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Home ยป ๐ŸŽฉ๐Ÿ ALICE COOPER ANNOUNCES FIRST ALBUM WITH ORIGINAL BAND IN 52 YEARS โ€“ SHOCK ROCK RESURRECTED! ๐Ÿค˜๐Ÿ•ท๏ธ

๐ŸŽฉ๐Ÿ ALICE COOPER ANNOUNCES FIRST ALBUM WITH ORIGINAL BAND IN 52 YEARS โ€“ SHOCK ROCK RESURRECTED! ๐Ÿค˜๐Ÿ•ท๏ธ

Michael by Michael
22 April 2025
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๐Ÿ•ฐ๏ธ 52 Years in the Making: The Coop Calls the Originals Back from the Crypt

โ€œWhatโ€™s occurring?โ€ you ask. Well, mun, Alice Cooper just broke the internet (and probably a few eyeliner pencils) with the announcement that heโ€™s recording a brand-new album with his original band โ€” the same twisted crew that dragged shock rock kicking and screaming into the mainstream back in the early โ€˜70s.

Thatโ€™s right โ€” Michael Bruce (guitar), Dennis Dunaway (bass), Neal Smith (drums), and of course Alice himself (vocals, theatrics, blood-splattered top hats). For the first time since Muscle of Love in 1973, these four will be back in the studio together, summoning riffs from the grave. ๐Ÿชฆโšก

Itโ€™s been a long road: five decades of solo success, guillotines, golf courses, Hollywood Vampires, and eyeliner thicker than a Greggs sausage roll. But somehow, in 2025, weโ€™re about to get the sequel nobody thought possible. And fans? Weโ€™re tamping with excitement! ๐Ÿ˜ˆ


๐ŸŽถ A Brief (and Bloody) History of the Original Alice Cooper Band

Before Alice became the golf-playing, eyeliner-rocking solo icon, he was fronting a proper band called Alice Cooper โ€” a bunch of misfits from Phoenix who wanted to out-weird the hippies and out-rock the Stones.

  • Early Days (1964โ€“1968): Originally calling themselves The Earwigs, then The Spiders, then The Nazz (before Todd Rundgren nicked the name). They were a high school garage band with more eyeliner than budget.
  • Becoming Alice Cooper: By 1968, the lads rebranded as Alice Cooper. And yes, contrary to myth, Alice isnโ€™t a real witch from Salem โ€” it was a name they thought sounded innocent and creepy at the same time. Tidy idea, actually.
  • Frank Zappaโ€™s Embrace: Signed to Zappaโ€™s Straight Records, their first albums (Pretties for You and Easy Action) wereโ€ฆ letโ€™s be kindโ€ฆ experimental. Think more psychedelic chaos than the shock rock theyโ€™re known for.
  • Breakthrough: The game-changer came with producer Bob Ezrin and 1971โ€™s Love It to Death, featuring โ€œIโ€™m Eighteen.โ€ Suddenly, Alice wasnโ€™t just scaring your nan โ€” he was storming the charts.

By 1973, the band were megastars, dropping โ€œSchoolโ€™s Out,โ€ โ€œNo More Mr. Nice Guy,โ€ and โ€œBillion Dollar Babiesโ€ like they were sweets at a Bridgend funfair. Their stage shows? Guillotines, snakes, blood, baby dolls โ€” a pantomime of pure chaos.

Only in rock โ€™nโ€™ roll, munโ€ฆ ๐Ÿฉธ


๐Ÿ’” The Split: When Alice Went Solo (Without Really Going Solo)

Hereโ€™s the kicker: The band didnโ€™t break up in flames โ€” more like in eyeliner smudges. After Muscle of Love (1973), things got messy. Touring burned them out, egos clashed, and Alice โ€” with Bob Ezrin and manager Shep Gordon โ€” leaned into going โ€œsolo.โ€

Exceptโ€ฆ when Alice Cooper โ€œwent soloโ€ in 1975 with Welcome to My Nightmare, he still had Ezrin, Gordon, and basically the same creative DNA. It just didnโ€™t have the original band lads backing him.

From then on, Alice was Alice Cooper the person, not Alice Cooper the band. And while Alice thrived, the OG members pursued other projects:

  • Dennis Dunaway jammed with Blue Coupe.
  • Neal Smith drummed in Billion Dollar Babies.
  • Michael Bruce played guitar in various outfits.

