˜Growing Rootsโ€™? BBC Radio 2 A-List. Most played track on the station for the first three weeks of 2026.

Thatโ€™s not background music. Thatโ€™s takeover energy.


๐Ÿ›๏ธ SOLD-OUT RECORD STORE TOUR? YES PLEASE.

Instead of chasing algorithms, Elles chased record shops.

A sold-out tour of independent stores around the country. Fans queueing. Sleeves being signed. Stories being shared.

This is how scenes are built. Grassroots. Human. Slightly chaotic. Beautiful.


๐ŸŽŸ๏ธ HEADLINE TOUR DATES โ€” GET YOUR BOOTS READY

Sheโ€™s taking Canโ€™t Take My Story Away on the road across the UK, EU, US and beyond.

March

  • London โ€” Islington Assembly Hall
  • Warwick โ€” Arts Centre
  • Bristol โ€” Electric
  • Manchester โ€” Band on the Wall
  • Glasgow โ€” St Lukeโ€™s
  • Gateshead โ€” Glasshouse 2
  • Holmfirth โ€” Picturedrome

May

  • Nantwich Roots Festival
  • The Ridings โ€” Chipping Sodbury
  • Sidmouth International Jazz & Blues Festival
  • Wychwood Festival

June

  • Beardy Folk Festival
  • State Fayre โ€” Essex ๐Ÿ‘€

July โ€” US & Europe

  • Cape Cod Melody Tent, MA
  • South Shore Music Circus, MA
  • Lansdowne Theatre, PA
  • Notodden Blues, Norway

Plus US dates kicking off with Tedeschi Trucks Bandโ€™s Sun, Sand and Soul Beach Weekend in Florida this April.

High Wycombe pressing plant to American beach stage. Thatโ€™s a journey.


๐ŸŒ WHY THIS STORY HITS DIFFERENT

In a world of instant streaming and โ€œnext trackโ€ culture, one vinyl record travelled across continents carrying an artistโ€™s fingerprint on it.

Thatโ€™s not just distribution.

Thatโ€™s connection.

Itโ€™s proof that music made with care, pressed by hand, and sent out into the world can still surprise someone thousands of miles away.

And that, Riff Report family, is why vinyl keeps spinning.

Albumโ€™s out now. Grab it. Spin it loud. Check the sleeve โ€” you never know what story might be hiding inside.

Proper job. ๐Ÿค˜๐Ÿ”ฅ

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๐ŸŽธ GREEN DAY RIP OPEN SUPER BOWL LX WITH A FOUR-SONG PUNK ROCK HAYMAKER โ€” AND THE NFL FELT EVERY SECOND OF IT, MUN ๐Ÿค˜๐Ÿ”ฅ

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๐Ÿ‚๐Ÿ”ฅ TEAM GBโ€™S MIA BROOKES DROPS IN TO METALLICA, JUDAS PRIEST & PANTERA โ€” AND SENDS IT LIKE A METAL GOD, MUN

Michael

Michael

Michael is the founder, editor, and chief riff wrangler of The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. ๐Ÿค˜ A lifelong rock and metal fan, he spends much of the year covering festivals, gigs, bands and the incredible community that keeps the scene alive. From massive headline shows to grassroots venues and rising artists, Michael is passionate about sharing the stories, music and people that deserve to be heard. Proudly Welsh. Proudly Loud. Always chasing the next great riff. ๐ŸŽธ๐Ÿ”ฅ

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