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Home » 🤘 When Metal Met Simon & Garfunkel: How Disturbed Turned ‘The Sound of Silence’ Into a Modern Classic

🤘 When Metal Met Simon & Garfunkel: How Disturbed Turned ‘The Sound of Silence’ Into a Modern Classic

Michael by Michael
14 August 2026
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There are cover versions… and then there are those rare moments when a band grabs a legendary song, tears it down to the foundations and rebuilds the bloody thing in its own image.

Disturbed’s version of Simon & Garfunkel’s “The Sound of Silence” is absolutely one of those moments.

When the Chicago metal heavyweights unveiled their haunting interpretation in 2015, plenty of people probably expected huge guitars, David Draiman roaring his lungs out and perhaps the occasional trademark “OH-WAH-AH-AH-AH!”

Instead?

Piano.

Strings.

Atmosphere.

And one of the most unexpectedly powerful vocal performances in modern rock.

Even better, the man who wrote the song — Paul Simon himself — gave Disturbed’s interpretation his seal of approval.

Not bad for a bunch of metalheads having a crack at one of the most famous songs of the 1960s, eh? 🤘🔥

🎵 It All Started With Simon & Garfunkel

“The Sound of Silence” was written by Paul Simon and originally recorded by Simon & Garfunkel, appearing in an acoustic form on their 1964 debut album Wednesday Morning, 3 A.M.

The album initially struggled commercially, and Simon and Garfunkel temporarily went their separate ways.

But the story wasn’t finished.

Producer Tom Wilson later took the acoustic recording and added electric guitar, bass and drums without Simon and Garfunkel being present for the session.

That electrified version was released as a single in 1965.

And then everything changed.

“The Sound of Silence” became a huge hit, reaching number one on the US Billboard Hot 100 and helping reunite Simon & Garfunkel.

It would become one of the duo’s signature songs and eventually one of the defining recordings of the 1960s.

Which means covering it takes some serious bottle.

Enter Disturbed.

🔥 Disturbed Decide To Do Something Completely Different

Disturbed recorded “The Sound of Silence” for their sixth studio album, Immortalized, released in August 2015.

Rather than simply turning the original into a heavy-metal stomper, the band went in almost the opposite direction.

The arrangement begins incredibly quietly.

Draiman’s voice sits over a sparse piano accompaniment, giving every word room to breathe.

Then the song slowly grows.

Strings arrive.

Percussion begins to creep into the background.

The orchestration becomes increasingly dramatic.

And Draiman’s vocal performance gets bigger, rougher and more powerful until the restrained opening has transformed into something absolutely enormous.

No breakdown.

No massive metal riff.

No need.

The bloke’s voice basically is the riff.

🎤🔥

🎤 David Draiman Absolutely Goes For It

Part of what made Disturbed’s version so successful was that David Draiman didn’t attempt to imitate Simon & Garfunkel.

That would have been pointless.

Instead, he delivered the song as David bloody Draiman.

His deep baritone gives the lyrics an entirely different character. What originally felt delicate and reflective suddenly sounds darker, heavier and almost apocalyptic.

And as the arrangement builds, Draiman moves from restrained singing into that unmistakable gravelly power that has made him one of rock and metal’s most recognisable vocalists.

It’s dramatic without completely losing the vulnerability of the original.

That’s one hell of a balancing act.

And then came Conan.

📺 The Conan Performance That Sent Everything Into Orbit

On 28 March 2016, Disturbed appeared on Conan and performed “The Sound of Silence” live.

And mun…

What a performance.

Rather than treating the television appearance like another promotional stop, Draiman delivered a performance that quickly became a massive talking point online.

The staging was simple.

The atmosphere was dark.

And Draiman sounded absolutely colossal.

As the song reached its climax, his voice filled the room while the orchestration swelled around him.

The performance subsequently spread across social media and YouTube, introducing Disturbed to people who might never have willingly wandered anywhere near a metal album.

Parents heard it.

Grandparents heard it.

Simon & Garfunkel fans heard it.

Metalheads heard it.

People who normally run screaming when someone says “double kick drum” heard it.

And apparently Paul Simon heard it too.

❤️ Paul Simon Gives Disturbed His Approval

This is where the story gets properly lush.

After seeing Disturbed’s Conan performance, Paul Simon contacted David Draiman to praise what the band had done with his song.

Simon also shared the performance publicly, describing Disturbed’s rendition as “wonderful.”

Think about that for a second.

You’re covering one of the most recognisable songs ever written.

The original songwriter watches you perform it.

And instead of asking you what on earth you’ve done to his baby, he basically gives you a massive thumbs-up.

That must be one hell of a moment.

Draiman responded with his appreciation, making it clear just how much Simon’s reaction meant to him and the band.

For Disturbed, there probably wasn’t a more meaningful review available.

🤘 A Cover That Became Bigger Than Anyone Expected

Disturbed’s “The Sound of Silence” wasn’t merely a novelty metal cover.

It became a genuine hit.

The song crossed musical boundaries in a way few heavy bands manage, gaining enormous radio exposure and introducing Disturbed to a completely different audience.

