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Home » ⚡🔥 METALLICA ANNOUNCE £230 ‘LOAD’ BOXSET WITH 245 UNRELEASED TRACKS 🔥⚡

⚡🔥 METALLICA ANNOUNCE £230 ‘LOAD’ BOXSET WITH 245 UNRELEASED TRACKS 🔥⚡

Michael by Michael
30 April 2025
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Grab your snake-pit wristbands, dust off your cowboy boots, and pour a stiff Jack & Coke, butt — because Metallica have only gone and done it again. Following their Black Album mega-box and the Master of Puppets shrine-to-end-all-shrines, the Bay Area beasts have turned their attention to the most divisive, eyeliner-soaked chapter of their career: Load.

And sweet baby Cliff Burton’s bell bottoms… this thing is MASSIVE. We’re talking £230, 245 unreleased tracks, vinyl, CDs, DVDs, Blu-rays, tour laminates, photobooks, the works. It’s the kind of boxset that could break your back if you tried to carry it home from HMV. Let’s get stuck into this monster, mun. 🤘


📰 The Big Announcement: Enter Wallet, Man

When the news dropped, the internet reacted exactly how you’d expect. Half the fanbase was screaming “SHUT UP AND TAKE MY MONEY!” while the other half were still too busy moaning that Metallica hasn’t sounded like 1986 since… well, 1986.

But this isn’t just a quick cash-in. Nah, this is Hetfield and the boys opening the vault and chucking out everything — and I mean EVERYTHING — from the Load era. Want to hear Kirk noodle a riff for 15 minutes in a sweaty rehearsal room? You got it. Curious about alternate versions of Until It Sleeps before Lars demanded more cowbell? Done.


📦 What’s Actually in the Box?

You might wanna sit down for this, because the list is bigger than Lars’ ego after winning a lawsuit.

  • Remastered Load (1996)
    • Vinyl edition with full sleeve art (yes, that infamous blood-and-spunk cover, don’t eat your tea while looking at it).
    • Double CD remaster.
    • Digital hi-res versions for the Spotify generation.
  • 245 Unreleased Tracks
    • Studio demos from The Plant, Sausalito.
    • Work-in-progress jams.
    • Acoustic versions of Mama Said (prepare to cry).
    • Alternate takes of King Nothing, Hero of the Day and Bleeding Me.
    • A treasure trove of riffs that never made the cut (Hetfield’s Riff Tapes Vol. 666).
    • Rare live cuts from 1996–1997 tours across Europe, the US, and Japan.
  • Live DVDs & Blu-rays
    • Complete pro-shot gig from Irvine Meadows ’96.
    • A sweaty Roskilde Festival set where James tried to out-grunge Soundgarden.
    • Behind-the-scenes tour doc footage — more cigars, less Cliff.
  • Merch & Memorabilia
    • Reproductions of backstage passes, tour laminates, and gig posters.
    • A chunky photo book featuring Ross Halfin’s lens work: Metallica in their silky shirts, eyeliner, and cowboy boots.
    • Lyric sheets scribbled by James — lots of “yeaaahh!” and doodled skulls.

Basically, if you lived through 1996 and worshipped Load, this is your Holy Bible. If you hated Load? Well, it’s still your Holy Bible, but with extra eyeliner.


🎭 Revisiting the Load Era – Haircuts, Eyeliner & Outrage

Ah, 1996. Oasis were tearing up Knebworth, Spice Girls were telling us what they wanted (what they really, really wanted), and Metallica turned up looking like they’d just walked off a Vogue runway.

Gone were the thrash locks. James and Kirk chopped their hair shorter than a Bridgend barber on a Friday night. Lars started wearing silky shirts that screamed “Eurotrash chic.” Jason Newsted looked like the angry little brother forced to play along. And the fans? They lost their bloody minds.

Metallica had spent the last decade being the kings of metal. Kill ’Em All, Ride the Lightning, Master of Puppets, …And Justice for All, The Black Album — it was a run so insane it still makes your head spin. But then… came Load.

Bluesy riffs, southern swagger, alt-rock vibes. Until It Sleeps sounded more like Soundgarden than Slayer. Hero of the Day flirted with radio rock. Mama Said was a country ballad for crying out loud. Thrash purists were tamping: “This isn’t Metallica! This is Bon Jovi with tattoos!”