All talented. All a bit overlooked compared to Aliceโ€™s solo superstardom.


โšก The Reunion Sparks: Small Flames Before the Fire

This isnโ€™t the first time Alice has flirted with the Originals since the split.

  • 1997: The original lineup reunited for the Rock and Roll Hall of Fame induction.
  • 2010s: Alice started bringing them onstage for select shows. Neal, Dennis, and Michael even appeared on a few tracks across albums like Paranormal (2017).
  • 2020s: Every so often, rumours swirled. Fans whispered: โ€œWill we ever get a proper Alice Cooper BAND album again?โ€

Well, buttโ€ฆ the whispers just got turned into screams. ๐Ÿค˜


๐ŸŽฉ The Big Announcement: 2025 Brings the Band Back from the Dead

Alice officially announced that he and the original band are recording a full-length album together. Not just one or two tracks. Not just a cheeky cameo. An album.

He teased that it will:

  • Blend the classic Alice Cooper theatrical sound with new twists.
  • Feature brand-new songs (not dusty demos from the โ€˜70s).
  • Be โ€œdangerous, funny, and very, very Alice.โ€

Imagine Billion Dollar Babies having a pint with Welcome to My Nightmare, and youโ€™re halfway there. ๐Ÿ•ท๏ธ


๐Ÿ–ค Why This Matters: Shock Rockโ€™s Full Circle

For fans, this isnโ€™t just nostalgia. Itโ€™s history catching up with itself. The Alice Cooper band didnโ€™t just make music โ€” they invented the template for every theatrical rock act to follow.

  • KISS? They nicked Aliceโ€™s blood-and-theatrics playbook.
  • Marilyn Manson? Straight out of Aliceโ€™s horror-punk nursery.
  • Ghost? Swap the makeup for ghouls and youโ€™ve got the same DNA.

Having the Originals back in the coffin (so to speak) ties the bow on a story 52 years unfinished.

And letโ€™s face it โ€” how many bands can say theyโ€™ve gone half a century before making a sequel? This is basically the Blade Runner 2049 of rock โ€™nโ€™ roll.


๐ŸŽง Fan Hopes: What Could Be on the Album?

Hereโ€™s what fans (and us at The Riff Report) are dreaming of:

  • Raw Garage Rock Energy: Back to the basement vibes of Love It to Death.
  • Creepy Storytelling: Think Killer and Welcome to My Nightmare.
  • Modern Production, Old Soul: With Bob Ezrin rumoured to hover around, it could be both slick and sinister.
  • A Live Tour? Dare we dream the Originals on the road again? Alice has hinted at special shows, but at their age (and Aliceโ€™s golf schedule), weโ€™ll see.

Either way, expect riffs, guillotines, and a few raised eyebrows from confused grandkids: โ€œGrandad, whatโ€™s with the snake?โ€ ๐Ÿ


๐Ÿด The Riff Report Verdict: Proper Job, Coop!

Only Alice Cooper could pull this off. Half a century later, heโ€™s giving us one last slice of OG shock rock history.

As we say in Wales: โ€œTidy!โ€ This isnโ€™t just an album โ€” itโ€™s a time machine. The eyeliner is thicker, the riffs nastier, and the stories wilder.

Alice once sang โ€œSchoolโ€™s Out Forever.โ€ Turns out, schoolโ€™s back in session โ€” and class is in blood-splattered session. ๐ŸŽฉ๐Ÿ’€


๐ŸŽค Final Shout: What Do You Think, Rockers?

Are you buzzing for the Alice Cooper Bandโ€™s first album in 52 years? Which classic should it live up to โ€” Killer, Schoolโ€™s Out, or Billion Dollar Babies? Or do you just want to see Alice swinging a guillotine at 77 years old?

Drop your thoughts below, butt โ€” this oneโ€™s for the history books. ๐Ÿค˜๐Ÿ

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โšก๐Ÿ”ฅ๐ŸŽค HALESTORM UNLEASH ANTHEMIC NEW SONG โ€˜DARKNESS ALWAYS WINSโ€™ ๐Ÿค˜๐Ÿ–ค

Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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