It topped Billboard’s Mainstream Rock Songs chart and became one of the biggest recordings of the band’s career.

The official music video became a monster online too, accumulating hundreds of millions of views and eventually pushing into the billion-view club.

That’s absolutely bonkers territory for a sombre orchestral reinterpretation of a folk-rock song originally recorded more than half a century earlier.

But perhaps that tells us something.

A brilliant song doesn’t belong to one generation.

🎶 Why The Cover Works So Well

The cleverest thing Disturbed did was not try to replace Simon & Garfunkel.

The original remains the original.

That beautiful harmony between Paul Simon and Art Garfunkel is untouchable, and Disturbed seemingly understood that.

So they didn’t compete with it.

They changed the perspective completely.

Simon & Garfunkel’s recording feels intimate, fragile and haunting.

Disturbed’s interpretation feels enormous, cinematic and almost threatening.

Same lyrics.

Same fundamental melody.

Completely different emotional punch.

That’s exactly what a great cover should do.

If you’re going to cover an iconic song, give us a reason to listen to your version.

Otherwise we might as well stick the original on.

🔥 Metal Has Always Loved Reinventing The Classics

There’s also something beautifully metal about the whole story.

Rock and metal bands have always raided the musical cupboard and dragged unexpected songs into their own world.

Johnny Cash transformed Nine Inch Nails’ “Hurt.”

Jimi Hendrix completely reinvented Bob Dylan’s “All Along the Watchtower.”

Metallica turned traditional songs and obscure influences into arena-sized monsters.

Marilyn Manson made “Sweet Dreams (Are Made of This)” considerably less suitable for your nan’s birthday party.

And Disturbed took Simon & Garfunkel into an entirely different universe.

Genres aren’t brick walls.

They’re doors.

Sometimes all it takes is somebody mad enough to kick one open.

🖤 Nearly 60 Years Apart — Connected By One Song

That’s perhaps the coolest part of this whole story.

“The Sound of Silence” began life during the folk boom of the 1960s.

Decades later, one of the biggest American metal bands of the 21st century picked it up and introduced it to millions of listeners who weren’t even born when Simon & Garfunkel recorded it.

And the songwriter behind the original appreciated what they’d done.

No tedious generation-war nonsense.

No “music was better in my day.”

Just one musician recognising another musician’s interpretation of a great song.

That’s what music should be about.

🎸 The Riff Report Verdict

Disturbed’s “The Sound of Silence” is proof that a cover doesn’t have to sound anything like the original to respect it.

In fact, sometimes the greatest compliment you can pay a song is having the confidence to completely reinvent it.

David Draiman and the band took one of the most beloved songs of the 1960s, stripped away expectations and turned it into something unmistakably their own.

And when Paul Simon himself gives you the nod?

Yeah.

You’ve probably done alright, butt. 🤘

Nearly six decades after “The Sound of Silence” first appeared, the song continues finding new audiences, new meanings and new voices.

From Simon & Garfunkel’s delicate harmonies to David Draiman’s thunderous baritone, it’s travelled one hell of a road.

And somehow, through all those years…

people are still listening to the sound of silence. 🖤🎶

Proudly Welsh. Proudly Loud. Zero Apologies. 🤘🏴

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Michael

Michael

🎸 About Michael Michael is the founder, editor and chief riff wrangler of The Riff Report, an independent Welsh rock, metal and alternative music publication built by fans, for fans. A lifelong rock and metal fan, Michael has spent years immersed in the music, culture and community that surround the heavier side of life. From discovering new bands and digging through classic albums to standing in muddy festival fields, squeezing into packed venues and spending far too much time near the front of a stage, music has always been much more than background noise — it is a massive part of who he is. That passion eventually became The Riff Report, a publication created to celebrate the bands, artists, venues, festivals, photographers, promoters and fans who keep the rock and metal world turning. Michael spends much of the year covering gigs, festivals, tours, album releases, new singles, interviews and music news, with a camera never too far away and a press pass usually hanging somewhere around his neck. Whether it is a huge arena show, a major outdoor festival or a tiny grassroots venue packed with people discovering their new favourite band, he believes every part of the scene has stories worth telling. For Michael, one of the biggest joys of music journalism is being able to shine a light on artists at every level. The Riff Report is just as interested in the hungry independent band playing to 50 people as it is in the global act headlining to 50,000. Supporting unsigned, independent and grassroots musicians is a huge part of the publication’s identity, because every legendary band started somewhere. Sometimes the next big thing is not on a massive billboard or a major-label playlist — sometimes they are crammed onto a tiny stage in a pub, plugging in their own gear and hoping somebody in the room remembers their name. Michael wants The Riff Report to be one of the places that remembers.

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© 2026 The Riff Report Blog. All Rights Reserved. The Riff Report Blog is an independent Welsh rock, metal and alternative music publication. All original written content, reviews, interviews, photography, graphics and other material published on this website remain the intellectual property of The Riff Report Blog and/or their respective credited creators unless otherwise stated.

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