๐ฅ๐ปFour years onโฆ and it still gives The Riff Report full-body goosebumps, mun.
Some performances donโt age. They donโt fade. They just sit there in the archives, waiting to grab you by the collar and whisper, โYou ready to feel something?โ
This is one of those moments.
Back in the Before Times, when packed halls were normal and sweat wasnโt a health hazard, Shane Greenhall of Those Damned Crows stepped into the Queen canon and absolutely owned it. Not karaoke. Not cosplay. A full-blooded, spine-tingling reinterpretation that treats Freddie Mercuryโs legacy with respect, power, and zero fear.
๐ฅ Watch the performance here:
๐ Queen Symphonic โ Who Wants To Live Forever / Hammer To Fall (feat. Shane Greenhall)
https://www.youtube.com/watch?v=S4ZEnWIDTcE
๐ผ The Performance Details
This stunning rendition of โWho Wants To Live Foreverโ and โHammer To Fallโ was performed by Shane Greenhall (Those Damned Crows) at Queen Symphonic, held at the London Palladium on 19th November 2021.
Greenhall was joined on stage by an absolute powerhouse of vocal talent, with support from Emma Hatton, Jenna Lee-James, Peter Eldridge, Jon Boydon, Andy G Jones, and Adam Martin, all backed by the mighty Planet Rock Orchestra, who brought the full cinematic weight to every note.
๐ค โWho Wants To Live Foreverโ
This isnโt just sung. Itโs felt. Greenhall doesnโt try to out-Freddie Freddie. Instead, he leans into the emotion. The vulnerability. The quiet devastation baked into the song. By the time the orchestra swells, it stops being a cover and becomes a moment. Lush strings, aching pauses, and a vocal delivery that hits you square in the chest.
Then, just when you think youโre safeโฆ
โก โHammer To Fallโ
Bang. Mood whiplash.
The switch flips. The rock frontman comes charging out. Grit replaces fragility, urgency replaces stillness, and the symphonic backing turns into a full-scale sonic battering ram. Strings surge like waves, drums march like impending doom, and Shane sounds like he was born for this collision of rock and orchestra.
What makes this performance hit even harder now is hindsight. Four years on, it lands differently. Weโve all lived more. Lost more. Missed gigs. Missed crowds. Missed that shared feeling of being swallowed whole by live music in a room full of strangers who all know every word.
And here it is, bottled.
This wasnโt just a Queen tribute. It was a reminder of why these songs still matter, why voices like Greenhallโs matter, and why mixing rock grit with orchestral grandeur can still stop time dead.
The Riff Report verdict:
๐ถ Timeless songs
๐ค A fearless vocal
๐ป A symphonic sledgehammer straight to the soul
If you havenโt revisited this one in a while, do yourself a favour. Turn it up. Let the chills roll in.
Still hits. Still hurts. Still glorious.
Only in rock โnโ roll, mun. ๐ค๐ฅ





































