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Home ยป ๐ŸŽคย ACID DEATH โ€“ RIFF REPORT INTERVIEW

๐ŸŽคย ACID DEATH โ€“ RIFF REPORT INTERVIEW

Michael by Michael
20 January 2026
in Interviews
Reading Time: 9 mins read
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Massive thanks and serious respect to Acid Death ๐Ÿค˜๐Ÿ’€

Cheers to the band for taking the time to sit down with The Riff Report Blog and dive deep into riffs, roots, and all things gloriously extreme. Legends from the Greek underground doing things properly โ€” sharp minds, heavy sounds, zero ego. Exactly how it should be ๐Ÿ”ฅ

If you somehow havenโ€™t locked into Acid Death yet, get stuck in below and prepare your neck accordingly:

๐ŸŒ Official site: https://www.aciddeath.net/
๐Ÿ“˜ Facebook: https://www.facebook.com/AcidDeathGR
๐Ÿ“บ YouTube: https://www.youtube.com/aciddeathgr
๐Ÿ“ธ Instagram: https://www.instagram.com/aciddeathgr/

Big love from Wales ๐Ÿ–ค
More riffs, more chaos, more interviews incomingโ€ฆ stay loud ๐Ÿค˜

๐Ÿ”ฅย Origins, Chaos & Early Days

โ€ƒ1.โ€ƒAcid Death were brewing extreme metal in Greece long before it was fashionable. What was the underground scene like when you first started, and did it feel like you were pushing against the tide?

Well, thatโ€™s a really good question! Extreme Metal in Greece wasnโ€™t so unknown when we started the band in 1989โ€ฆ There was Extreme Metal scene in Greece but in a rather different forms. There were many Grindcore, Punk and Hardcore bands those days. Thrash and Death Metal were at the first steps. We started as a Death/Thrash band at the first recordings. Progressive elements came to our music later, in 1995. When we released โ€œPieces Of Mankindโ€ album the title โ€œProgressive Death Metalโ€ followed us and actually we were the first Greek band with this title. Yes, it was not easy but today there are many Greek bands that play Death Metal with Progressive elements.ย ย 

โ€ƒ2.โ€ƒSavvas and Dennis, as founding members, what was the original vision for Acid Death? Did you always plan to be this experimental, or did it evolve naturally through trial, error and noise?

Well, we didnโ€™t have that plan in mind. The first thought back in 1989 was to play fast music like our idolsโ€ฆ After the recordings or our very first album, โ€œBalance Of Powerโ€ that included some technical elements, we decided that adding some more experimental parts would give a different and better taste in our music. So we actually changed our music direction to more technical ways. Of course the trials were in our daily routine, we had rehearsals 3-4 days in a week. It wasnโ€™t easy at the first steps!

โ€ƒ3.โ€ƒEarly Acid Death material feels raw, unhinged and fearless. Were there any rules you deliberately broke back then just to see what would happen?

Yes. At first we decided not to follow any of the current music styles that were poplar at any season. You know, Gothic Metal, Alternative, a more โ€œParadise Lostโ€ style, or even a more Swedish Death Metal styleโ€ฆ We had the thought that โ€œbreake the rule of trying to be popular, just try to be yourselfโ€ will work for us. After many-many years this worked for us.

๐Ÿง ย Experimental Sound & Musical Evolution

โ€ƒ4.โ€ƒAcid Death have never sat comfortably in one genre box. How important is experimentation to the bandโ€™s identity?

It was and still is very-very important! We always try to be better album-by-album. The โ€œeasyโ€ way of sitting comfortably in a box is something we donโ€™t like as stance in life generally. This is clear to our music also. Thatโ€™s ACID DEATH.

โ€ƒ5.โ€ƒDo you ever worry about alienating parts of the death metal crowd by pushing boundaries, or is that half the fun?

No.. We just do our best, presenting our songs with the better way we can. It is more honest that everything else. Sometimes, yes, there are some fans who donโ€™t accept our music. But the same happened to all bands that play live. You cannot be โ€œokโ€ for everyone!

โ€ƒ6.โ€ƒLooking back across the discography, which album best represents Acid Death right now, not just musically but mentally?

For sure our latest one,โ€œEvolutionโ€. It includes all the musical elements of our course and mentally it is an album that has a very clear and contemporary theme. Human Evolution through the Ages.

๐Ÿฅย Line-Ups, Brotherhood & Musical Chemistry

โ€ƒ7.โ€ƒAcid Deathโ€™s line-up has evolved over the years. How has each member shaped the bandโ€™s sound and attitude?

The truth is that our lineup is stable from 2012 when we released or 1st โ€œcome backโ€ album, โ€œEidolonโ€. There were some line up changes in the past but nothing special. It is very important for a band to have a good and stable line up so everyone knows the good and bad elements of the other members and all together create on a stable basis. That is our big advantage. We are more a family that a typical band.

โ€ƒ8.โ€ƒKostas and John, what was it like stepping into a band with such a cult legacy already attached?