But here’s the thing — while some fans sulked, others embraced it. The band was evolving, experimenting, and showing they weren’t afraid to risk it all. Love it or hate it, Load proved Metallica were more than just a thrash machine.


🎶 Tracklist Deep Dive – The Unreleased Gold

Now, 245 tracks sounds ridiculous, but Metallica are masters at hoarding riffs like dragons hoard gold. Here’s a taste of what you’re getting:

  • Alternate Take: Until It Sleeps (Early Demo) – Hetfield growling nonsense lyrics over a stripped riff. Proper raw.
  • Mama Said (Acoustic Hotel Room Demo) – Just James, a guitar, and heartbreak. Chills, butt.
  • Bleeding Me (Extended Jam) – 14 minutes of doomy blues jamming that proves Kirk really can solo forever.
  • Hero of the Day (Garage Rehearsal) – Louder, punkier, more bite. Almost Foo Fighters-y.
  • Covers Galore – Thin Lizzy, Misfits, even a cheeky Oasis riff during soundcheck (probably while Noel Gallagher glared from backstage).
  • Live Chaos – Bootleg-style recordings cleaned up: the sweaty club shows, the stadium juggernauts, the infamous Poor Touring Me dates.

If you’re a deep-cut nerd, you’ll eat this up. If you’re just in it for Fuel and King Nothing? Strap in, because this thing goes deep.


😂 Fan Reactions – The Good, The Bad, The Memes

Ah, Metallica fandom. A chaotic cocktail of passion, rage, and Lars-bashing. The reaction to this boxset has been pure comedy gold.

  • Diehards: “£230? Bargain! That’s less than I spent on beer at Download last year!”
  • Thrash Purists: “Mate, I wouldn’t listen to Load if you PAID me £230.”
  • Memelords: Photoshopping the boxset cover with Oasis’ Be Here Now artwork. Lars in Noel’s parka, James holding a champagne glass.
  • Collectors: Already planning to buy two copies — one to play, one to keep sealed in the loft.

And let’s be honest — half of us will fork out just to get that bloody photo book. Because there’s nothing funnier than seeing the world’s biggest metal band looking like extras from a Calvin Klein ad.


💸 Is It Worth £230?

Here’s the million-dollar (well, £230) question. On paper, it’s a fortune. That’s:

  • Roughly 46 pints at Bloodstock.
  • 10 Steelhouse weekend tickets in 2011 (before prices went mad).
  • Half a tank of petrol these days.

But for a fan? This is history. This is Metallica saying: “We know Load was controversial, but here’s the full story.” And honestly, £230 for 245 unreleased tracks plus vinyl, DVDs, books and merch? It works out at less than £1 per song. Bargain, butt.


⚡ The Legacy of Load

Nearly 30 years on, Load remains the ultimate “love it or hate it” Metallica record. Some call it a sell-out. Others call it a brave reinvention. The truth? It’s both.

Without Load, Metallica would have been stuck trying to rehash Master of Puppets forever. Instead, they dared to chop their hair, write ballads, flirt with grunge, and test how far the fanbase could bend before breaking. And now, with this boxset, they’re rewriting the narrative: Load wasn’t the end of Metallica. It was the rebirth.


🤘 Final Thoughts – A Proper Job or Pure Madness?

This isn’t just a boxset. It’s a time machine. A portal back to the mid-90s when Metallica decided to burn the rulebook, piss off the purists, and strut into uncharted waters.

Will everyone buy it? Hell no. Will people moan about the price? Of course. Will the memes be glorious? Absolutely. But for those of us who secretly love Hero of the Day and cry into our pints during Bleeding Me? This is heaven in a box.

So, c’mon butt — are you ready to fork out £230 to relive the eyeliner years? Or are you saving that cash for Slayer’s Cardiff comeback pint fund? 🍺⚡


👉 The Riff Report Verdict:

  • Price: Painful, but survivable.
  • Content: MASSIVE.
  • Nostalgia: Through the roof.
  • Worth it? If you’ve ever sung “Mama Said” in the shower, then yes.

Tidy job, Metallica. Tidy job. 🖤

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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