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Home » ⚡ THE DAY THE BACKLINE WENT DARK: Remembering Malcolm Young (1953–2017) – AC/DC’s Relentless Riff Machine 🎸

⚡ THE DAY THE BACKLINE WENT DARK: Remembering Malcolm Young (1953–2017) – AC/DC’s Relentless Riff Machine 🎸

Michael by Michael
10 July 2025
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A power chord-powered tribute from The Riff Report Blog
“Forget the solos – feel the rhythm.” – Malcolm Young (probably, in a grumble)


🕯️ NOVEMBER 18, 2017 – THE ENGINE ROOM SHUTS DOWN

On November 18, 2017, we lost the heartbeat of hard rock.

Malcolm Young, co-founder and rhythm guitarist of AC/DC, died peacefully surrounded by family after a long battle with dementia. He was 64.

He wasn’t the face. He wasn’t the voice.
But he was the fkin’ soul** of AC/DC.

No frills. No fuss. No spotlight.
Just downstroke after downstroke until the crowd was moving and the heavens were shaking. ⚡💀


🎸 WHO WAS MALCOLM YOUNG?

  • Born January 6, 1953, in Glasgow, Scotland, before moving to Sydney, Australia
  • Older brother of Angus Young
  • Co-founded AC/DC in 1973
  • Played Gretsch Jet Firebirds through Marshall amps like a goddamn steamroller
  • Wrote EVERY single riff that built rock ‘n’ roll’s foundations

While Angus duck-walked and shredded, Malcolm was the brick wall behind him — riffing with precision, power, and pride.

“You can’t have thunder without Malcolm.” – Brian Johnson


⚡ AC/DC: BUILT ON MAL’S MONSTROUS RHYTHM

Angus might’ve worn the schoolboy uniform, but Malcolm wore the crown of groove.

He was the riff-master.
The no-nonsense heartbeat.
The guy who could play one chord and make stadiums explode.

💿 Albums Etched in Bedrock:

  • High Voltage (1975) – The spark ⚡
  • Let There Be Rock (1977) – The sermon
  • Highway to Hell (1979) – The anthem
  • Back in Black (1980) – One of the best-selling albums of all time. Period.
  • For Those About to Rock (We Salute You) (1981) – Canon fire included
  • The Razors Edge (1990) – Modern, yet still pure Mal

🧱 WHY MALCOLM WAS THE GUITARIST’S GUITARIST

  • Never showed off
  • Never soloed
  • Played with military tightness
  • Knew how to leave space in a riff (which is way harder than playing fast)
  • Could out-chug a tank on fire
  • No click tracks. No edits. Just fists and strings.

“People talk about lead guitarists… but the best rhythm player ever? Malcolm.” – James Hetfield


💔 HEALTH STRUGGLES & RETIREMENT

In 2014, AC/DC released the news that Malcolm would not be returning.

He was suffering from dementia, with memory loss so severe he couldn’t remember the band’s own songs.
He also battled lung cancer and had a pacemaker fitted.

But you’d never have guessed from his last recordings on Black Ice (2008) and Rock or Bust (2014) — the man never dropped a beat.


🎧 MAL’S MONSTER RIFFS – THE WALL OF SOUND

  1. Back in Black – That intro? Iconic. Unmatched.
  2. Highway to Hell – You feel this riff in your ribcage
  3. You Shook Me All Night Long – Sleazy. Tight. Perfect.
  4. Shoot to Thrill – That build-up to carnage
  5. It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll) – Bagpipes and all, still grooves
  6. For Those About to Rock – FIRE.
  7. Dirty Deeds Done Dirt Cheap – Filthy and punchy
  8. Whole Lotta Rosie – Bon’s finest hour backed by riff thunder
  9. Riff Raff – Hidden gem with god-tier rhythm
  10. Thunderstruck – Angus showboating? Yep. But Mal drives the damn train.

💬 TRIBUTES THAT SHOOK THE EARTH

“The greatest rhythm guitarist of all time.” – Dave Grohl
“He was the core of AC/DC.” – Slash
“He created the bedrock of modern hard rock.” – Eddie Van Halen
“Without Malcolm, there’s no AC/DC. There’s no anything.” – Ozzy Osbourne
“I owe my tone to trying to sound like him.” – Scott Ian


🪦 LEGACY OF A MAN WHO NEVER NEEDED THE LIMELIGHT

  • Sold over 200 million albums
  • Inducted into the Rock & Roll Hall of Fame in 2003
  • Still studied by guitarists trying to figure out how he made 3 chords feel like an earthquake
  • Famously kicked Angus out of the band once for being sloppy — Mal ran a tight ship, mun
  • Inspired every rhythm guitarist with a pulse — even if they didn’t know it

🎩 NO SPOTLIGHT, JUST LEGEND

Malcolm was never flashy.
He didn’t jump around.
He didn’t smile much.
He let the amp do the talking.

And when he left us, a silence hit harder than a cannon blast.

But every time you hear an AC/DC riff rumble through your speakers, Malcolm’s still right there.
Downpicking. Unflinching. Unstoppable.


MALCOLM MITCHELL YOUNG
January 6, 1953 – November 18, 2017
The Silent General. The Rhythm Overlord. The Man Who Made Simple Sound Supreme.

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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