Kostas was a big ACID DEATH fan in early 90โ€™s He was following us at the local Athenian shows, he had always a good thing to say on our music. On the other hand, John was a newer fan after bandโ€™s come back in 2011. Both guys entered the band and give their 100% on what we do

โ€ƒ9.โ€ƒWhen new members join, is it more about technical skill, mindset, or surviving rehearsals without losing your sanity?

Actually it was a serious decision for band survival. The older members back in 2000 were not the ideal cooperators. So many problems and most of all were buried under the carpet.. ACID DEATH is a band, not just some people who exist together and create problems the one to the other. John and Kostas were the idea cooperators in this trip but finally they became a family. Not just musicians who play in a band.

๐Ÿ•ฏ๏ธย Legacy Members & Influences

โ€ƒ10.โ€ƒPast members like Themis Katsimichas and Gus G played key roles in the bandโ€™s journey. How important were those chapters in shaping what Acid Death became?

Themis Katsimichas was the lyric creator that season. We are talking about years 1992 to 1999. He made to create the lyrical profile of the band, including influences from personalities like Stephen King or Clive Barker. It as a really bis shock when he decided to quit the band, on the other hand is was a life decision. We totally understood that decision. Gus K, was just a guitar player who joined the band for just one year. Nothing more.

โ€ƒ11.โ€ƒAre there any riffs, songs or moments from former line-ups that still haunt the band in a good way?

Yes, we still add some songs from bandโ€™s first period in our set lists. E.x. โ€œApathy Murders Hopeโ€ is a song that we always play at shows.

โ€ƒ12.โ€ƒIf you could pull one former member back in for a one-off Acid Death chaos set, who would it be and why?

Sorry to tellโ€ฆNo one! Except Themis Katsimichas, who joined our show 1-2 time in the recent past, as guest member.

๐ŸŽธย Live Shows & Controlled Mayhem

โ€ƒ13.โ€ƒAcid Death on record is intense, but Acid Death live feels dangerous. How do you translate that experimental chaos onto a stage?

It is always a challenge! We try to perform all the tracks on their entirely. For this case we use some pre-recorded parts, not too complex, but with this method we make to perform the tracks in a way like the sound on the records. Of course rehearsing is in our routine, something very important for a live performance.

โ€ƒ14.โ€ƒDo you prefer small, sweaty club shows or bigger festival stages where the sound can really stretch its legs?

Actually, yes, we prefer the less big venues with a more familiar atmosphere. But we can perform very well also to big venues of festival stages.

โ€ƒ15.โ€ƒAny gigs over the years that went completely off the rails but somehow became legendary?

Yes, it was back in 1993 when we had to play as a trio and it was a decision that was taken on the fly just because Themis was serving his military services.. With no rehearsal for more than 5 months. Just the three of us and we had a headline appearance in an Athenian venue. We thought โ€œno wayโ€ฆIt will be a disaster!โ€ It was one of the strongest shows we had ever performed!

๐Ÿฉธย Greek Metal Scene & Underground Survival

โ€ƒ16.โ€ƒGreece has produced some iconic extreme metal bands. How do you see Acid Deathโ€™s place in that legacy?

– We are part of this legacy. Of course we are less known than megatherions like Rotting Christ or Sepic Flesh, but we belong to the same generation. Imagine that we started almost together with these legends and we are still here creating music and performing live shows as all of them.

โ€ƒ17.โ€ƒWhat advice would you give to new underground bands trying to survive without compromising their sound?

One and only. Be honest with what you do!

โ€ƒ18.โ€ƒDoes the Greek scene still feel as tight-knit and rebellious as it did in the early days?

This is a big conversationโ€ฆ Of course some things remain the same but actually everyone changes as the years pass. There are really good bands, really good musicians butโ€ฆ Sometimes only social media matter! And this is something we donโ€™t like at all!

โธป

๐Ÿ”ฎ The Future of Acid Death

โ€ƒ19.โ€ƒIs Acid Death still evolving, or have you reached a point where the band finally feels โ€œcompleteโ€?

โ€œSky Is The Limitโ€ as we say! ACID DEATH is still evolving. There are so many good things in music that we have never tried. We are here to try them in the future.

โ€ƒ20.โ€ƒWhat can fans expect next โ€“ new material, more experimentation, or total sonic destruction?

At first many live shows. It is too early to talk about a new album butโ€ฆyou nevr know!

โ€ƒ21.โ€ƒIf Acid Death ended tomorrow, how would you want the band to be remembered?

Of course for the good music and the low and honest profile. Thatโ€™s what we are.

โšกย Quickfire Riff Report Round

โ€ƒ22.โ€ƒHeaviest Acid Death riff ever written?

Forging The Chainsโ€ first music theme.

โ€ƒ23.โ€ƒAlbum you wish youโ€™d written?

We dare sayโ€ฆ โ€œSpiritual Healingโ€

โ€ƒ24.โ€ƒOne word to describe Acid Death in 2026?

โ€œEvolutionโ€

โ€ƒ25.โ€ƒBeer after the gig or silence in a dark room?

Beer in a dark roomโ€ฆand one cigarette please!

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Michael

Michael

๐ŸŽธ About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise โ€” it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publicationโ€™s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist โ€” sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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