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Home » 💀🔥 TECH-DEATH METALLERS VICTIMS OF CONTAGION PREPARE TO UNLEASH NEW ALBUM ‘EGREGORE’

💀🔥 TECH-DEATH METALLERS VICTIMS OF CONTAGION PREPARE TO UNLEASH NEW ALBUM ‘EGREGORE’

Michael by Michael
14 August 2026
in New Album Released
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Pittsburgh technical death metal wrecking crew VICTIMS OF CONTAGION are preparing to unleash their new album, Egregore — promising hyper-speed extremity, neoclassical madness, blackened tremolo assaults and grooves heavy enough to rearrange your internal organs. 🤘💀

Yep. Sounds suitably horrible.

We mean that as the highest possible compliment.

The Pennsylvania metallers are taking everything they’ve developed across nearly two decades in the underground and pushing it into considerably darker, faster and more technically ambitious territory.

If your idea of a relaxing afternoon involves blast beats, polyrhythms and guitarists seemingly possessing eight fingers on each hand, pull up a chair, butt.

This could get tasty. 🔥

🎸 WELCOME TO ‘EGREGORE’

With Egregore, VICTIMS OF CONTAGION are expanding upon their established combination of intricate, high-speed musicianship, neoclassical arrangements and progressive song structures.

Rather than technicality simply for the sake of showing off, the band’s approach sees multiple corners of extreme metal thrown together and allowed to fight it out.

There’s old-school death metal brutality rubbing shoulders with complex polyrhythmic compositions, while hyper-accelerated tempos collide with blackened tremolo passages and more atmospheric moments.

Then, just when you’ve managed to work out what’s happening…

BANG.

Here comes the groove. 💀🔨

It’s the sort of organised musical violence technical death metal does brilliantly when everything clicks into place.

And VICTIMS OF CONTAGION appear determined to make Egregore the definitive blueprint for their increasingly dynamic sound.

💀 TECHNICAL — BUT STILL ABSOLUTELY SAVAGE

There’s always a balancing act with technical death metal.

Go too far in one direction and you’ve basically got four incredibly talented musicians solving mathematical equations while somebody growls over them.

Go too far in the other and you lose the intricate musicianship that makes tech-death such an addictive rabbit hole in the first place.

VICTIMS OF CONTAGION are aiming directly for the sweet spot.

Egregore is described as a record built around high-energy extremity, combining blistering tempos and detailed arrangements with enough crushing grooves to keep the music physical.

Because sometimes you want to admire the technical brilliance.

And sometimes you just want a riff that makes your head involuntarily move like you’re trying to headbutt a wardrobe.

Why not have both? 🤘😂

🖤 INTO THE DARKNESS

There’s more going on here than sheer velocity.

Throughout Egregore, the band weave blackened tremolo passages and majestic atmospheric elements between the record’s more ferocious moments.

That contrast promises to give the album a sense of scale beyond simply attempting to break the land-speed record with blast beats.

Darkness hangs heavily over the material, with every passing moment designed to pull the listener deeper into the band’s world.

And this isn’t material thrown together in five minutes after somebody discovered a particularly nasty guitar tone.

According to the band, every note on Egregore was written, performed and recorded with painstaking attention to detail.

For music this complex, that matters.

The riffs need to lock.

The rhythms need to land.

The chaos needs to somehow remain controlled.

When you’ve got polyrhythms, progressive structures, neoclassical elements and old-school death metal all sharing the same rehearsal room, somebody needs to know where the bloody map is.

🔥💀🔥

🇺🇸 NEARLY TWO DECADES OF CONTAGION

Based in Pittsburgh, Pennsylvania, VICTIMS OF CONTAGION have been grinding away in the extreme metal underground since 2007.

That’s nearly two decades of riffs, gigs, demos, touring and presumably explaining to relatives at family gatherings what exactly “technical death metal” means.

The band’s early years were spent working the underground touring circuit while independently releasing a series of demos and steadily developing their sound.

Then came a major step forward.

In 2014, VICTIMS OF CONTAGION released their debut EP:

💀 Parasitic Unborn

Five years later, the band followed it with their debut full-length album:

🔥 Lamentations of the Flesh Bound — 2019

Those releases helped establish the foundations of the band’s musical identity.

Now, with Egregore, they’re looking to take that foundation and mutate it into something considerably more ambitious.

⚡ OLD-SCHOOL BRUTALITY MEETS MODERN TECHNICAL CHAOS

Perhaps one of the most interesting elements surrounding Egregore is the band’s willingness to retain the physical brutality of old-school death metal while embracing increasingly complex arrangements.

Technical death metal has evolved enormously over the decades.

The genre can be surgical.

Progressive.

Atmospheric.

Neoclassical.

Utterly ridiculous.

Sometimes all during the same 45 seconds.

But underneath all that musicianship, the best tech-death still needs to hit.

That’s where those crushing grooves become important.

Egregore isn’t promising a sterile exercise in technical ability.

It’s promising something that can twist your brain into a pretzel before promptly booting you directly into the pit.

And frankly, that’s exactly how we like it.

🔥 VICTIMS OF CONTAGION ARE ENTERING THEIR NEXT ERA

After forming in 2007, grinding through the underground circuit and steadily building their catalogue, Egregore represents another major chapter for VICTIMS OF CONTAGION.

The band aren’t simply repeating what came before.

They’re pushing further.

Faster tempos.

More intricate structures.

Darker atmospheres.

Blackened passages.

Neoclassical complexity.

And, thankfully, big horrible death metal grooves.

Lovely stuff. 😂💀

For existing followers, Egregore looks set to offer an evolution of the technical brutality that has defined VICTIMS OF CONTAGION.

For newcomers?

Well…

Consider this your warning.

🤘 KEEP VICTIMS OF CONTAGION ON YOUR RADAR

Technical death metal fans should definitely keep VICTIMS OF CONTAGION firmly on the radar as Egregore approaches.

Nearly twenty years after the band’s formation, the Pittsburgh metallers sound determined to push their music deeper into technically demanding and increasingly atmospheric territory without sacrificing the sheer violence at its core.

If you like your death metal fast, progressive, technical, blackened, atmospheric and capable of making musicians stare at their instruments wondering why they even bothered learning them, Egregore could be well worth investigating.

Get those neck muscles warmed up.

You’re probably going to need them. 💀🔥🤘


💀 VICTIMS OF CONTAGION — ‘EGREGORE’

Band: VICTIMS OF CONTAGION
Album: Egregore
Genre: Technical Death Metal
Hometown: Pittsburgh, Pennsylvania, USA
Formed: 2007


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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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