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Home » 🦇 WEDNESDAY 13 – THE GHOUL KING OF HORROR-PUNK

🦇 WEDNESDAY 13 – THE GHOUL KING OF HORROR-PUNK

Michael by Michael
5 June 2025
in Band Bios
Reading Time: 5 mins read
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If Alice Cooper and Rob Zombie had a lovechild in a graveyard… and it was raised on Scooby-Doo, Texas Chainsaw Massacre, and Marilyn Manson records — you’d get Wednesday 13. 🎃⚰️

With a career drenched in fake blood, zombie swagger, and 100% commitment to spooky rock theatrics, Wednesday 13 is not just a band — it’s a lifestyle. One that comes with black nail polish, horror VHS tapes, and riffs that bite.


🧟‍♂️ FROM MURDERDOLLS TO MONSTER RIFFS: THE ORIGIN STORY

Our corpse-lovin’ hero was born Joseph Poole in North Carolina. But the world came to know him as Wednesday 13 — frontman, horror fanatic, and the glam-ghoul goth punks needed.

Before he started his solo haunting, Wednesday cut his teeth with:

  • Maniac Spider Trash – gritty horror-punk beginnings
  • Frankenstein Drag Queens from Planet 13 – where the name, the look, and the aesthetic began to rise from the grave
  • Murderdolls (2002–2010) – his breakout band, co-founded with Slipknot drummer Joey Jordison. Think sleaze, punk, horror and wild stage antics all rolled into one beautiful coffin-shaped mess.

Then in 2004, he unleashed his own monster: the solo project Wednesday 13 — where he had full creative control to go as creepy, weird, and metal as he damn pleased.


💿 THE DISCOGRAPHY OF DOOM (SO FAR…)

The Wednesday 13 catalogue is like a VHS horror shelf that’s just come to life. Here’s the blood-soaked timeline:

🧨 Studio Albums:

  • Transylvania 90210: Songs of Death, Dying, and the Dead (2005) 🧛‍♂️
  • Fang Bang (2006) – more rock ‘n’ roll, more sleaze 🧟‍♂️
  • Skeletons (2008) – heavier, darker, more metallic ⚰️
  • Calling All Corpses (2011) – punky, catchy, monstrous 👻
  • The Dixie Dead (2013) – cinematic horror in album form 🩸
  • Monsters of the Universe: Come Out and Plague (2015) – concept album madness 🚨👾
  • Condolences (2017) – straight-up horror metal ⚰️🖤
  • Necrophaze (2019) – loaded with guests like Alice Cooper and Cristina Scabbia 🧠
  • Horrifier (2022) – darker, heavier, and somehow even more Wednesday 🧨🕷️

🦇 VIBES: WHAT DOES IT SOUND LIKE?

Take the stomp of Rob Zombie, the sleaze of Twisted Sister, the punk snarl of The Misfits, and stir it in a bubbling cauldron of 80s horror references and glam metal guitar solos. Now throw in a blood-spattered trench coat, horror movie samples, and a tongue-in-cheek sense of humour.

That’s Wednesday 13.


🎤 LIVE SHOWS: HALLOWEEN EVERY DAMN NIGHT

Going to a Wednesday 13 gig is like stepping into a haunted house with a mosh pit. Expect:

  • 🎭 Costumes, props, and gore
  • 🎸 Blistering guitar solos
  • 😈 Gags and gore and glam and more
  • 🧠 Zombie backup dancers? Maybe.
  • 🖕 Middle fingers to the mainstream

The dude doesn’t perform, he possesses the stage. It’s horror theatre with distortion pedals and bullet belts.


👻 FUN FACTS FROM THE CRYPT

  • His stage name is a double reference: Wednesday Addams + Friday the 13th = PERFECTION 🖤🔪
  • He’s a fanatical collector of vintage horror toys, VHS tapes, and memorabilia 🎃
  • He played Dr. Loomis in a stage parody of Halloween. Iconic.
  • Has performed acoustic horror sets AND full-on face-melting metal gigs — he’s spooky and versatile.

🎧 START HERE, IF YOU DARE…

  • “I Walked with a Zombie” – Horror punk perfection
  • “Bad Things” – Sleazy, catchy, and sinister
  • “Scream Baby Scream” – Pure monster ballad filth
  • “Blood Sick” – Heavy, crunchy, evil
  • “Necrophaze” – Industrial horror heaven

🕷️ THE RIFF REPORT VERDICT

Wednesday 13 isn’t just a band — he’s a horror-punk institution. If you like your music with fangs, your lyrics soaked in blood, and your riffs big enough to resurrect the dead, this is your new obsession.

He’s ghoulish, glam, grotesque — and an absolute legend in the underground metalverse.

Whether you’re a Misfits lifer, a Zombie disciple, or just someone who wishes Halloween never ended, you owe it to yourself to crank Horrifier and dance with the dead.


💀 Need a cartoon banner of Wednesday 13 riding a hearse with zombie backup singers and a haunted amp stack? Just say the word.
‘Til then… stay spooky, you glorious weirdos.
C’mon butt — let’s go dig up some more horror-metal heroes. 🖤🦇


#Wednesday13 #HorrorPunk #TheRiffReport #GhoulGoals #NecrophazeNation

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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