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Home » 🎸 Deep Purple’s Roger Glover Slams Farewell Tours as “A Cheap Publicity Thing” – And He’s Not Sold on “Tacky” Avatars Either

🎸 Deep Purple’s Roger Glover Slams Farewell Tours as “A Cheap Publicity Thing” – And He’s Not Sold on “Tacky” Avatars Either

Michael by Michael
10 July 2026
in News
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Cartoon poster announcing Deep Purple's Roger Glover farewell tours with bold typography and stage imagery.

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If you were hoping Deep Purple would be announcing one last emotional farewell tour complete with tears, fireworks and endless “final ever” posters… don’t hold your breath, butt.

Legendary bassist Roger Glover has made it crystal clear that he’s not a fan of farewell tours, calling them “a cheap publicity thing.” And while plenty of classic rock acts are embracing holograms and digital recreations, he’s also made it known that the idea of avatars leaves him completely cold.

🤘 No Farewell Tour Thanks

As more and more iconic bands announce “last ever” tours, only to return a few years later, Roger Glover isn’t buying into the trend.

The Deep Purple legend believes farewell tours often become more about marketing than genuinely saying goodbye, describing them as “a cheap publicity thing.”

It’s a refreshingly honest take from a musician who’s spent decades touring the world without relying on retirement announcements to fill venues.

That doesn’t necessarily mean Deep Purple will tour forever, but it does suggest the band would rather keep playing while they’re enjoying it than build an entire campaign around one final lap.

👾 Don’t Expect Digital Deep Purple

Another trend Roger isn’t keen on is the growing use of virtual performances and digital recreations of legendary artists.

With shows such as ABBA Voyage proving hugely popular, and more artists exploring avatar technology, Glover admitted the concept simply isn’t for him.

In fact, he described avatars as “tacky,” making it pretty clear he’d rather fans experience the real thing than a computer-generated version.

For a band whose reputation has been built on explosive live performances and world-class musicianship, it’s perhaps no surprise that Roger believes nothing can replace genuine musicians standing on stage.

🔥 Keeping It Real

Deep Purple have always done things their own way, and Roger Glover’s comments continue that tradition.

Rather than chasing industry trends or cashing in on nostalgia, his view is that live music should remain authentic, unpredictable and human.

In an era where farewell tours, holograms and AI-generated performances are becoming increasingly common, it’s a reminder that some rock legends still believe the best concert experience is the simplest one—real musicians, real instruments and a loud amplifier turned up to eleven.

🎤 The Riff Report Says…

Love them or hate them, Roger Glover certainly isn’t afraid to speak his mind.

Whether fans agree with his opinions on farewell tours or digital avatars, there’s something refreshing about a rock legend refusing to follow the latest industry trends.

As long as Deep Purple keep delivering incredible live performances, most fans would probably agree they’d rather see the real band on stage than watch a digital version pretending to be them.

Long may the riffs continue.

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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